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58 pages 1 hour read

Kheryn Callender

Hurricane Child

Fiction | Novel | Middle Grade | Published in 2018

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Themes

Sight and Invisibility

Caroline repeatedly uses the phrase, “I see things no one else sees” (7) when describing spirits. She also uses the phrase when she sees a woman watching her from behind a tree, and this woman could be her mother; Doreen tells her, when they meet, that she (Doreen) has seen Caroline around the island. Caroline uses sight both literally and figuratively as a way to explore her own existence. She doesn’t feel seen on many occasions, especially on Water Island, which is described as invisible. According to what Caroline has heard about the slaves on the island, it is a place of magic: “magic so no one could see its hills except the people who already knew it was there […] so I’m invisible whenever I’m on Water Island too. Nobody ever looks my way anyway” (46). The island is often forgotten in comparison to the sainted islands surrounding it, which parallels Caroline’s own feelings of being forgotten.

There is a contrast between visibility and invisibility throughout the novel and character arcs. Caroline notices Bernadette and her mother are staying in the forgotten house. She sees the two women holding hands at the shops with Kalinda. She notices physical things that others could see but either choose to ignore or don’t want to see. She also sees things that nobody else can see—until she meets Kalinda and realizes she can see them too. This forms an “invisible shield” (104) around them both as they speak privately about the spirit world and searching for Caroline’s mother.

Despite her ability to see spirits, the moment Caroline is most afraid is when she can’t see anything at all underwater: “Spots of light shine through the gray water, specks swirling all around me. I can’t see anything. I can’t see the bottom” (188). Here she is unable to see anything, and the woman in black appears for the final time in the novel. When she discusses this with Miss Joe and tells her she believes in spirits, Caroline feels seen by Miss Joe’s acknowledgment. The validation she receives by the end of the story—her pain and frustration being seen by her parents—is what allows her to no longer feel invisible. This theme is closely tied to the theme of questioning self-worth and seeking validation.

Wanting to Grow Up While Still Feeling Like a Child

The difference between children and adults is set up early on when Caroline remembers being on Mister Lochana’s boat with her mother. He says to her mother, regarding Caroline’s desire to correct people who call him the wrong name, “To be a child and to be passionate, eh?” and Caroline asks, “Does that mean adults aren’t passionate about anything?” (3). As a coming-of-age story, the novel portrays the issues specific to adolescence. While these issues are in many ways childlike, adults also sometimes experience them.

The saying that “children are children because they know nothing about death” (44) is something both Caroline and Kalinda have heard. They bond over this shared experience, and they both believe that they are no longer children because they both have witnessed death. Caroline continues to go back and forth on whether she is a child. She says her father now looks at her “like he has realized I am no longer a child at all” (48), and when Kalinda discusses dreams and goals and loss, Caroline decides that maybe she really “is still just a child, while Kalinda is the only one who isn’t a child anymore” (85). Caroline deals with complicated ideas for her age—like love and death and the purpose of her existence—while still behaving like a child at times: sneaking into the condo, throwing rocks, slamming her bedroom door.

By the end of the novel, she is 13 yet no longer offended by being called a child: “There’s much more in this life to fear than just spirits, and if I let fear rule my every move, I will become nothing more than a little ghost child myself” (202). Caroline’s behavior dramatically changes throughout the novel. She was stuck in her past and in the immense grief of missing her mother, but by the end, she is looking forward to her final school year at the Catholic school before high school.

Friendship and the Effects of a Romantic Interest

Caroline goes from having no friends in the beginning of the novel to having Kalinda as a romantic interest in Barbados, Marie as a new friend, a half-sister in Bernadette, a step-sister in Katie, and a new chapter for herself and her parents. Miss Joe is her mentor throughout the story, especially in the theme of friendship. Miss Joe shares about her own friendship with Caroline’s mother, how it was, and how it’s changed, and Caroline is eventually able to open up to Miss Joe about everything.

Kalinda, who doesn’t choose her friends easily, becomes Caroline’s first friend. They hold hands despite the fact that most girls their age have stopped doing so, “even if they’re friends, because that’s something babies do, but Kalinda doesn’t seem to care at all that we’re twelve years old and should not be holding hands as friends” (103). Kalinda makes Caroline feel validated several times, and Caroline says she is “the one person who’s made me feel like I deserve to be alive” (117). Her relationship with Kalinda in many ways parallels the friendship that Miss Joe had with Caroline’s mother when they were young. When Kalinda asks Caroline how Miss Joe knew her mother, Caroline tells her they were best friends and almost adds that they were in love (140).

Caroline is surprised to hear that Miss Joe still talks to her mother every Christmas and on their birthdays, and Kalinda asks Caroline to write back to her. By the end of the novel, Caroline has experienced and understands the ways in which friendships can change yet remain. When she opens up to Marie in the final chapter, it suggests that they will soon become good friends and that Caroline is open to building relationships with her growing family.

Questioning Self-Worth and Seeking Validation

Caroline’s isolation leads her to constantly question her self-worth. She lives on Water Island away from everyone else, doesn’t have any friends at school until Kalinda, and the loss of her mother keeps her wondering if she herself was the reason her mother left. She doesn’t have many answers in the beginning, despite her father and Miss Joe offering support.

Caroline’s loneliness is apparent throughout the first half of the novel, but the possibility that Kalinda can see spirits, too, is the validation Caroline needs to continue her search for her mother: “The idea of not being alone—of having someone who sees me, same way I see the things that no one else can see, makes me feel like I’m real. Like I deserve to exist on this planet alongside everyone else” (66). It is Kalinda who builds up Caroline’s self-worth in the absence of her mother. When Caroline tells Kalinda she’s afraid her mother doesn’t love her anymore, she tells Caroline, “There isn’t anything about you that would make me feel that you aren’t someone to love” (87). Kalinda, feeling similarly about her own mother as she questions why she, out of all of her siblings, was sent with her father to Saint Thomas, feels validated when Caroline tells her, “It’s impossible not to love someone like you” (88). However, their strong connection is tested when Anise reads aloud Caroline’s love letter. This trauma sends Caroline back to questioning her purpose. Caroline thinks she “might as well not exist at all. And so I think maybe I don’t really belong to this world” (145). This way of thinking isolates her in a dark place that parallels the loneliness her mother felt before she left. The woman in black symbolizes this dark place.

When Caroline and her mother find each other again and sit down to talk, her mother says that Caroline has the right to be loved and to live her life. This changes Caroline’s life: “Hearing these words is like hearing permission to exist. I hadn’t realized how badly I needed to hear this, and how important it would be to hear this from my mother” (181). While Kalinda is leaving for Barbados at this point, Caroline’s mother steps back into Caroline’s life and wants to rekindle the connection: “I know this isn’t the family most people have, but we love you, and I love you so much, and that’s all a family needs, really. I’d love to be in your life, if you let me” (207). Caroline realizes that she does understand how her mother was feeling, and she can appreciate what they have endured while also recognizing the changes within them and their perspectives on life.

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