53 pages • 1 hour read
Neal ShustermanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
One of the novel’s most prominent symbols is coins, and they represent an Afterlight’s choice to go into the light and move to the afterlife or stay in Everlost until they are ready to move on. Every coin that passes into the spirit world is faceless, preventing the Afterlights from knowing their value, what year they were minted, or even what country they’re from. This loss of information shows that the coin itself is what’s important, not how much it’s worth or where it came from. Every coin represents the same value in the mysterious currency of Everlost: the chance for an Afterlight to move into the light. An Afterlight knows they are ready to move on when a coin feels warm in their hands. The warmer a coin is, the more ready the spirit is to move on. Thus, when Mary and Nick hold a coin, it feels cold, indicating that they are not yet ready and have more to accomplish before their departure. Lief, on the other hand, feels warmth from the coin and almost immediately moves into the light.
Coins are very common, for every child who crosses into Everlost has one. However, the children in Everlost have no idea what coins are used for thanks to Mary’s deliberate obfuscation of the truth, for she teaches that they have no value or worth. In one of her books, Mary says this about coins:
They do not sparkle, they do not shine, and they contain no precious metals. These so-called ‘coins’ are nothing more than useless, leaden slugs, and are best discarded along with one’s pocket lint, or better yet, tossed into a fountain for luck (291).
To separate Afterlights from their coins, Mary encourages the children to throw them into the fountain and make a wish. When Nick confronts her for manipulating the truth about coins and preventing the Afterlights from leaving Everlost, Mary defends herself by saying the children choose to throw their coins in the fountain and that they can retrieve their coins at any time. (Of course, the children don’t reclaim their coins because Mary insists they’re useless.)
Nick is the first Afterlight to figure out the purpose of the coins and why Mary lies about them. At the novel’s beginning, Nick compares Afterlights to coins standing on their edge, saying they might “find a way to come up heads” and leave Everlost (31). Once the McGill turns back into Mikey, Nick continues to figure out why he feels uneasy about Everlost and his place in it. He sees Lief with the bucket of the McGill’s coins and finally realizes that they must hold some importance. Then, when Lief holds a coin and says it’s warm, Nick connects all the dots and realizes these seemingly valueless coins are the key to moving into the afterlife. He then knows his purpose: to travel around Everlost teaching Afterlights how to use the coins to move into the light. Thus, Nick becomes a savior who undermines Mary’s authority over the Afterlights and helps them escape their ruts and move into the world beyond.
A second important symbol is fortune cookies. All fortune cookies ever created pass into Everlost, so they are almost as easy to find as coins. Fortune cookies symbolize the path each Afterlight takes to find peace and move into the afterlife. Allie finds this out for herself when she reads her first fortune, which references how she caused Nick and Lief to end up in a pickle barrel. She reads two more fortunes—one says she will be the last and the first, and the other tells her she can choose to stay in Everlost or leave—but she doesn’t understand them until later in the novel. This experience helps Allie understand the true value of fortunes in this world and their role in helping Afterlights prepare to move into the afterlife.
As with the coins, Mary manipulates the truth about fortune cookies, hiding their true purpose from her Afterlights. Mary writes in one of her books:
Beware of fortune cookies that cross into Everlost. […] They are instruments of evil, and the proper way to deal with them is to stay far away. AVOID TEMPTATION! Don’t even go near Chinese restaurants! Those wicked cookies will rot off the hand of anyone who touches them (208).
When Mary teaches the Afterlights about coins, she is more passive and says they are useless but harmless. With the fortune cookies, however, Mary aggressively warns Afterlights to stay away from them, which explains why Johnnie-O and his gang cross the street so haphazardly to avoid any chance of running across a fortune cookie, demonstrating the success of Mary’s propaganda. Her misinformation is designed to prevent Afterlights from discovering their path to the afterlife and the connection the fortunes have with the Afterlights’ coins.
One motif developed throughout the novel is the appearance of everyday objects and historical references. From the novel’s beginning, Neal Shusterman inserts seemingly random items into the world of Everlost. For example, when Lief crosses into Everlost, he brings his father’s shoe, a picture of himself, and a lucky rabbit’s foot. These everyday objects represent Lief’s past in the living world and help him feel connected to all he’s lost, even when he forgets most of it. Another example of everyday items making it into Everlost is the birthday cake Speedo brings to Mary. This example shows the light-hearted tone Shusterman incorporates into the novel, especially since he’s dealing with the issue of childhood death and tragedy. Speedo can only obtain the cake by attending countless birthday parties and waiting for a cake to fall from the table and “perish,” making its way to Everlost. This endeavor shows how much time and patience Afterlights have. Similarly, everyday items make a nostalgic appearance when Lief arrives in New York City and becomes obsessed with classic video games, creating a playful connection to real-world pastimes. In this way, Shusterman reaches his audience with references and objects that will entertain them and provide a sense of nostalgia and appreciation, adding a lighter tone to the relative darkness of the novel’s core subject matter.
Shusterman also incorporates strategic historical references to various places and objects, drawing upon the seminal moments of multiple eras to enrich his imaginary world. Perhaps the boldest example of this dynamic is his decision to incorporate—and therefore memorialize—the many people who died when the Twin Towers fell on September 11, 2001. As Allie and Nick move into the plaza at the base of the buildings, they are shocked to see children playing where so many people died, and the Afterlights’ declaration that they are attempting to bring happiness back to the site of such a terrible tragedy likewise represents Shusterman’s attempt to honor the real-life victims of 9/11 by bringing echoes of them back to life in his fiction. Similarly, Shusterman breathes new life into the tragic tale of the Hindenburg when he transforms it into a vehicle that saves the day within the world of Everlost, thus simultaneously honoring the original event while playfully redeeming and reimagining its significance in this new context.
By Neal Shusterman