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Ernest HemingwayA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ernest Hemingway was one of the 20th century’s most prominent authors, famous not only for his fiction but for his adventurous life as a world traveler, hunter, fisherman, and reporter covering five wars. He was born in Oak Park, Illinois, on July 21, 1899, to Clarence Edmonds Hemingway, a doctor, and Grace Hall Hemingway, a musician. Hemingway was the second child of six, with one brother, Leicester, and four sisters: Marcelline, Carol, Madelaine, and Ursula.
While his mother urged him to play the cello, it was his father’s love of the outdoors that captured Hemingway’s heart. Each summer, his father would take the family to Windemere, a summer cabin that he built on Walloon Lake on the northern tip of Michigan’s Lower Peninsula, where they had many fishing, hunting, and camping adventures. Though Hemingway played football in high school, he turned to boxing, a sport he practiced throughout his life, with more passion than skill. As Stephen Gertz asserts, Hemingway “had delusions of competence” (Gertz, Stephen J. “Ernest Hemingway: Down for the Count.” Fine Books & Collections, Sept. 2009).
After high school, Hemingway became a reporter for the Kansas City Star where he was instructed to avoid clichés and use short sentences, short first paragraphs, and vigorous English, a style that he employed throughout his career. When the US entered World War I in 1917, Hemingway tried to enlist in the army but was rejected for poor eyesight. Instead, he signed up to be an ambulance driver for the Red Cross in Italy when he was 18 years old. Six months later, he was wounded when a mortar exploded and sent shrapnel into both of his legs. Despite his injuries, he carried an Italian soldier to safety and was hit by machine gun bullets. He spent six months in a hospital and, while there, fell in love with an American Red Cross nurse, whom he thought he would marry. The relationship inspired Hemingway’s novel A Farewell to Arms, published in 1929. Following his return from the war in 1919, he received a letter from the nurse telling him she was engaged to someone else, devastating Hemingway.
Hemingway later married a wealthy heiress named Hadley Richardson. The couple moved to Paris, where they lived near other artists, poets, and writers in the Latin Quarter. He wrote articles for Canada’s Toronto Sun and produced a series of short stories. In 1922, he went to Constantinople to cover the war between Greece and Turkey for the New York Sun. That same year, a suitcase full of all that he had written was lost at the Lyon train station. The manuscripts were never discovered, and Hemingway was devastated.
In 1923, Hemingway traveled to Spain, on Gertrude Stein’s advice, to seek out new stories and there discovered the thrill of bullfighting. He described bullfighting as “the only art in which the artist is in danger of death and in which the degree of brilliance in the performance is left to the fighter’s honor” (Death in the Afternoon 91). In 1926, Hemingway published his first novel, The Sun Also Rises, which was inspired by his trip to Spain. It recounts the experiences of a group of American and British tourists traveling along the Camino de Santiago, a medieval pilgrimage route, from Paris to the city of Pamplona, Spain, where they watch the running of the bulls and the bullfights. The novel depicts the Lost Generation not as decadent and damaged, but as strong and determined.
Hemingway and Hadley divorced in 1927, and he married an Arkansas heiress named Pauline Pfeiffer. In 1933, they traveled 300 miles by train through Africa. The adventure led to the novel Green Hills of Africa and several short stories. During the 1930s, Hemingway spent winters deep-sea fishing in Key West, and summers big game hunting in Wyoming.
In 1937, Hemingway went to Spain where he again covered the Spanish Civil War for newspapers in North America. There he met Martha Gellhorn, an American novelist, travel writer, journalist, and war correspondent. Gellhorn inspired Hemingway’s novel For Whom the Bell Tolls, which was published in 1940. That same year, Hemingway divorced Pfeiffer and married Gellhorn. They traveled through China, and then lived in Cuba. When World War II began, Hemingway volunteered to look out for German submarines in the Caribbean, and then became a war correspondent accompanying Allied troops as they landed on the beaches of Normandy on D-Day. He was present at the liberation of Paris and the Battle of the Bulge.
In 1944, Hemingway once again divorced and married a Time magazine reporter named Mary Welsh, whom he met in London. They lived in Venice for a while, then returned to Havana, Cuba, spending summers at a cabin he built in Ketchum, Idaho. Hemingway developed health problems in the late-1940s including severe headaches, high blood pressure, weight problems, and diabetes, all of which mostly resulted from previous accidents and heavy drinking. He also began experiencing depression.
In 1952, Hemingway published his novella, The Old Man and the Sea, which won the Pulitzer Prize. In 1953, he and Mary traveled through Africa, where they were in two plane crashes from which Hemingway received various injuries. In Entebbe, Congo, Hemingway recuperated and read the obituaries that had been mistakenly published about him. In October 1954, Hemingway was awarded the Nobel Prize in Literature.
Hemingway spent his final years dealing with physical illnesses and depression, undergoing electric shock therapy. In 1959, he returned to Spain to complete a series of articles on bullfighting commissioned by Life magazine, resulting in his book The Dangerous Summer. He also worked on a memoir titled A Moveable Feast. Both were published posthumously. On July 2, 1961, Hemingway died by suicide at his home in Ketchum, Idaho.
As a newspaper reporter, Hemingway had to report events without interpretation, so he learned to report “the facts and just the facts.” He continued to use this minimalist style as a fiction writer, leaving context and deeper meanings unstated, believing that they would shine through. This approach became known as the “iceberg theory” of writing:
If a writer of prose knows enough of what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing (Ernest, Hemingway. Death in the Afternoon, Charles Scribner’s Sons, 1955, Archive, p. 192).
He came up with this theory of omitting information when completing a short story called “Out of Season.” In his memoir, Hemingway described his thinking, “I omitted the real end [of the story] which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew what you omitted and the omitted part would strengthen the story and make people feel something more than they understood” (Ernest, Hemingway. A Moveable Feast, Bantam Books, 1964, Archive, p. 75).
The modernist period began in the late 19th and early 20th century and continued until the early 1940s. Reflecting the post-war malaise, authors and poets attempted to break free from tradition. They experimented with fragmented narratives, non-linear structures, and irregular poetry that reflected the fragmented state of the world following World War I. As Hemingway does in “Big Two-Hearted River,” authors focused on characters’ internal thoughts, feelings, and psychological states. Some authors, like James Joyce and Virginia Woolf, began to use “stream-of-consciousness,” a style of narration that recreates the disorderly interior thoughts and feelings passing through the mind of a character. Hemingway’s minimalist prose was another expression of modernism. Modernist writers rejected the elegant, verbose style of Victorian and Edwardian authors. Perhaps the central feature of modernism is the common theme of alienation and disillusionment, reflected in the alienation from society and emotional flatness of Nick Adams.
The Lost Generation had a significant influence on the development of modernism. In 1922, fellow American expatriate writer Gertrude Stein told Hemingway about a conversation she had with the owner of an auto repair shop. The young mechanic who had worked on her Model T was not prompt getting her car repaired, and the older owner of the shop shouted at him, “génération perdue,” a lost generation: “‘That is what you are. That’s what you all are,’ Miss Stein said, ‘all of you young people who served in the war. You are a lost generation” (A Moveable Feast, 29). Hemingway was annoyed by the assertion believing that “all generations were lost by something and always had been and always would be (30). Hemingway used Stein’s quote as an epigram to his 1926 novel, The Sun Also Rises, but tried to balance it with a quote from Ecclesiastes 1:4-8 that reads, “One generation passeth away, and another generation cometh: but the earth abideth forever.” Nevertheless, the phrase “Lost Generation” came to represent American writers living in Paris during the 1920s, as well as the entire generation who grew to adulthood during World War I. It signified a generation once full of promise, now disillusioned by the death and carnage of war. Around 20 million died in the war, and those who returned from the front lines were often severely wounded both physically and mentally. They inherited values—a belief in human progress and the inherent goodness of humanity—that they could no longer believe in. They were often pessimistic about their future, rudderless and unmoored. Though they physically survived, many felt lost.
By Ernest Hemingway