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51 pages 1 hour read

Colleen Hoover

Confess

Fiction | Novel | Adult | Published in 2015

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Part 2, Chapters 15-20Chapter Summaries & Analyses

Part 2, Chapter 15 Summary: “Auburn”

Content Warning: This section includes depictions of sexual assault and intimate partner violence.

Auburn notes the amount of time that’s passed on Owen’s 90-day sentence as she kisses AJ goodnight. Whatever Trey told Lydia seems to be working; she and Trey walk hand in hand to the living room, and Lydia seems pleased. Auburn stares at Adam’s picture, thinking about how much AJ looks like him, and Trey seems disappointed in that. They say goodbye to Lydia, and Auburn senses some sort of blame in her expression. She’s always worried that Lydia still holds the time she spent with Adam before he died against her. Auburn worries things will be especially bad if it doesn’t work out with Trey.

Trey has walked her home every night this week, and she allowed him to kiss her last night. She felt uncomfortable because she used to be in love with his brother and AJ is his nephew. There’s also something about him that turns her off. She thinks he might not be a good person, but she’s also worried she’s judging him based on his mother. Auburn also can’t stop thinking about Owen. She worries about him. Trey kisses her again tonight and then tells her to lock her doors because he heard Owen was released early.

Auburn is conflicted. She knows she’ll see Owen eventually because he’ll come to get Owen-Cat. Then he texts her: “Meat dress”. It’s the safe word Emory made Auburn say the night she first met Owen. He’s at her front door, and she feels that tight fist feeling in her chest, the same feeling he revealed in the tent. She can tell he feels it too. 

Part 2, Chapter 16 Summary: “Owen”

Owen ached for Auburn while he was gone. Trey visited him in jail and told him to stay away from his girl, which upset Owen. He narrates, “The fact that he referred to Auburn as his girl is the last thing I wanted to hear, and that has nothing to do with my jealousy and everything to do with my instincts regarding Trey” (210). He believes she deserves so much better.

Now, he’s in front of Auburn at her door after he watched Trey leave. They hug, and she takes him to her bedroom where they climb into the tent to speak. He asks if she’s with Trey, and she says, “It’s complicated.” When he asks why, she admits it’s the same reason she can’t be with Owen: AJ. Owen says he understands, but he needs her to know that Trey is not a good person. She has to hold onto what works, though; in her mind, Trey is good to AJ, and that’s what matters. They both know this is their goodbye.

He brings Owen-Cat back to his studio and then visits his father, whom Owen hopes has hit rock bottom and gotten help. His father is asleep on the couch, and there’s a bottle of pills nearby. His father became addicted to pills after being in a coma for a month after the accident. Owen felt guilty enough that he kept his father supplied with pills long after the doctors cut him off. Harrison has been his source up until now, but when Owen went to prison, Harrison refused to be a part anymore. Yet somehow, his father managed to get pills again.

Owen pours the pills into his hand to count them, and his father wakes up. Owen tells Cal about Auburn and that she has a son, whom Owen would never treat the way Cal treats Owen. Owen takes the pills and pours them down the sink drain. Cal gets upset, and Owen tells him that seeing how Auburn sacrifices for her child makes him aware of his and Cal’s screwed-up relationship. He says he will no longer enable his father out of guilt and leaves.

Part 2, Chapter 17 Summary: “Auburn”

Auburn is with Trey and AJ at the grocery store. Trey takes AJ to pick out a toy while Auburn continues to shop. She runs into Owen, and she’s reminded of what true feelings for another feel like. He notes that they’re in aisle 13. AJ and Trey come back, and Trey possessively puts an arm around Auburn’s waist and pulls her away. Trey gives her the silent treatment for the rest of their time in the store; she can feel his anger.

Once AJ is in the car Trey asks Auburn if she spoke to Owen. Then he asks if she “f*cked” him. Auburn gets angry now too and begins to walk away, but Trey grabs her and pushes her against the car. She knows she needs to say whatever will de-escalate the situation, especially with AJ right there, so she says she didn’t. He smiles and kisses her forehead, which Auburn finds scary because his mood changes so quickly. Before she gets into the car, she sees Owen across the parking lot, and they hold their fists to their chests.

Trey leaves for a conference, and Lydia takes AJ to see family. Auburn would have gone with Lydia had she not had to work. Trey is clearly uncomfortable leaving Auburn because of Owen. Auburn goes to Owen’s studio and leaves confessions. She’s left many over the past few weeks, but she knows he can’t tell which are hers. This time she writes a confession that Trey is out of town but immediately regrets it and writes another one that says to ignore the last one. She’s decided she has to stay committed to Trey and work on their relationship for AJ.

Owen shows up at the salon. She feels how much emotion she has for him. He asks if she has time for a haircut. She washes and cuts his hair, and afterward, he places a $50 bill on the counter. She tells him to wait because it’s too much money. He looks at her and walks out. She notices there’s writing on the bill. It says, “I need at least one night with you. Please” (233). She’s emotionally devastated by his confession because she wants it, too.

She goes to his studio, and he pulls her inside. He admits to being selfish and kisses her. She pulls away eventually, breathless, and says she’s with Trey, and he says, “Your commitment is the only part of you that’s with Trey.’ He lifts his hand and presses his palm over my shirt. ‘Every other part of you is with me’” (235). She knows he’s right.

As he undresses her and himself, he reiterates all the ways he knows her and deserves her. He gestures to her heart and says, “And no one else deserves to be inside you if they can’t be there through here first” (239). This is what he means when he says he deserves her. They have sex, and afterward, she’s afraid to say goodbye to him, the same way she was afraid when she had to say goodbye to Adam. She cries, knowing she must, and he holds her, understanding what she’s feeling.

Part 2, Chapter 18 Summary: “Owen”

Owen wakes to a confession on the pillow: “I’ll think about last night forever, Owen. Even when I shouldn’t” (243). He misses her already, and it hurts so much. He goes to finish the painting he started of Auburn, using her confessions. Later, he goes to Harrison’s bar, and when he returns his door isn’t locked. Inside, someone has smeared red paint all over his work. He thinks it must be Trey, and he runs to his workroom and sees the painting of Auburn hasn’t been touched, but the confession she left for him today is missing.

Part 2, Chapter 19 Summary: “Auburn”

Trey knocks on the door. It’s late, and he’s back early. He puts his gear on the counter and goes to use the bathroom. Auburn sees Owen has texted her multiple times. He’s worried about her. She tells him everything is fine, and that Trey is there. He texts back that someone broke into his studio, and that he took her confession.

Trey returns from the bathroom, and they go into her bedroom. He’s being very affectionate and too nice. He tells her he found a house for them to live in, which scares her. Trey gets on top of her and starts kissing and groping her. She doesn’t want it, so she tries to scoot away. She doesn’t say anything, and he takes that to mean it’s okay for him to keep going. She tells him to stop, and he does, but he leaves his hand in her jeans. She tries to pull it out, and he puts his face close to her, full of anger. He names the other men with whom she’s had sex: his brother and Owen. That’s when she becomes terrified. He pushes into her jeans again, and she wonders briefly if she should just let him do it to make things better. She instantly knows she doesn’t want to be spineless because AJ deserves better. She tells him to stop again, but he becomes more aggressive and persistent.

Emory appears at the door and tells him to stop. She has Trey’s gun. She tells him to walk out of the apartment and to the end of the hall, and she’ll leave his stuff outside the door to come back and retrieve. Emory demands he get a move on. After he’s out, he cries and tells Auburn he’s so sorry. Auburn, knowing Owen will be there soon, just needs him to leave, so she tells him she needs some space, and they’ll talk tomorrow.

Part 2, Chapter 20 Summary: “Owen”

Owen arrives at Auburn’s apartment and is relieved to see she’s okay. He knows he has to keep her with him to stay safe, so he takes her to a hotel for the night. He asks her to tell him what happens. She does, but she’s clearly ashamed, which hurts him to see. He wants her to report him, but she’s focused on getting Trey to forgive her. She tells him, “You don’t know what it’s like to give up your entire life for someone” (263), and he realizes she doesn’t know that everything he’s done that’s messed up his life has been out of selflessness. He says, “I understand completely that you want to be with your son, but sometimes in order to save a relationship, you have to sacrifice it first” (263). He’s referring to him and her.

Part 2, Chapters 15-20 Analysis

The central conflict, which in romance is always the tension between the main characters’ desire for each other and the obstacles to their love, rises almost to its peak. Owen’s and Auburn’s desire has built throughout the story, and by the time they make love, the scene is rich with emotion, romance, and purpose. Their connection has been established, and every romantic statement Owen makes resonates with that connection. In other words, the reader believes in their love. The romance in this scene is a sharp contrast to the scene where Trey assaults Auburn.

There is also a contrast between how Owen and Trey deal with losing Auburn. Owen wants what’s best for her, and he wants her to be happy. He understands he can’t control her. To deal with his grief, he turns to art because Art Heals. He paints to process his emotions and feel connected to Auburn, even when he can’t be with her. In other words, Owen deals with negative emotions by creating something new. Trey, on the other hand, goes straight to violence and destruction. He breaks into Owen’s studio and finds Auburn’s confession with the painting Owen made of her. Rather than deal with his feelings or have a conversation with Auburn, he tries to physically force Auburn to be with him and manipulate the truth so Owen can’t be in her life.

These chapters constitute the second half of the story’s second act, which is when Auburn and Owen begin to take more control of their lives rather than stay stuck. Neither of them is free of their past yet, but Owen recognizes he can no longer give up his own life and support Cal’s addiction because he lost Auburn by doing so. He’s tired of living in the past, and the possibility of happiness with Auburn is the motivation for him to grow. Because of this realization, Owen can see that Auburn is stuck in a similar pattern. She’s spent the past five years believing she has to sacrifice what she wants so she can be with her son. She doesn’t question this approach until Owen tells her that there are times you have to forgo the relationship rather than yourself; you cannot give love selflessly when the situation makes you a smaller version of yourself.

With this, Auburn begins to question whether she should stay with Trey, especially after his behavior at the store. Her fear of losing AJ is still in the way, but she begins to recognize the danger she and her son are in by staying in Trey’s orbit. Trey’s aggressive and unpredictable behavior in the parking lot of the store foreshadows his sexually violent behavior, which cements Auburn’s understanding that the situation is untenable. Trey’s actions in these chapters are the turning point in the narrative, the events that lead inevitably to the climax. He’s revealed himself to Owen, the reader, and now Auburn as selfish, harmful, and dangerous. Auburn will have to decide now how to proceed; she can’t unknow who he truly is, but her relationship with her son is on the line.

Emory returns in these chapters and acts heroically, kicking Trey out of the apartment and saving Auburn from his assault. She is a static character in that she doesn’t change in any way by the end of the book, nor do we know much about her other than what purpose she serves for Auburn. Without the same stakes as Auburn, she can be her foil and acts decisively, fighting to protect her friend without worrying about alienating Trey. Up until now, her primary purpose has been to voice the truth as opposed to Auburn’s guardedness and timidness. In her final moment in the book, she saves Auburn from Trey’s true character. She’d been warning Auburn from the start that she didn’t like him, and now her clear-eyed wisdom about people has come to fruition.

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