79 pages • 2 hours read
Tracy DeonnA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Legendborn combines two systems of magic in its protagonist; Bree is both a Rootcrafter and a Bloodcrafter. These systems are based in historical occult traditions: the European grimoire tradition as well as the oral traditions of Black rootwork. The systems are distinguished by the language and practices they use—both in Deonn’s novel and her source materials.
The system of magic that The Order of the Round Table uses is inspired by grimoires (books of magic) that can be traced back to medieval and renaissance alchemists. Famous grimoires, like Henry Cornelius Agrippa’s Occult Philosophy, include blood magic that summons demons. This is similar to how Davis uses blood magic to open Gates for Shadowborn with the intent of starting Camlann—the war to end all wars.
The focus on the elements and pentacles (five-pointed stars) in the grimoire tradition is also reflected in the Order. The latter defines magic through five elements: earth, air, fire, water, and aether—or “quintessence”—which, according to Sel’s readings of the Order’s “gramarye[s]” (275), or grimoires, “cannot be created or destroyed, only infused into a body or manipulated into a temporary mass” (276). This element is most effectively directed by Merlins, like Sel, who “are the Order’s sorcerers” (80) and part demon (part incubus, like Merlin).
There is a high cost to the Order’s Bloodcrafting: a lack of consent and shortened life spans. The descendants of the Knights of the Round Table, or Scions, “can’t opt out of their blood. And once Awakened, they feel this…this need. To fight. Directly from their knights” (145). Possession is not a choice but carried through bloodlines. Both Awakened Scions and their Oath-linked Squires suffer from Abatement: a drain of life that causes them to die in their 30s.
Bree is able to resist Bloodcraft magic, like mesmer and Oaths, through “pain” (72) and carrying a second blood-linked magic: Rootcraft. Deonn offers an author’s note clarifying that Rootcraft is inspired by “rootwork, also known as hoodoo or conjure” (496). Though the details of this spiritual practice are often orally passed down by practitioners, folklorist Harry Middleton Hyatt conducted a series of anthropological interviews titled “Hoodoo—conjuration—witchcraft—rootwork” that provide details about the art. More recently, and including more accurate information, books like Flash of the Spirit by Robert Ferris Thompson and Conjuring Culture by Theophus Smith explain the practices of rootwork: spirit possession, ancestor worship, healing, and protection.
At the heart of Rootcraft is a borrowing of “root”—their term for “aether”—rather than ownership of the magical element. Patricia tells Bree: “Rootcrafters—borrow root temporarily, because we believe energy is not for us to own” (223). Rootcraft focuses on summoning ancestors, rather than demons, and is used for “healing, protection, and self-knowledge. The same can be said for therapy” (315). There are many different styles of Rootcrafting; Bree’s mom did Wildcrafting, or working with plants, but Bree is a Medium.
As an heir of both kinds of magic, Bree is also an outcast from both systems. Her mom kept a low profile because she and Bree have “something else even more special inside us that only we know about, because other Rootcraft users wouldn’t like what we have” (389). This “special” part is Arthur, carried in their bloodline because of rape and slavery. The Order, as seen in its condonement of slave owning, is a deeply racist institution. However, despite her outsider status, Bree is the most powerful magic user in the world of Legendborn.
The trauma passed down through generations of Black people is another central theme of Legendborn. This trauma originated with chattel slavery and is perpetuated by organizations like the KKK and other modern institutions that attract white supremacists, like the police. Bree comments, “I don’t know if there’s a single Black person in this country who can say with 100 percent confidence that they feel safe with the police” (29), which is a reflection of sentiments circulating in more recent generations: the Civil Rights Movement in the 1960s, NWA’s “F*ck the Police” rap song in the 1980s, all the way to the Black Lives Matter Movement in the 2020s.
North Carolina and, more generally, the Southern United States, more profoundly carries the weight of slavery than abolitionist states. Bree thinks:
Growing up Black in the South, it’s pretty common to find yourself in old places that just…weren’t made for you. Maybe it’s a building, a historic district, or a street. Some space that was originally built for white people and white people only, and you just have to hold that knowledge while going about your business [...] You gain an awareness. Learn to hear the low buzzing sound of exclusion (75).
After slavery was abolished, segregation was still very present in the South and many monuments to slave owners and confederate soldiers exist even in the post-Civil Rights era. The location of Chapel Hill is significant for its physical reminders of enslavement and oppression that occurred across generations.
A major repercussion of slavery is the breaking of families through not only selling people, but also through rape. Many Black people living in modern America—like the character Bree—don’t know their genealogy. When seeing the Order’s Wall of Ages laying out generations of white people, Bree believes “someone probably wanted to record it all, but who could have written down my family’s history as far back as this? Who would have been able to, been taught to, been allowed to? Where is our Wall?” (135). Slaves were not allowed to learn to read or write to record their lineages. Those who did manage to pen narratives, like Harriet Jacobs, include the fact that genealogies of enslaved families are complicated by masters raping the women on their plantations.
The Order is an example of a long-standing institution that was able—as a secret society—to keep Black people from becoming members and to cover up trauma inflicted on Black women. When Davis kidnaps Bree to prevent her from becoming a Squire, he believes “the corruption must be rooted out and corrected” (423), or in less euphemistic terms, that Black women must be excluded. The “corruption” is the miscegenation of his ancestor: a plantation owner who raped Bree’s ancestor Vera. Also, the Order has ties with the police department and the University, supporting racist officers and administrators. This speaks to the real-world systemic nature of racism, one that is embedded in structures of power and privilege.
Legendborn opening with the death of Bree’s mother sets up the book as an examination of grief. Deonn states in her Author’s Note that Bree “suffers from acute traumatic grief, PTSD, and early symptoms of Persistent Complex Bereavement Disorder (PCBD)” (495). Bree’s therapist Patricia notes that Bree’s “ghost” (315) is her mom’s life—not her mom’s death. The major symptoms of grief that Bree exhibits are the splintering of her identity into Before-Bree and After-Bree, as well as creating an emotional wall between herself and the world. She essentially hides behind her anger.
At first, Bree believes she can manage grief and trauma with retribution. She wants to punish the people responsible for her mother’s death, which seems to be a murder, because “acceptance is not possible for murder” (307). Bree feels disconnected from not only her mom, but also her entire maternal line: “death breaks our connection! [...] Death is not a thread. It is the sharp cut that severs us. Death separates us from one another, and yet it holds us close. As deeply as we hate it, it loves us more” (305). This foreshadows Bree’s powers as a Medium (someone intimately connected with death), but she is not emotionally ready to access these powers. Her wall and After-Bree keep her from accessing her Rootcraft.
Once Bree is given information about her powers and the circumstances of her mom’s death, she is able to process her grief. First, Bree learns that the Order tracked but did not kill her mom. Then, her mother’s charm bracelet releases a memory about their magical powers to Bree. After these events, Bree is able to dismantle her wall and unify her identity. This emotional shift allows Bree to tap into her powers as a Medium and obtain more answers from her ancestor Vera. Rather than seeking revenge for murder, a unified, wall-less Bree is able to follow Faye’s repeated advice: “Take risks. Follow your heart. And move forward” (417), as well as her dad’s advice: “Don’t make your life about the loss. Make it about the love” (386). Bree decisions from there on out become about what her heart desires.