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78 pages 2 hours read

Margaret Mitchell

Gone With The Wind

Fiction | Novel | Adult | Published in 1936

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Part 4, Chapters 37-41Chapter Summaries & Analyses

Part 4, Chapters 37-38 Summary

Content Warning: This section contains discussions of sexual assault and attempted assault.

Reconstruction forcibly hits home for Scarlett when a neighbor from the county named Tony Fontaine seeks refuge at her house. He has just killed a free Black man who tried to rape a white woman. The man was egged on by Jonas Wilkerson, so Tony killed him too. Now he must flee to Texas and asks Frank for a fresh horse. Scarlett realizes how the scales have been tipped in favor of the lower classes: “The South had been tilted as by a giant malicious hand, and those who had once ruled were now more helpless than their former slaves had ever been” (835).

She is even more alarmed that formerly enslaved field hands are being told by Yankees that they have a right to molest white women. A new group has sprung up to defend them since the government won’t protect the rights of its former enemies: “[…] the ever-present fear for the safety of their wives and daughters […] drove Southern men to cold and trembling fury and caused the Ku Klux Klan to spring up overnight” (839). Meanwhile, Atlanta has once again become a boom town. An influx of Yankee soldiers and their families, as well as carpetbaggers from the North, all set up for themselves while the old gentry remain impoverished.

Scarlett works furiously to keep herself from slipping into poverty like the rest of the Old Guard. She is now pregnant and has only until June before her condition shows and she will become housebound. She needs to hire a mill manager to conduct her affairs and settles unhappily on Hugh Elsing, a former Confederate officer: “There was a lost-dog look in his eyes these days as he went about peddling his firewood, and he was not at all the kind of man she had hoped to get” (853).

Despite this setback, Scarlett’s business is profitable, and her social set silently resents her success. They think she is unladylike. Scarlett frequently goes for carriage rides with Rhett and complains about her difficulties in business and among her acquaintances. Rhett says:

You can’t have everything, Scarlett. You can either make money in your present unladylike manner and meet cold shoulders everywhere you go, or you can be poor and genteel and have lots of friends. You’ve made your choice (870).

Since Scarlett wants money above all else, Rhett points out that the price she will pay for it is loneliness. Scarlett plans to go to Tara in June to wait out her pregnancy, but she ends up traveling for a different reason when she gets the terrible news that her father is dead.

Part 4, Chapter 39 Summary

Will Benteen meets Scarlett at the Jonesboro train station. As they travel to Tara, he tells her about some unexpected developments. Even though he has always been sweet on Scarlett’s youngest sister, Carreen, she intends to enter a convent, having lost the love of her life in the war. Now, Will wants to marry Scarlett’s middle sister, Suellen. This is because he loves Tara and wants to remain, but it wouldn’t look right for him to live there alone with Suellen if they weren’t married.

The planter class looks down on Will’s social class of yeoman farmers known as “Crackers,” but Scarlett approves of the marriage. She has found Will to be a valuable ally. He says that marriage is necessary because Ashley intends to move his family away and take a job as a banker in the North. Scarlett is alarmed at the thought of Ashley’s departure and wants to find him work locally if he won’t take charity from her anymore.

Will reserves his worst news for last. Apparently, Suellen was indirectly responsible for Gerald’s death. She’d learned that planters who had been Union sympathizers were receiving $150,000 in compensation for Yankee destruction to their properties during the war. All Gerald needed to do was sign a piece of paper called the Ironclad Oath, and the money would have been his. Even in his addled state, Gerald resisted until Suellen plied him with brandy and got him drunk. He was about to sign when she mentioned that their poorer white neighbors also took the oath. Gerald despised these turncoats and vowed never to sign. He then galloped off on a horse toward Tara. As in his younger days, he tried jumping a fence, but the horse balked and threw Gerald, breaking his neck. Everyone in the county now blames Suellen for her father’s death.

Part 4, Chapters 40-41 Summary

The next day is Gerald’s funeral. He is to be buried at Tara, and all the county families turn out to pay their respects. Ashley conducts the service while Will delivers a eulogy and cuts off anybody else’s comments for fear that they will castigate Suellen publicly for her role in the family tragedy:

I say he had our good points. There ain’t nothin’ FROM THE OUTSIDE can lick any of us. But he had our failin’s too, ‘cause he could be licked from the inside. I mean to say that what the whole world couldn’t do, his own heart could (912).

Having tactfully shifted the blame away from Suellen and prevented public accusations, Will then suggests that Scarlett, in her delicate condition, would be better off out of the hot sun. Her absence will also help to defuse any remaining tension among the mourners that might lead to a fistfight. Scarlett goes off with the mother of the Tarleton twins and an elderly widow named Grandma Fontaine. The old woman gives Scarlett some advice about resilience in the face of tragedy. She says the upper class will always come out on top if they bend to circumstance and await better times:

When trouble comes, we bow to the inevitable without any mouthing, and we work, and we smile, and we bide our time. And we play along with lesser folks, and we take what we can get from them. And when we’re strong enough, we kick the folks whose necks we’ve climbed over. That, my child, is the secret of survival (921).

Before leaving Tara, Scarlett tries to persuade Ashley to manage her mill. She even offers him half interest in the business. At first, he refuses because he would still regard it as charity, and proximity to Scarlett is too tempting for him. When Melanie later learns of the offer, she also wants Ashley to work in Atlanta because she misses her family and friends there. Overruled by both women, Ashley capitulates.

The Wilkes family rents a house right behind Aunt Pittypat’s, and the Old Guard is delighted to receive Melanie back among them because she “had in her all the qualities this embattled remnant prized, poverty and pride in poverty, uncomplaining courage, gaiety, hospitality, kindness and, above all, loyalty to all the old traditions” (942). Although Melanie is gaunt and thin from childbirth and hard work at Tara, she revives once back in town. The Wilkes home becomes the nucleus for all manner of social and charity events, with Melanie at the center of everything.

Scarlett is frustrated because Ashley proves to be just as bad a manager as Hugh Elsing. Now that she can’t run the mill personally, the business is losing money. She thinks about all the former Confederate soldiers in town who are now engaged in trade: “They were too busy building their own fortunes to help her build hers. […] What a mess it was to try to run a business and have a baby too!” (957). Scarlett vows that after the baby is born, she will never have another child.

Part 4, Chapters 37-41 Analysis

As Scarlett continues to prosper in her lumber business, the focus in this segment is less on her adaptability than on Planter Class Assumptions of Dominance. The Old Guard resents Scarlett’s willingness to play along with the new regime. Even more upsetting to the planters than Scarlett’s personal revolt is the degree to which they have lost their superior status in the South.

This point in the narrative focuses on the ways an influx of Yankees and their families is changing the social order of Atlanta. Further, the Yankees have encouraged the formerly enslaved to think of themselves as the equals of whites, which is an ahistorical depiction of the postwar South and Northern attitudes toward freed Black people. The planters feel great anxiety when these underlings behave arrogantly toward them. Their greatest fear is sexual assault against white women. The novel frames the birth of the Ku Klux Klan as a reaction to this particular outrage.

Since former Confederate soldiers have been deprived of voting rights in the new legislature, the planter class is effectively disqualified from seeking legal redress for rape. Consequently, the rise of the Klan is framed as planters taking the law into their own hands. This reflects the beliefs of many Southerners of the time, but not the documented history: Under enslavement, it was common for enslavers to rape or sexually assault enslaved Black people without accountability. By contrast, the most common cause of lynching in the United States “was the perception that white women needed to be protected from African American rapists and attempted rapists. […] Between 1880 and 1950, around 5,000 people were lynched in the United States, nearly six people every month for 70 years” (Hale, Chelsea and Matt, Meghan. “The Intersection of Race and Rape: Viewed through the Prism of a Modern-Day Emmett Till.” The American Bar Association. 6 January, 2020). Depictions like the one in Gone with the Wind helped uphold the rationale for lynching Black men, most often without evidence.

Scarlett sees this vigilante justice firsthand when her neighbor Tony Fontaine kills a formerly enslaved Black man and a white overseer who both colluded to rape a white woman. Fontaine’s actions presage further acts of Klan retribution that will have dire consequences for Scarlett and her circle later in the novel.

The novel’s explanation for the birth of the Ku Klux Klan closely mirrors John Dixon’s account in The Clansman. Both works portray the Klan as a noble force for good, maintaining order in a world that has become increasingly lawless. Though Gone with the Wind doesn’t explicitly mention white supremacy as a motivating factor, Dixon is more direct in claiming a need for the Klan to keep the “inferior” Black race in its place. Furthermore, the specter of rape against white women raises fears of compromised racial purity. While the novel interrogates some aspects of the Lost Cause via the doubts of characters like Rhett, Ashley, and Scarlett, it is notable that its depiction of the Klan is mostly sympathetic, despite the group’s subsequent reign of terror against Black people and other groups and its resurgence in the decade before the novel was written.

Planter class assumptions come to the fore in other ways as Suellen pressures her father to take the Yankee Ironclad Oath. Gerald rebels and asserts his Southern loyalist sentiments, figuratively and literally breaking his own neck in the process. Ashley also harbors illusions that he can succeed as a banker up north. When Scarlett prevents this disaster, he demonstrates his incompetence closer to home by mismanaging her mill.

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