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59 pages 1 hour read

Harley Laroux

Her Soul to Take

Fiction | Novel | Adult | Published in 2021

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Chapters 1-10Chapter Summaries & Analyses

Chapter 1 Summary: “Leon”

Content Warning: This section of the guide includes discussion of death, sexual content, graphic violence, and substance use.

Kent Hadleigh, a cult leader, visits a demon named Leon to tell him that his god has been awoken. However, Leon has already sensed this and mocks Kent, trying to see how far he can push before Kent tortures him. Kent has Leon’s grimoire, which allows him to control Leon, and tells Leon to go to Westchurch Cemetery at midnight, find the grave of a sacrificed young man named Marcus Kynes, and then bring the body to White Pine, an abandoned mine.

Leon has been in the service of the Hadleigh family for over a century, and he notes that “no one else had ever managed to keep [him] in captivity for so long without losing their lives” (4). The Hadleighs’ success at imprisoning Leon can be attributed to the amulet that protects Kent from demonic attacks.

Leon goes to the cemetery and finds the grave. Sacrifices are supposed to be offered alive or immediately after being killed, so the fact that Marcus was buried seems like a bad sign. Nevertheless, Leon brings the body to White Pine, where Kent and his group—called the Libiri—wait, wearing white cloaks and stag masks. The only one not wearing the outfit is Everly, Kent’s daughter born out of an affair, who looks terrified to be there. She is a witch and, after examining the crude marks on Marcus’s body, says that they will work. Kent announces that two more will follow this sacrifice and then sends Leon and his son, Jeremiah—who killed Marcus—to make the sacrifice. After Marcus is thrown down a mine shaft, there is a howl.

Chapter 2 Summary: “Rae”

Raelynn “Rae” Lawson has returned to the town of Abelaum, Washington, which she has not been to since she was a child. She is going to finish her last year of university while her parents sell their house in Southern California and retire to Spain. After dropping her things at the house, Rae goes to Main Street to see her best friend, Inaya. Inaya is inventorying books at her bookstore, and Rae carries a stack to a back room. She trips and drops the books, and when she stops to collect them, she finds an old book that feels strangely cold. Inaya and Rae look at the book, which is handwritten and has Latin writing. Inaya gives the book to Rae, who tries to refuse. However, Inaya says that it is part of Rae’s bridesmaid gift.

Inaya and Rae get coffee and talk about Rae’s recent breakup. Inaya asks how the cabin is and asks if Rae has seen her “old ghost”—a specter from Rae’s childhood that they named “Nighttime Cowboy.” Rae runs a paranormal channel, and she hopes to find a legitimate ghost for her show so that she can make ad revenue. Her parents have given her a year to stay in the cabin while she finishes school, and then they will sell it. Rae and Inaya reminisce about their old teacher Mrs. Kathy, who told them scary stories from the town’s past.

Chapter 3 Summary: “Rae”

Rae unpacks in the cabin. When it gets dark, she begins to get frightened of being alone in the woods. Then, her mother calls. Rae asks her why they ever moved away from Abelaum. Her mother tells her that small-town life wasn’t for Rae’s father and that he did not like the community’s superstitions. They get off the phone, and Rae begins looking at the grimoire more closely. Inside, Rae finds a sketch of a man with details about the “summoning and binding of the killer” (26). Rae finds the idea of demons exciting.

Rae struggles to get the demon’s eyes out of her head. She has insomnia and brainstorms new vlog ideas. Her channel is being surpassed by other channels that are flashier. If she is not able to fix it, she’ll have to get an office job.

Chapter 4 Summary: “Rae”

Rae walks to campus on Monday morning. She waves at Mrs. Kathy, who lives nearby, but she ignores her. Rae’s classes are typical, though all the teachers mention that a student recently died on campus.

Between classes, Rae walks around and takes photographs. A voice rudely asks if she’s lost. The man is extremely attractive, and he demands to know her name. Rae tries to lie but then admits her actual name. The man is a security guard named Leon. She turns and leaves, but while she’s stalking away, she trips and falls. When she looks back, the security guard looks smug.

Inaya helps Rae gather her things and then introduces her to her friends, Jeremiah and Victoria Hadleigh. Jeremiah and Victoria’s father, Kent, owns three buildings on campus, including the library, and Rae is excited to meet them. Victoria asks about Rae’s astrological sign and other details, so Rae tells them that she’s a Sagittarius and a radio-TV-film major. Inaya encourages Rae to tell them about her paranormal vlog. In response, Victoria enthusiastically tells Rae some details about Marcus’s murder, and Jeremiah offers to show her a photograph. Rae, who keeps looking across campus toward Leon, exchanges numbers with Victoria before going to class.

Chapter 5 Summary: “Leon”

Leon has been given the job of guarding the university campus, and he’s pleased to be away from his concrete prison. Kent wants Leon to patrol campus and protect it so that panic won’t sweep Abelaum. Nevertheless, Kent’s sacrifice has already had consequences: “[It] hadn’t just stirred his God. It had awakened the Eld, the ancient beasts of the forest who were sustained only blood, magic, and pain” (43).

Leon wants to corrupt and tempt humans and immediately focuses on Rae, who seems to have no sense of self-preservation. When she walks away, he nudges her with his mind, and she trips. Leon is bothered by her joining the Hadleighs. He is concerned for her but then reminds himself, “It didn’t matter. It shouldn’t have mattered. She’d be my prey regardless” (48).

Leon finds Rae later while she’s reading about St. Thaddeus’s Church. Leon asks if she’s doing history homework, and Rae tells him to go away. When he tells her to stay away from the church, she attempts to get him to tell her more about it. He walks away as she tries to get him on the record about St. Thaddeus, which he refuses. He tells her about the last couple he took there, whom he joined in an erotic moment. She does not react as he expected, instead asking for more details. He tells her that he will tell her more for a sexual favor, and she calls him a pervert.

Chapter 6 Summary: “Rae”

Rae walks home in the dark, feeling like eyes are watching her. She attempts to remain calm, but the darkness is impenetrable. Leon is exactly Rae’s type, but she does not want to pursue a jerk again after her recent breakup. Moreover, something about Leon does not feel safe, though she cannot pinpoint why. She takes a shower and fantasizes about being dominated by Leon. Afterward, she wonders how she will see Leon on campus without thinking about her fantasy.

Chapter 7 Summary: “Rae”

On Friday, Victoria invites Rae to the Main Street Art Fest, and Rae accepts. When Rae arrives, Inaya and Victoria wave her over. There is an older man there whom Jeremiah introduces: Kent Hadleigh. Kent tells Rae that he went to high school and university with her father, Richard.

Rae stops at a booth with hand-painted tarot cards, and Victoria introduces her to Everly. Everly looks strangely excited when she hears Rae’s name, like she knows her, but then the expression disappears. Victoria has Everly read tarot for Rae, and her reading prophesies darkness and change.

Rae and the others go to a bar where they are joined by more of Victoria’s friends. Leon is there with a companion, Zane, and they keep looking toward Rae. When Leon and Zane leave, Victoria remarks that Leon is “hot.” Rae leaves the bar to smoke.

Chapter 8 Summary: “Rae”

Leon calls for Rae from the alleyway, and Leon’s friend tells her that she can eavesdrop better if she’s closer to them. The two men tease Rae, and Leon tells her that he will make the “game” easier. Rae is unsure what they’re talking about but feels “ready.” Leon gives her a safe word and asks if she wants to play or leave, giving her a chance to exit the alley. He then tells her that the object of the game is to make her orgasm before her friends come looking for her. Rae agrees, very turned on. Leon makes Rae orgasm, thanks her for playing the game, and then leaves the alley with Zane.

Chapter 9 Summary: “Leon”

Leon walks with Zane, who says that Leon is obsessed with Rae. Leon does not agree, however.

Kent calls for but does not summon Leon. Leon therefore does not have to obey, but he finally becomes curious and teleports to Kent’s home. Kent is in his living room with Jeremiah, Everly, and Kent’s wife, Meredith. Jeremiah is rude to Leon about being late, and when Leon replies, he realizes that Kent has not punished him. In fact, Kent does not have Leon’s grimoire in his hands.

Kent tells Leon that he must kidnap Rae, and Leon refuses. Annoyed, Kent tells him that Rae is a Lawson and a descendent of the Blessed First Three and that she must go to the Deep One (the “Blessed First Three” were a trio of men saved from a mining disaster by the Deep One, who now demands payment in the form of their descendants). Leon picks up Jeremiah by his throat. Kent tells him to stop, but Leon reminds him that he does not have the grimoire anymore. Everly’s magic gives Leon pause, but he nevertheless gives Kent an ultimatum, saying that he will let Jeremiah live if Kent dismisses Leon. Kent is furious but agrees.

Chapter 10 Summary: “Rae”

The day feels off to Rae: Jeremiah has not come to campus, and Victoria is acting strangely. Rae just wants to get home. As she tries to determine why she’s feeling so anxious, she smells something rotten. In the woods, she sees something that looks like a mutated, dead animal. She attributes it to an art installation and keeps walking. However, she feels like it is following her (it is later revealed to be an Eld).

A truck stops beside her, and Leon tells her to get in. He drives her to her house, and she asks him how he knows where she lives. He tells her that she should drive to campus, and she tells him that she will do what she wants. Nevertheless, he presses her to not walk outside at night. She gets out of the truck, and he leaves.

Chapters 1-10 Analysis

Her Soul to Take uses dual perspectives to build suspense and romantic tension. The narrative alternates between Leon’s and Rae’s points of view, revealing that while Leon and Rae are often in opposition, they are also attracted to each other, thus inviting the reader to speculate about when and how they will get together. Laroux thus draws on the “enemies-to-lovers” romance trope to deepen the romantic tension; Rae and Leon are not quite enemies in terms of their motivations and goals, but their hostility toward one another has a similar effect.

The alternating perspectives also build suspense independent of the romantic plotline by facilitating dramatic irony. Leon (and therefore the reader) is aware that Kent Hadleigh intends to sacrifice Rae, but Rae is unaware of both the danger to her life and the extent of the supernatural activities happening in Abelaum. Indeed, while Rae believes in ghosts, she is skeptical of the childhood stories she heard of cult activities and demonic activity. Through Leon’s perspective, however, the opening chapters introduce the reader to the supernatural horror that runs throughout the novel, establishing that Leon is a demon trapped in servitude to a cult leader who forces him to aid his obsession with raising the “Deep One.” This old god saved the lives of three men buried in a mine collapse in 1899 and now wants three of those men’s descendants so that it can rise again. Knowing all of this, when Leon sees Rae investigating St. Thaddeus, he attempts to warn her away.

Rae’s ignorance of the supernatural in Abelaum coincides with her relative “innocence” as compared to Leon, a literal demon. The closer she becomes to Leon, the more immersed she becomes in the dark world he is part of. This is typical of the dark romance genre; where conventional romances often depict one lover (usually a woman) drawing the other (usually a man) “up” to their moral level, dark romances often invert this (though Her Soul to Take tempers this with its depiction of The Transformative Power of Love). That process of initiation into a darker world has begun by the end of this section when she sees an Eld. The Eld frightens Rae, but she is desperate to make sense of its existence and put it within her frame of reference, thus mistaking it for an art installation. This moment also foreshadows the Eld that will attempt to attack her for the rest of the novel, sent by the Deep One who wants to collect Rae’s soul.

This section also introduces the theme of Consensual Power Dynamics. Rae fantasizes about being dominated by Leon, despite how unpleasant she found him when she first met him, but is afterward ashamed of her own daydream and unsure of how she can face him. However, when Leon asks her to play a “game” with him, it becomes clear that he is similarly interested in kink, implying that unlocking and normalizing this aspect of Rae’s sexuality will be key to the unfolding relationship. Indeed, while Rae is shaken by her encounter with Leon in the alley, she is not ashamed of it as she was with her own fantasy earlier in the novel.

What is also immediately clear is the importance of consent in their dynamic. Leon gives Rae a safe word, ensures that she knows it, and only continues when she agrees to the activities. This becomes a roadmap for future intimate activities; Leon never assumes consent, always checking with Rae both before and throughout sex. Though not sexual, Leon’s relationship with Kent contrasts with the relationship between Leon and Rae because it involves a nonconsensual power imbalance. While Kent tortured Leon and forces Leon to serve him against Leon’s will, Leon is only interested in activities that Rae is enthusiastic about.

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