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51 pages 1 hour read

Emily Henry

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Fiction | Novel | Adult | Published in 2022

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Prologue-Chapter 12Chapter Summaries & Analyses

Prologue Summary

Top literary agent Nora Stephens is familiar with all the tried-and-tested romcom plots, especially the one with a metropolitan billionaire who goes to a small town to replace a family-run business with a soulless corporation, falls in love with a local woman, and leaves the city and the ice-queen girlfriend he has there behind. Nora, who identifies with the ice-queen city girlfriend, has lived through this plot several times and, as a result, has a sense of dread whenever one of her boyfriends goes on a business trip to a rural part of the country. She senses that her current boyfriend, Grant, will break up with her because she did not visit him in San Antonio, Texas, when his appendix ruptured. Now, Grant tells her that he is not coming back because he met a woman named Chastity, and he will stay in Texas to help her parents run a local hotel. Although he is a privileged billionaire’s son, Grant acts as though he has completely changed his values and that Nora is out of touch with them. He also accuses her of not needing him, which Nora admits is true.

Nora laughs rather than cries, and although she is shaken by the news, she is determined to go to a lunch meeting with Charlie Lastra, a brilliant editor she hopes to enlist on her client Dusty Fielding’s latest book, Once in a Lifetime. However, at the meeting, Charlie makes it clear that he hates Once in a Lifetime, pronouncing it unreadable and sentimental. He is especially opposed to the book’s Sunshine Falls, North Carolina, setting, saying he does not want to spend 400 pages there. Nora thinks the meeting was a disaster; however, Charlie sends an email stating that he would like to be kept in mind for Dusty’s future projects. They have a cold, sparring exchange in which Nora has the last word, and she sleeps well.

Chapter 1 Summary: “Two Years Later”

Two years later, Nora is catching up with her younger sister, Libby, who is pregnant with her third child. The two girls were raised in the West Village of New York City by their mother, who is now dead. Libby is worn out by motherhood, and Nora notices that she has not been the same for the past six months. They are drifting apart, and Libby doesn’t confide in Nora.

Meanwhile, Nora’s pattern of being dumped for the rural girls that her boyfriends meet on their travels continues. Libby marvels that this event has happened three times; however, Nora knows the correct number is actually four, and she does not want to think about what happened with a man named Jakob. Still, Nora is thriving in her career and proved Charlie wrong as Once in a Lifetime became a hit.

Libby surprises Nora by producing plane tickets to Sunshine Falls, insisting that they both need to get away and remember who they were before their family and career responsibilities. She jokes that Nora can imitate her exes and fall in love with a rural man. Nora agrees, since the publishing industry slows down in August.

Chapter 2 Summary

On the airplane, Libby produces a list—inspired by romance novels and movies—of all the small-town things the sisters must do while in Sunshine Falls. Getting Nora dates with local men is a top priority. Libby reminds Nora that opposites attract and lists Jakob and his cowboy wife as an example. This is a painful memory for Nora, and she seeks to repress it. Nora is afraid of following the pattern of her actress mother, who always fell head over heels in love and whose romances always ended badly. Their to-do list also includes saving a local business.

The man who picks them up from the airport looks like Santa Claus and thinks that they must have relatives in Sunshine Falls, as there would otherwise be no reason for them to visit. The house is in the middle of nowhere and includes a steep uphill climb. Pregnant Libby orders Nora to go out and get food for them. While Nora thinks the town’s white-stone facades are like something from Once in a Lifetime, she notices that the interiors are run-down and neglected. Finally, she finds a general store with people in it and goes in.

Chapter 3 Summary

Inside the building, Nora sees a gorgeous, rugged rural type of man, the male equivalent of the archetype her exes fell in love with. Then, she spots another good-looking man in line. To her surprise, it is Charlie Lastra. To verify his identity, Nora begins sending him an email chain. Charlie answers immediately, and Nora sends him over a book about Bigfoot erotica from her slush pile.

Back at the cottage, Libby cannot believe this news, and they speculate about what Charlie is doing in town. They settle down to a night of watching Katharine Hepburn movies, in the tradition of their mother, who used them as a remedy for getting over heartbreak. However, neither sister ever needed this remedy, as Libby settled down at 20, and Nora has “approximately one romantic bone in my body” and began to think of dating as a job interview after the disappointment with Jakob (48). She realizes that Libby’s troubles stem from outgrowing her city apartment and not being able to afford anything new. Nora tries to find a new apartment for her. Meanwhile, she gets an email from Charlie, and they spar about the merits of Once in A Lifetime and their nicknames in the publishing industry. While Charlie’s is “Storm Cloud,” Nora’s is “the Shark” (51). Although the name comes as a surprise to Nora, she is proud of her reputation for excellence. Nora admits that she was late to their first meeting because she received bad news just before it, and Charlie acknowledges that he does not make the best first impression. She is surprised to find that their conversation has the playful energy of flirtation.

Chapter 4 Summary

Nora dreams that her mother is still alive. Her mother was a poor homeschooled girl who fell in love with her father, a wealthy prep-school boy, and got pregnant by him at 17. When he left her while she was pregnant with Libby, providing her a scant sum of money, she moved to New York City with her daughters. The girls are estranged from their father.

After this dream, Nora struggles to sleep and goes on a jog. There, she sees the original “coffee shop Adonis” talking to a horse and stumbles on a root (59).

Later, in the supermarket, Libby insists that they buy hair dye and get makeovers. While Libby dyes Nora’s hair back to its original ash-brown color and gives her feathery bangs, Nora dyes Libby’s pink. Libby loves it.

Chapter 5 Summary

Nora sends Charlie her phone number, and she and Libby go into town. They order food, and Nora is having a dirty martini when an email comes through from Dusty showing part of her new manuscript, Frigid. The heroine is a film agent named Nadine Winters whose nickname is “The Shark.” Nadine is controlling and cold, and she prioritizes results over enjoyment. Nora fears that Nadine is a thinly veiled version of herself. Drunk and vulnerable, Nora searches for Libby; however, instead, she barrels into Charlie as she falls.

Chapter 6 Summary

Charlie is surprised to see her there, and Nora protests that she is in Sunshine Falls on vacation and not stalking him. Charlie tells her he is from Sunshine Falls. She tells him about Dusty’s new book and the character of Nadine Winters.

Over a beer with Charlie, Nora finds herself softening and slips into a compliment about his “amber” eyes before retracting it (83). She realizes that she is attracted to Charlie and is stuck between wanting to control herself and longing to throw caution to the wind in order to avoid being like Nadine. Charlie claims he can read Nora “like a book” because they are both the same (86). Nora asks why Charlie hates Once in a Lifetime so much and speculates that he might be Old Man Whittaker, a character with a secret that forces him to close himself off from love and joy. They order more alcohol.

Chapter 7 Summary

Charlie challenges Nora to a game of pool, stating that if he wins, she must tell him why she’s on vacation in Sunshine Falls, and if she wins, he will tell her why he was so awful on the day they met. After three games, Charlie wins, and Nora tells him that she is on vacation to support her sister; however, she drunkenly blurts out the unfortunate pattern of her dating life, where men leave her for wholesome rural women. She does, however, conceal what happened with “patient zero” novelist-turned-rancher Jakob, judging that it is best left behind “in the smoking crater that changed my life” (95). Charlie jokes that Libby’s plan is to marry Nora off to a pig farmer, they spar further, and she feels attracted to him. Nora learns that Charlie was trying to catch an emergency flight on the day they met because his father had a stroke. He also tells her he just had another one, so Charlie returned home to try to help his family, although his father didn’t even tell him about his most recent stroke. Nora tells him about her own absentee father. Nora feels like kissing Charlie. It is raining, and Charlie insists that they can share his umbrella when Nora resists his offer of a cab home.

Chapter 8 Summary

Charlie affirms that the place where Nora and Libby are staying is his parents’ rental cottage. As Nora’s heels are unsuitable for the climb to the house in the rain, he gives her a piggyback ride. Meanwhile, Charlie confesses that he is sleeping in his childhood racecar bed. Nora realizes that they are both wearing the same gender-neutral cologne called BOOK. They kiss and make out when they arrive at the cottage, but they suddenly realize what they are doing and feel that they will sabotage their careers if they have a relationship with each other. Charlie says that he cannot get involved, and Nora says that they should pretend this never happened.

Chapter 9 Summary

Nora decided never to fall in love after her mother was dumped by a showrunner who then had her character killed off and shoved into a meat locker. Nora’s only divergence from this rule was Jakob, whom she fell in love with and moved in with. However, when her mother died, she moved back in with Libby and did whatever she could to make ends meet. When Jakob got into a Wyoming writers’ residency, he left, and then “there was the breakup, the utter desolation, the reminder of why the promise I’d made to myself years ago still mattered” (110). Nora refused to talk about Jakob and went through a period of dating only to get a free meal and potentially take some food home to Libby. The numbness in her heart enabled her to focus on work and build an independent existence, apart from feeling responsible for her sister. After that, she dated in a controlled manner and did not have casual hookups until Charlie Lastra.

Libby disapproves of the idea of Nora and Charlie dating because she feels that Charlie is too much like the city men Nora dates. Nora goes off to search for Wi-Fi, grateful that at least things seem more normal now between her and Libby.

Chapter 10 Summary

The only place in Sunshine Falls with Wi-Fi is the bookshop where Charlie is working while he continues his editing work remotely. Meanwhile, Sharon, the editor who planned to work on Frigid, has given birth prematurely, so Charlie asks to work on the project. Nora worries about working so closely with him after their intimate moments and also fears that his blunt ways may destroy her client’s confidence. Libby is worried about Charlie distracting Nora from finding a wholesome local man, but, at the same time, she wants to help save the bookshop as part of the goal on their checklist of saving a local business. Nora agrees to try and negotiate with Dusty.

Chapter 11 Summary

Dusty is put off by the idea of Charlie editing her current book, as he rejected her previous one. However, she eventually agrees, provided Nora agrees to supervise Charlie’s work with her own edits. Nora and Libby settle into a routine that includes Nora going to the bookshop to use the Wi-Fi while avoiding Charlie’s glances. Nora meets Charlie’s mother, Sally, and Sally later texts her son to say that Nora seems pretty and eligible. Charlie adds that his mother has long been disappointed in him but does not elaborate. They exchange humorous texts about the Bigfoot erotica from Nora’s slush pile.

Chapter 12 Summary

Libby has created an online profile for Nora on a dating app called Marriage of Minds, or MOM. Nora instantly knows that the date Libby has set up for her with Blake, a homespun local boy, will go badly. They are to meet at Poppa Squat’s for karaoke night. Nora is reluctant but agrees to go, if only to avoid behaving like her caricature, Nadine. The date goes terribly after Blake fixates on Nora’s height and asks if she is a model. She orders alcohol to help her get through it.

Prologue–Chapter 12 Analysis

From the outset, Henry’s novel is concerned with challenging the romance genre archetype that positions romantic heroines as wholesome, naïve country girls who embody the hero’s search for his truest self. This heroine is always opposed to the city-slicker “ice queen” who represents artifice, pretentiousness, materialism, and rationality (2). From the outset, Henry’s heroine, Nora, conforms to the latter stereotype as a Peloton-devoted, high-heel-wearing, New-York-loving platinum blonde. However, Nora’s plucky awareness of this fact and her wry first-person narrative encourage the reader to laugh along with her when she discovers that her country-girl love rival is named Chastity “after the ability to keep a hymen intact,” emphasizing that “it is funny” (5). Asides like this, in addition to Nora’s devotion to her sister, Libby, and her fond memories of their dead mother, also reveal her deep potential for loyalty and love, even at a stage in the novel when she is prioritizing her career and autonomy over her boyfriends. While Nora is annoyed by serial boyfriends’ rejections of her for winsome country heroines, she is far from devastated by those breakups, and it soon becomes clear that she never truly made herself vulnerable again after a heartbreak with a man named Jakob, which is so traumatic that she cannot talk about it. One sign of her aversion to vulnerability is her unwillingness to spend the night at any man’s apartment, using her 10-step skincare routine and perfect mattress as excuses for leaving. Here, Henry sets up the expectation that Nora will begin to heal when she can face and share the truth about Jakob.

Henry thrusts Charlie Lastra into the prologue, which occurs two years before the story’s main action, to establish that he has been Nora’s career nemesis for a long time. From the outset, Charlie and Nora are both physically and mentally attracted to each other, and the spontaneity of their email exchange indicates that they are well matched.

When they meet in Sunshine Falls, a slow-paced small town that Henry positions as the opposite of New York City, more coincidences set them up as the perfect match for each other. First, the characters share the experience of standing out uncomfortably, both in the publishing world and in life. The coincidence of their wearing the same unisex perfume, BOOK, indicates their similarity on a more instinctive or primal level. The unisex quality of the perfume parallels Henry’s intention to write a romance novel that rejects rigid gender stereotypes, as Nora and Charlie alternate being more assertive, thus challenging the stereotypically “masculine” role in the courtship. However, the progress of their relationship stalls due to their mutual reticence and prioritization of logic over emotion as they choose to put their careers and responsibilities to others above their own desires. The kiss that ensues in this first section establishes that there is irresistible chemistry between the hero and the heroine, but it is up against great odds.

Finally, Nora’s sister, Libby—who with her petite stature, strawberry-blonde hair and spontaneity would seem the more conventional romantic heroine—emerges in the first third of the narrative as the catalyst for change. It seems clear that Libby is pursuing a conventional romance plot for Nora, as she tries to set Nora on the path of outdoing her former boyfriends in finding true love in a rural place and doesn’t root for Charlie because he doesn’t fit this model. However, both Nora and the reader sense she is concealing something, and the rift between Nora and Libby is a useful plot device for enabling Nora to get closer to Charlie. 

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