105 pages • 3 hours read
Cornelia FunkeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Dustfinger and Farid observe Capricorn’s village from their nearby hiding place. Dustfinger has returned to retrieve the final copy of Inkheart. He reveals that he has a friend in Capricorn’s household who can help him. He tries to dissuade Farid from following him when he goes. They spot a truck arriving with two goats, and Dustfinger comments that the farmer who gave them up was smart; if he’d resisted, Capricorn’s men would have left a threatening note or a dead rooster. Farid asks what the rooster means, and Dustfinger explains that “[t]he red rooster means fire” (312), a warning that they would burn the stubborn farmer’s home or crops.
Farid insists on going with Dustfinger and asks about his friend. Dustfinger explains he’s going to meet “[o]ne of Capricorn’s maids” (313), and Farid asks if it’s the woman Dustfinger has a photo of. Dustfinger threatens to have Gwin bite Farid if he goes through his things again, and they realize they haven’t seen Gwin in a while. Dustfinger, knowing that Farid is deathly afraid of ghosts due to his story, finally relents and agrees to take Farid with him. Privately, he wonders why Farid came with him instead of staying with Mo and wishes he knew how to make Farid stay away.
Fenoglio and Meggie are brought to Capricorn’s village, and Fenoglio comments that it looks similar to the setting in Inkheart. Basta is embarrassed when he is publicly scolded by Mortola, the head housekeeper. Mortola, who Meggie thinks of as “the Magpie,” tells Basta that she will take the keys to the prison cells because his performance is slipping. She points out that Basta didn’t bring Mo like Capricorn wanted, and that he was late coming back. Basta is angry and humiliated.
Meggie and Fenoglio are imprisoned in Farid’s old cell. Fenoglio reflects that Mortola looks like how he’d imagined Capricorn’s mother to look. Meggie tells Fenoglio that Capricorn plans to use Mo to read a friend from a book. Fenoglio is briefly confused, as he didn’t write any friends for Capricorn. Suddenly, he seems to realize who Capricorn is seeking, which worries him. As they wait, Fenoglio tries to plan a way to defeat Capricorn; he asks Meggie if Basta is superstitious, and she says yes.
Dustfinger and Farid approach Capricorn’s house, managing to evade the guards on watch. They locate Dustfinger’s maid friend, who is called Resa. Resa does not communicate verbally, and she communicates with Dustfinger by making gestures and writing messages, to which Dustfinger responds verbally. Resa is the one who taught Dustfinger how to read and write. Dustfinger and Resa update each other on the situation, telling each other about Mo, Basta and Mortola, Farid, and Inkheart. Eventually, they part ways, with Dustfinger promising to come back the next evening to see if Resa has learned anything about Inkheart.
Farid angers Dustfinger when he points out that Dustfinger’s photo is indeed of Resa. Dustfinger explains that Resa has been with Capricorn for five years, and that she has tried to run away numerous times. Farid points out Resa looks like Meggie, but Dustfinger brushes him off.
Fenoglio and Meggie are taken to see Capricorn in his church. Fenoglio is impressed and amazed to see his creation in the flesh. Capricorn, like Mortola, comments that Basta’s performance has been poor lately. Fenoglio proves he wrote Inkheart by revealing private details to Capricorn about his background, his personality, and his parents. Capricorn pretends to be indifferent but is clearly spooked and angered by Fenoglio’s knowledge of him. Capricorn tells Basta to imprison both Fenoglio and Meggie in a cell in his home. Fenoglio insists that Meggie come with him.
Meggie misses Mo desperately, but also hopes that he will not come, even though she knows that he will.
Dustfinger and Farid intercept Elinor and Mo as they make their way up the road toward Capricorn’s village. Dustfinger tells Mo that his plan to simply walk into Capricorn’s village is foolish. He warns that both he and Meggie will be imprisoned—likely for life. When Mo is unrelenting, Dustfinger directs Farid to threaten Elinor at knifepoint, directs Mo to hide the car, and ties them both up. He proceeds to Capricorn’s village alone, instructing Farid to stay with Mo and Elinor.
Dustfinger goes to Capricorn’s house, expecting to see Resa. A young girl he doesn’t recognize answers the door. Dustfinger worries that Resa is in trouble and has been found out and punished. He turns around to see Basta, Mortola, and Flatnose. Briefly, he worries that Resa betrayed him.
Basta and Flatnose mock Dustfinger, claiming he’s in love with Resa. They know he’s come for the book. They take him to Capricorn, and Flatnose tells Dustfinger that Capricorn is angry with Resa. Dustfinger realizes Resa didn’t betray him and regrets getting her involved.
Meggie tells the guard that she needs to go to the toilet. Meggie tries to run away but the guard catches up with her quickly. Fenoglio finds a few books and a flashlight under one of the mattresses. Meggie looks through the Odyssey and a book of fairy tales, finally settling on rereading Peter Pan. She reads the word “Tinkerbell” out loud, enjoying the sound of the word. She notices a light moving around the room and realizes that it’s Tinkerbell herself, who she has accidentally read out of the book.
Footsteps approach the cell; it’s Basta. Meggie tries to hide Tinkerbell. Basta opens the door and is surprised to see the fairy. Basta sees Tinkerbell on the cover of the book and works out that Meggie has read the fairy from the story. He decides to take her and show Capricorn what she can do. Meggie asks whether Mo has come for her, and Basta tells her he hasn’t, but that they don’t need Mo anymore.
Basta takes Meggie to see Capricorn; Mortola is also there. Basta tells Capricorn about Meggie’s ability to read characters out of books. He presents Tinkerbell and shows Capricorn the picture on Peter Pan. Capricorn happily tells Meggie that she will be his new reader.
Dustfinger and Resa are lowered from the roof in nets. Dustfinger calls down to Meggie that Mo sends love and is coming for her soon. Capricorn tells Dustfinger that he wanted Meggie brought to him so that he could use her to manipulate Dustfinger for information about Mo, but he no longer needs Mo now that they know Meggie is a magical reader too. He hints that Meggie will summon “that old friend” (373) to mete out Dustfinger’s punishment—and, at Mortola’s prompting, Resa’s. Capricorn mentions that Darius read Resa out of Inkheart and that she used to have golden hair. He laments that Dustfinger involved Resa in his betrayal, as he’s always favored Resa and liked that she lost her voice when she was pulled out of the book. Resa’s description sounds familiar to Meggie, who peers at Resa but can’t see her face.
Meggie angrily says that she won’t read for Capricorn. Bored, Capricorn tells Basta to take her to his cell. Passing under the net, she tries to get a look at Resa, but only catches a glimpse of her.
Meggie tells Fenoglio that they’ve caught Dustfinger and a woman. She says that she thinks that the woman is her mother—she recognizes her from Mo’s photo. She explains that she is supposed to be reading a character out of Inkheart to kill Dustfinger and Resa.
Fenoglio tells Meggie about the Shadow, a fearful apparition of fire and smoke that Capricorn can summon. It is supposedly made of the ashes of his killed enemies and is immortal. Meggie has a terrifying nightmare of all of the monsters she has ever read about. Fenoglio wakes her, and Meggie despairs, wondering where Mo is.
The Complexities of Loyalty are tied to the introduction of Resa, who is introduced in these chapters and revealed to be Meggie’s long-lost mother. In Chapter 33, Farid points out that Resa “looks like […] Silvertongue’s daughter […]. She has the same mouth and the same eyes, and she laughs in the same way” (331-32). Farid also points out that Dustfinger keeps a photo of Resa in his backpack, to which Dustfinger reacts with anger and dismissiveness. Dustfinger’s reactions ironically expose the truth: that Resa is indeed Meggie’s mother, and that Dustfinger has known it all along. This puts his comment about Meggie’s familiar appearance in Chapter 11 into context. The fact that Dustfinger has not told Mo about Resa shows Dustfinger’s lack of loyalty to anyone but himself. He is not even necessarily devoted to Resa, despite his feelings for her—he briefly suspects her of betraying him when he is caught by Capricorn’s cronies, which shows how little he trusts others.
Despite this, Dustfinger continues to do good things for others. He looks out for Farid, even as he wishes the boy would stop following him into such dangerous scenarios. He also intervenes when he comes across Elinor and Mo, physically preventing them from walking into Capricorn’s trap. He offers Meggie reassurance, even when he is captured and clearly feigning his cheerfulness. Dustfinger’s motivation remains unchanged, but his shifting priorities and complicated decisions show the complexity of his character.
Funke explores loyalty in smaller ways through the other characters as well. Resa is supposed to be loyal to Capricorn, as one of his most favored maids, but she loathes him and has repeatedly tried to escape. She betrays him by trying to help Dustfinger, which puts her at risk and eventually gets her caught. Mo and Elinor remain loyal to Meggie, as is clear when they try to go to her even though it would endanger them. Farid’s loyalty to Dustfinger intertwines with Mo and Elinor’s loyalty to Meggie in the following chapters, as they are all intent on freeing those kept captive by Capricorn.
Meggie shows signs of Maturing Through the Hero’s Journey as she faces Capricorn once again, this time without her father’s support. Meggie shows her intelligence when she realizes that Resa’s description sounds familiar and tells Fenoglio, “I think she’s my mother” (378). Meggie also repeatedly aids Fenoglio as he attempts to think of ways to free them, keeping him updated and sharing whatever she knows with him. Meggie shows her bravery when she refuses to bow to Capricorn’s will, and she refuses to sit back and wait to be rescued. Even though she longs for her father, she attempts to escape by herself, and does not give up hope even after she is caught.
Meggie also comes fully into her power here, which ties her journey to The Power of Literature. In Chapter 38, Meggie turns once again to books to escape her stressful situation: “‘Please,’ she whispered as she opened the book, ‘please get me out of here just for an hour or so, please take me far, far away’” (362). It is at this moment, as Meggie tries to immerse herself in Peter Pan, that Meggie discovers she shares Mo’s “Silvertongue” ability. Meggie’s skill puts her in an impossible situation, as it means she now has greater value to Capricorn, who does not need Mo himself; he only needs a skilled reader to force into doing his bidding.
Capricorn displays his villainy when he decides to force Meggie to pull a character from Inkheart that will execute Dustfinger and Resa. Capricorn does not care that Meggie is only a child; he spares no thought to traumatizing her, focusing only on his own desires. Capricorn has no interest in reading for reading’s sake; he looks at books only for what they can do for him, and he gladly hurts and punishes others when they get in his way. This sets him apart from characters like Meggie and Fenoglio, who appreciate books for their inherent power. Funke also uses literacy to explore Dustfinger’s complex characterization. Reading is clearly important to Dustfinger; Resa taught him to read, which furthers Funke’s message of reading bringing people together. Dustfinger is not as literate as Meggie or Mo, who are clearly on the side of “good,” but he desperately wants to improve and is pleased to make progress: “As usual, it took some time for the letters to make sense to Dustfinger. He felt a fresh sense of pride every time those spindly symbols finally fitted together into words, and he could get their secret out of them” (328). This positions him closer to Meggie and Mo than to Capricorn and his lackeys, but still leaves him in the middle, which aligns with his morality.
By Cornelia Funke