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Margaret MitchellA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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After the night of Ashley’s party, Melanie won’t hear any words of apology from Scarlett. She trusts her sister-in-law to be innocent of any wrongdoing. Melanie also expresses this same sentiment to all her circle of friends. Doing so creates controversy in Atlanta parlors. Some believe the gossip that India Wilkes spread about Ashley and Scarlett having an affair. Others, who side with Melanie, believe India is lying. As the dispute rages, Scarlett realizes the clash isn’t about her at all:
Her words and her actions rankled in too many hearts for many people to care whether this scandal hurt her or not. But everyone cared violently about hurting Melanie or India and the storm revolved around them, rather than Scarlett (1224).
Scarlett is also humiliated to realize that the only reason she is still accepted in society is because of Melanie’s staunch support: “Except for Melanie’s championship and her quick action, the face of the whole town would have been set against her and she would have been an outcast” (1228).
While Rhett is away with Bonnie, Scarlett tries to establish a maternal bond with Wade and Ella, but her previous brusque behavior has made both children fearful and mistrustful. In the three months after Scarlett’s last sexual encounter with Rhett, she discovers that she is once again pregnant. For the first time, she is happy to be carrying a child. When Rhett returns, she hopes to establish a better rapport with him, but her hopes are dashed when he is just as cold and sarcastic as before.
Scarlett is standing at the top of the second-floor stairs when she abruptly tells Rhett that she is expecting. He implies the baby may not be his, which enrages Scarlett further: “The old impassive mask was back across his face […] ‘Cheer up,’ he said, turning from her and starting up the stairs, ‘maybe you’ll have a miscarriage’” (1237). Infuriated at these words, Scarlett tries to claw his face, but Rhett blocks her arm, throwing her off balance. She tumbles down a full flight of stairs before blacking out.
After suffering a miscarriage, Scarlett falls into delirium for days, and Melanie looks after her. The latter notes how distraught Rhett is during this time. He drinks heavily and blames himself for the accident, thinking that he has killed Scarlett. When he learns that she will live, he breaks down completely and pours out his secret misery to Melanie: “He talked brokenly […] Sometimes his words were blurred, muffled, sometimes they came far too clearly to her ears, harsh, bitter words of confession and abasement” (1241).
A month later, Scarlett recovers enough to take the two children with her for a visit to Tara. Rhett uses this opportunity to propose a plan to Melanie. He says that Scarlett is spreading herself too thin between the mills and the store in town, so he wants Ashley to buy the mills from Scarlett. Rhett offers to provide the funds secretly under the guise of a bequest from a deceased war comrade so that Ashley won’t discover the source. Melanie agrees to convince her husband to make the offer.
When Scarlett returns, Rhett mentions Ashley’s interest in buying the mills. At first, she resists the deal: “The mills were the tangible evidence of what she had done, unaided and against great odds […] she did not want to sell them because they were the only path that lay open to Ashley” (1256). Rhett uses reverse psychology and succeeds in getting Scarlett to agree to the sale.
In the weeks and months that follow, Rhett seems more subdued and less inclined to fight with Scarlett. He becomes the center of a Democratic political circle that is slowly reclaiming ground for the party in the state government. Rhett and Ashley join forces to convince the other members of their group to abandon the Ku Klux Klan, saying that it has caused more problems by radicalizing the South rather than building goodwill in Washington.
Eventually, these efforts pay off when the corrupt Governor Bullock flees town, and the state legislature once more has a Democratic majority. By 1871, “Georgia was back in the hands of her own people again, in spite of all the administration in Washington could do, in spite of the army, the Carpetbaggers, the Scalawags and the native Republicans” (1268). Much to her surprise, Scarlett notices that Rhett is now highly respected among the Old Guard in Atlanta.
By the time Bonnie turns four, she is as willful and obstinate as her mother. Rhett indulges her headstrong behavior, going so far as to get her a pony for jumping hurdles. Bonnie insists on a blue velvet riding habit, and she also urges setting the hurdle bar higher, even though her father says she ought to wait until she’s older. One day, as Scarlett watches Bonnie prepare to jump a hurdle, she flashes back to her father taking the fences at Tara and breaking his neck. She screams a warning too late. Bonnie is thrown from her horse and snaps her neck, just as her grandfather did.
A day later, Mammy comes to Melanie, pleading with her to talk to Rhett. He has been drinking and has locked himself in his room with the dead child. Even though Scarlett has arranged the funeral for the following day, Rhett won’t let anyone put his daughter in the cold ground because Bonnie has always been afraid of the dark. Melanie finally succeeds in reasoning with Rhett and sits up all night in his room while he sleeps. She thinks about all the hard words the Butlers have exchanged: “But he loved Scarlett. […] Scarlett loved him. What had come between them? How could a husband and a wife cut each other to pieces with such sharp knives?” (1282).
In the months following Bonnie’s death, a cold estrangement falls between Scarlett and Rhett. The latter drinks more and is gone many evenings. Scarlett assumes that he spends his nights at Belle Watling’s brothel. During this same time, Mammy announces her departure. She says her work in town is done, and she’s going back home to Tara.
Scarlett passes the time by receiving condolence calls from old and new friends. Although Rhett reverts to his sardonic self with the ladies of the Old Guard, they feel nothing but sympathy for him. Even after the tragedy has passed, Scarlett can’t shake a sense of impending doom: “This eerie sense of disaster to come persisted […] as though the ground beneath her feet might turn to quicksand as she trod upon it” (1287).
Scarlett is staying in Marietta with the children when she receives an urgent message from Rhett to come home because Melanie is dying. Even though she had been warned that another baby might kill her, Melanie pressed Ashley for another child. She is now a few months pregnant and has suffered a miscarriage. Scarlett rushes to the Wilkes house and finds India, Aunt Pitty, and Dr. Meade in attendance. When Scarlett goes to speak to the dying woman alone, Melanie extracts a promise that Scarlett will take care of her son Beau and will look after Ashley: “[…] the protection of Ashley Wilkes from a too harsh world was passing from one woman to another and […] Ashley’s masculine pride should never be humbled by this knowledge” (1301-02). Scarlett is shocked to realize how much she has always relied on Melanie’s quiet strength, just as she relied on Ellen’s. Melanie’s final words to Scarlett are, “Captain Butler—be kind to him. He—loves you so” (1302).
Scarlett finds this statement hard to believe but says nothing. As the other members of the household go to Melanie to make their farewells, Scarlett finds Ashley in his bedroom. He is dazed by his loss and belatedly confesses that he loves Melanie and not Scarlett, who tells him, “If you’d told me, years ago, I’d have— It would have killed me, but I could have stood it somehow. But you wait till now […] to find it out and now it’s too late” (1306). For her part, Scarlett finally realizes that she has idealized Ashley but has never seen the man he really was: “I put that suit on him and made him wear it whether it fitted him or not. And I wouldn’t see what he really was. I kept on loving the pretty clothes—and not him at all” (1309).
After Melanie dies, Scarlett rushes from the house. Her own home is only five blocks away, and she runs through a mist to get there, with Melanie’s words about Rhett’s love echoing in her ears. The fog reminds her of her recurring nightmare: “Ellen, Gerald, Bonnie, Mammy, Melanie and Ashley. She had to lose them all to realize that she loved Rhett—loved him because he was strong and unscrupulous, passionate and earthy, like herself” (1316). Now realizing this fact, Scarlett is determined to confess her own love for Rhett.
When she enters the house, she finds Rhett seated in the dining room, drinking. He seems listless and saddened by the news of Melanie’s passing, saying, “A very great lady” (1319). When Scarlett tries to tell him about her feelings, he expresses disinterest, explaining that he has been worn out by the battle to win her love. Instead, Rhett proposes going abroad and will return only occasionally to avoid gossip since Scarlett doesn’t want a divorce:
‘I couldn’t live with you and lie to you, and I certainly couldn’t lie to myself. I can’t even lie to you now. I wish I could care what you do or where you go, but I can’t.’ He drew a short breath and said lightly but softly: ‘My dear, I don’t give a damn’ (1332).
As Scarlett watches him go upstairs to pack, she immediately thinks of a new plan. First, she will return to Tara to regain her strength. After that, she will find a way to win Rhett back: “There had never been a man she couldn’t get, once she set her mind upon him. ‘I’ll think of it all tomorrow, at Tara. I can stand it then. Tomorrow, I’ll think of some way to get him back. After all, tomorrow is another day’” (1334).
The book’s final chapters focus entirely on the theme of Pining for Lost Love. When viewed from a broader perspective, this reflects Gone with the Wind’s response to the Lost Cause narrative. Romanticizing the past allows one to gaze backward longingly. The danger is that this backward glance can become a lifelong fixation, blinding one to reality and current opportunities. The novel suggests that the Old South must give way to the New South if it hopes to survive. In this sense, it is notable that Mitchell is writing for an audience still reeling from the economic devastation of the Great Depression. Despite the novel’s 19th-century setting, the economic realities of the South in the 1930s paralleled those of the Reconstruction in many ways. While wrapped in the plot of a romance, Mitchell’s message serves as a reminder that this time, the South should refrain from obsessing over the past.
Mitchell’s overarching message is mirrored in the actions of multiple characters who dwell on past emotional losses and are blind to what the present moment and the future have to offer. Scarlett is initially pleased by Rhett’s confession of love. However, by the time he returns from his travels, he has already despaired of winning her back and has retreated into a shell of indifference. This precipitates the accident that causes Scarlett’s miscarriage. Afterward, Rhett pours out his sense of loss and longing to Melanie rather than telling Scarlett the truth. He is fixated on past wrongs and injuries rather than trying to correct those mistakes while there is still time.
Later, when Scarlett is summoned to Melanie’s deathbed, she experiences an epiphany regarding her own feelings. She finally recognizes that she loves and needs Melanie, who is now dead. For his part, Ashley realizes that he really loved his wife all along. Ashley and Scarlett are now both pining for the love of a dead woman. In addition, Ashley is still pining for his lost antebellum world, and he always will be. Scarlett finally understands that Ashley will be her burden for life, not because they love each other, but because she is obliged to care for him, like another child.
Once Scarlett realizes that her love for Ashley was delusional, and she is ready to declare her feelings for Rhett, he remains mired in his past losses and rejects Scarlett’s love. Unlike every other character in the book, Scarlett has shifted her emotions out of the past and into the present. When she concludes the story by saying that tomorrow is another day, this isn’t simply a familiar aphorism she uses to soothe herself. She is no longer pining for what is lost but intends to claim Rhett’s love in the future. The tenacity she has exhibited throughout the novel suggests she might succeed. In the same vein, Mitchell suggests, the South might succeed, too—if it can take advantage of present opportunities and look forward.
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