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58 pages 1 hour read

Viola Davis

Finding Me: A Memoir

Nonfiction | Autobiography / Memoir | Adult | Published in 2022

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Themes

The Relationship Between Race and Adversity

Content Warning: This section mentions domestic and sexual abuse and racism.

One of the defining experiences of Viola’s life as detailed in the book is how she grew up poor; another is her lived experience of being a Black woman. As Viola goes on to describe how each of these aspects of her life shaped her in significant ways, one of the main themes of the book emerges: the relationship between race and adversity. From Viola’s retelling of her life, there is a distinct sense that the two are related—not because one causes the other, but because attitudes, beliefs, and systems exist within society that disadvantage some people at the very outset. Based on one’s racial identity, there may be a higher chance of experiencing certain kinds and degrees of adversity.

For instance, the book opens with Viola running, something she has had to do from a very young age because she is the target of racist insults and harassment from her third-grade classmates. This experience goes on to define her in significant ways even as an adult, greatly impacting her self-esteem and self-worth. Being Black and poor is something that Viola sees as a dual challenge she and her sisters must fight very hard to overcome; their attempts are inspired by her sister Dianne’s encouragement. Dianne pushes Viola to imagine a better future for herself and work to achieve it, and this idea takes a hold on Viola to the extent that she begins to view success and failure as a black-or-white choice. Her childhood and its adverse circumstances become the definition of failure for Viola; she becomes scared to make a single mistake along her journey, worried that it will drag her back down to those depths. The experience of growing up Black and poor leaves Viola terrified of continuing in that life, as well as bereft of the resources to understand that a single mistake will not actually erase all her progress. This mentality leads Viola to initially ignore her passion for acting and choose English electives in her first year of college, as she is worried that acting will not provide her with a stable job and income. The deep depression she falls into is lifted only when she eventually finds the courage to follow her heart and pursue theater.

The reader sees how the need to escape her family’s cycle of poverty greatly motivates much of what Viola does as she grows up; upon closer examination, it is also possible to understand how much of these circumstances are influenced by Viola’s racial background as well. Neither of Viola’s parents ever had the level of education that their children eventually received; in Mae’s case, her being Black is explicitly stated as the cause. Mae is relentlessly abused and beaten in school, until her parents eventually pull her out to stop the pain; additionally, the abuse is carried out by a Black teacher who looks down on Mae for being a darker-skinned Black girl. Racist ideals of beauty and value are so deeply ingrained in society that they have even been internalized by the Black community; Viola sees this play out in her own life later on, when she is denied access to certain kinds of roles as an actress because she is a darker-skinned Black woman.

Mae and Dan share a common experience of abuse and stunted educations. This affects their own futures and their family’s. Job opportunities are limited, and Dan’s work barely earns a living wage, to the point that they do not have enough resources to raise their two oldest children for many years. Poverty becomes inevitable; furthermore, the pain and frustration this brings, compounded by the history of abuse, contributes to a cycle of trauma continuing within their family. Mae ends up in an abusive marriage, and Dan perpetrates abuse upon his wife. Besides exposing their children to the trauma of witnessing their violent fights, Mae and Dan are often left without the resources to protect their children from other kinds of adversity, both inside and outside the home. Mae encourages Viola to defend herself from bullies because Mae does not have the time or bandwidth to protect her daughter herself. Similarly, the parents are unaware of the sexual abuse being carried out in their own home by their son against their daughters. However, Viola does not present Dan and Mae’s failure to protect their children as a personal failing but as a circumstantial one; in situations when they are aware of and able to respond to the harassment faced by their children, Mae and Dan are both fiercely protective. For instance, both of them stand up to the Bullfrogs without hesitation when the Thompson children abuse their own.

Education seems to be the Davis children’s way out of this cycle of adversity and trauma, but even this is fraught with challenges created by the same circumstances. Poverty leads to food insecurity, and the children are often hungry; this, coupled with their deplorable living conditions, often compromises their sleep. Being tired and hungry often places strain on the children when they are meant to be focusing on academics at school. Furthermore, there are instances when they are unable to attend at all, as the lack of electricity and running water prevents them from cleaning themselves enough to be presentable at school. On the occasions that they do attend without cleaning up, they are met with disgust, rather than sympathy or understanding, even on the part of their teachers. Rather the display concern and inquire about the girls’ home environment, the adults at school lecture them instead. The assumption that the Davis children’s presentation is a function of their ignorance rather than circumstance is yet another example of racial discrimination. It is the same reason why Deloris’s teacher unhesitatingly changes her grade from an A to an F on a science test based merely on the word of another student.

All these experiences highlight how truly remarkable the success that Viola and her sisters go on to achieve is. The challenges they must surmount are so much greater in intensity because race and poverty feed off each other. Viola describes the only time in her life that she feels like her challenges are small in comparison to someone else’s: when she encounters other students from disadvantaged backgrounds at the Upward Bound program. It is significant that none of these students are white; they are from a variety of other racial and ethnic backgrounds, highlighting how this places a person at a disadvantage from the outset. Through Viola’s exploration of the dual experiences of growing up Black and poor, it becomes apparent that there is a relationship between race and the experience of adversity in the United States.

Breaking Patterns and Reconciling Identities

Arguably the main underlying theme in the book is Viola’s journey of breaking out of the patterns and cycles of her childhood while also reconciling her past with the person she eventually becomes. Viola compares this journey to Joseph Campbell’s concept of the hero’s journey: rising to a challenge to overcome adversity and reconcile one’s past and present selves.

Poverty is the specific circumstance of Viola’s childhood that she seeks to overcome, with experiences of trauma and abuse forming patterns and cycles in her family. Viola recounts her mother’s childhood on a South Carolina plantation, a reminder to readers of the kind of past Viola’s ancestors have experienced as Black people in the United States, as well as a demonstration of the harassment and discrimination Black people continue to experience post-slavery. Poverty is an unavoidable reality in Viola’s family from generations past. The cycle continues into her own childhood, influenced in her time by her parents’ lack of education and subsequent earning potential. The stress of this economic situation, combined with the abuse experienced by Mae and Dan growing up, plays out in different but still traumatic ways for their children, and the cycle continues, as explored in the theme of Race and Adversity.

For Viola and her sisters, the way out of the cycle is clearly education. Under Dianne’s leadership and encouragement, school becomes a haven for all the Davis girls, as they work hard to do well. The fruits of hard work are first seen in the taste of success the girls receive in winning the local skit contest. The experience validates their desire to work to rise above their circumstances and other people’s perceptions of them. The baseball bat that they receive as a prize comes to symbolize this, among other things. Viola follows in the path blazed for her by her older sisters, going on to find steady success in school and college. She combines her academic endeavors with her passion for acting, ultimately fulfilling her dream of becoming a professional stage and film actor.

Viola’s professional successes see her breaking out of her family’s cycle of poverty; however, there are other patterns that need to be broken, ones that involve her self-worth and self-esteem. Growing up a Black girl and being tormented for it leads Viola to view herself as ugly and unworthy. It takes a deeply unhealthy relationship with a man like David for her to realize how she needs to heal in this area, too. Many years of success, therapy, and conversations with friends eventually lead her to ask for exactly what she wants in a partner, and she finds all of this in Julius. It is with Julius that Viola arrives at a separate and important realization: that despite what her past may have been, it is entirely in her power to create a new life and family for herself. With Julius, she finally finds a home that is filled with love and security; as they go on to become parents together, Viola creates for herself a new and improved experience of family.

The final thing Viola must overcome on her “hero’s journey” is the barrier to self-acceptance that is born from the pity and shame she feels for her past selves. Having been Black, poor, and female plays out in complicated ways to influence Viola’s conception of herself; this is mirrored in, and simultaneously influenced by, mainstream media’s conceptions of Black women. Eventually, after playing a number of critically acclaimed roles, Viola takes on the character of Annalise Keating in How to Get Away with Murder, and this role effectively forces her to reconsider everything she has ever believed about Black women. By questioning and reforming her own beliefs, she is able to redefine what it is to be a Black woman in America in an Emmy-winning performance. The journey also helps her realize how all the different versions of herself, the experiences she has had and the people she has met, have each played their part in building who she is today. Viola finally reconciles with the eight-year-old version of herself whom she has tried to forget or erase. In doing so, she demonstrates how she has not only broken the patterns and cycles of her past but also accepted and synthesized them into her present identity.

The Paradoxical Nature of Acting as Craft and Profession

Given Viola’s profession, the field of acting is explored in some detail in the book, especially as she begins to find success in it as she grows older. However, the reader is presented with a very distinct paradox between what the craft of acting entails and how success plays out in the industry. This forms a major theme in the memoir.

Viola’s interest in acting is ignited at a very young age, when she is inspired by seeing Miss Cecily Tyson, a Black woman, on television. This interest is further affirmed when Viola and her sisters win a local skit contest. Along with feeding into Viola’s passion for the stage, the win indicates to the reader that she possessed natural talent from a very young age. She develops this talent in Upward Bound, when she takes drama classes and meets Ron Stetson, who helps affirm her conviction that acting is her calling. A couple of year later, Viola wins a trip to Miami to participate in an elite talent competition and wins appreciation for the talent she displays there. It is no surprise that she eventually chooses to study drama in college and receives accolades for her work even as a college student. Viola’s gap year between Rhode Island College and Juilliard is also filled with successes, from the six-week program she attends in New York to her remarkable audition at Juilliard, which is uncharacteristically fast-tracked by the faculty at Viola’s request. Even before Viola attends Juilliard, she has become a professional stage actress, working at Trinity Rep. At Juilliard, Viola discovers and embraces her Blackness, allowing it to feed into her work in a powerful way following her trip to The Gambia.

Viola’s trajectory demonstrates her natural talent and her willingness to put in the work to realize her potential. However, she notes how, despite having graduated from a prestigious university, gaining professional stage experience, and signing with a top agent, she faces difficulties in finding work after Juilliard. Being Black and having a dark skin tone leaves her with very few roles or auditions. This shows how success in the industry, while requiring talent and work, also depends on having privilege.

Viola eventually finds success, and she acknowledges the role of luck and chance in her own and others’ journeys. Even with her success as a stage and film actress, however, there are still hurdles to surmount. After winning a Tony and having two Oscar nominations, Viola still faces the media’s typecasting of Black women. It is initially difficult for many people, including other Black actors and herself, to imagine Viola convincingly playing the lead role of Annalise Keating in How to Get Away with Murder. It takes a great deal of soul-searching and questioning social conventions and perceptions for Viola to tackle the character. Through this role, she helps change the perceptions surrounding Black women in America, fittingly winning an Emmy for her efforts. Viola’s journey is a testament to a paradox in the field of acting: the early part of her story, especially her academic trajectory, is a clear indication of how one needs a foundation of talent and hard work to hone the craft. However, the challenges she faces as an actress, even after her career has taken off, demonstrate that luck and chance, as well as privilege, often have a heavier hand to play.

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