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18 pages 36 minutes read

Naomi Shihab Nye

Burning the Old Year

Fiction | Poem | Adult | Published in 1995

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Literary Devices

Form and Meter

“Burning the Old Year” is written in free verse—meaning it does not employ a definitive rhyme scheme or meter—but it contains a rhythmic quality when read. The poem contains four stanzas with 15 lines total. The stanzas vary in line length and amount of lines in each. Nye makes use of enjambment: Her lines do not end with terminal punctuation and the ideas run over onto the next line.

Despite the poem containing no formal verse or meter, it has a musical quality achieved through the use of literary devices. Her personification, onomatopoeias, figurative language, and rich imagery combine to create a rhythmic poem. Specific use of verbiage and syntax, how she structures her lines, both aid in this.

Figurative Language

Figurative language goes beyond the literal meaning of the written text to convey a message. Nye uses figurative language throughout “Burning the Old Year” to convey the poem’s central themes; she uses personification, simile, and imagery to create a poem that merges the concrete with the abstract. Throughout the poem, the speaker is burning remnants of the year before, but these papers, notes, letters, and poems also represent the memories and times associated with when they were written. As the speaker moves forward into the new year, she chooses to burn these specific written artifacts, ridding herself of the reminders and memories of times that are no longer valuable or needed.

Imagery

Nye employs strong and vivid imagery in “Burning the Old Year.” Imagery appeals to a reader’s five senses with vibrant word choices that paint a picture for the reader. In the first stanza, Nye writes:

Letters swallow themselves in seconds.
Notes friends tied to the doorknob,
transparent scarlet paper,
sizzle like moth wings,
marry the air (Lines 1-5).

While reading these lines, the reader can visualize the letters and notes being burned, hear the “sizzle” sounds of burning papers, and even smell the unforgettable aroma of smoke rising from the fire.

In stanza two, the speaker describes the “Orange swirling flame of days” (Line 8); here, the reader can picture the colorful churning of the fire and liken it to the days blending together as time passes. The concluding lines of the poem, “only the things I didn’t do / crackle after the blazing dies” (Lines 14-15), trigger both the visual and audio senses, so the reader can hear the “crackle” of the fire as it represents what has been left undone, and imagine the image of the waning flames as the fire diminishes and is finally extinguished.

Personification

Personification is a type of metaphor where a writer uses human characteristics to describe non-human things. Nye pairs personification within “Burning the Old Year” with rich imagery to create a physical and abstract presentation of the various symbols and themes throughout the poem.

The first use of personification comes in the first line: “Letters swallow themselves” (Line 1), which describes how the letters being burned catch fire against each other, allowing the fire to quickly eat through them. The second use of personification comes in the line “an absence shouts, celebrates” (Line 11). By describing the empty space where an item or memory was erased as shouting and celebrating, Nye notes the importance and weight of absence and how emptiness makes an impact once the object filling it is gone.

Onomatopoeia

An onomatopoeia is a word that sounds like the action it is describing. There are two notable instances of onomatopoeia in “Burning the Old Year.” The first is in Line 4, “sizzle like moth wings.” The second is in Line 15, “crackle after the blazing dies.” Both “sizzle” and “crackle” are words that sound like what they describe. The use of onomatopoeia, especially with the rich figurative language and imagery in the poem, allow the reader to be immersed within the text in a highly sensory way.

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