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69 pages 2 hours read

Laura Esquivel

Like Water for Chocolate

Fiction | Novel | Adult | Published in 1989

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Chapters 7-9Chapter Summaries & Analyses

Chapter 7 Summary: “July: Ox-Tail Soup”

Content Warning: The Chapter 7 Summary depicts sexual assault.

The chapter begins with a recipe for oxtail soup, a dish believed to have healing properties. After three months at Dr. John Brown’s home, Chencha visits Tita and brings her oxtail soup. Tita remains mute, spending her days listening to John talk and watching him play with his son Alex. The smell of the oxtail soup reminds Tita of Nacha and reawakens her passion to cook—which she feared she’d lost. Tita’s memory stirs: “[...] times with Nacha, the childhood games in the kitchen, the trips to the market, the still-warm tortillas, the colored apricot pits, the Christmas rolls, the smell of boiled milk, bread with cream, chocolate atole, cumin, garlic, onion” (89). The scent of onion causes Tita to cry, and Chencha weeps with her. Their river of tears runs down the stairs, alarming John. Though Tita is crying, he is happy to see her emotions. As he leaves, Tita breaks her silence and formally asks him to stay. Chencha gives Tita a report from the ranch; Mama Elena forbid Chencha from visiting Tita and refuses to speak her name. Chencha also has a letter from Gertrudis; Tita reads it privately. Gertrudis thanks Tita for sending clothes and explains that she stayed in a brothel after exhausting Juan to “quench the fire” inside her (91). Tita tells Chencha that she will not return to the ranch, and the latter agonizes over breaking the news to Mama Elena. She decides to lie, saying Tita escaped the asylum and has become a beggar on the street.

John gifts Tita with an elegant dress and takes her to a party. Afterward, John proposes marriage. Tita thinks John has rekindled her inner fire but does not accept his proposal. She enjoys their friendship and hopes one day, her feelings will turn to love. Meanwhile, Chencha returns to the ranch, prepared to tell her lie. A group of rebels attack the ranch and brutally rape Chencha; they knock Mama Elena unconscious, leaving her permanently paralyzed. When Tita hears of the attack, she returns to the ranch to care for her mother. She makes oxtail soup in hope it will heal Mama Elena, but the latter refuses to eat her cooking, claiming it tastes bitter; she is convinced Tita is trying to poison her. Mama Elena refuses food from other cooks too. Finally, a hearing-impaired cook is hired and Mama Elena insults her through sign language. Dr. John Brown visits to treat Chencha. Chencha falls into a deep depression, convinced no man will love her now that she is “damaged.” Tita comforts her, promising she will find a man who understands her and helps her find a new job.

John discovers Mama Elena is taking ipecac syrup for fear of poisoned food; this is causing the bitter taste in her mouth. Mama Elena suspects a brewing romance between Tita and John, and intensifies her cruelty toward her daughter. Tita decides to marry John when her mother recovers. When Mama Elena dies from an ipecac overdose, Tita is relieved. She falls into John’s arms in tears, but is still uncertain if she loves him. Before the wake, Tita discovers her mother’s memory box, containing letters from the past. She learns her mother once loved a Black man named Jose Treviño, a relative of escaped enslaved persons. However, Mama Elena’s parents forbade her to be with Jose because of the color of his skin. Her parents arranged her marriage to Juan De la Garza, Tita’s father. Mama Elena continued to see Jose, and Gertrudis is their love child. People in the village suspected the affair but kept it a secret from Tita’s father. Mama Elena and Jose planned to run away, but an unknown assailant attacked and killed the latter. Tita’s father learned the truth in a bar shortly after her birth; the shock caused him to have a heart attack and die. As Tita looks at her dead mother, she feels pity for her and the love she was denied. Pedro and a pregnant Rosaura attend Mama Elena’s funeral, and when Tita sees Pedro, her attraction is reignited and she doubts her plan to marry John. However, she is angry with Pedro for abandoning her and walks away with John. Pedro is jealous seeing them together.

Chapter 8 Summary: “August: Champandongo”

Tita prepares a dish called champandongo, and the onions make her cry. The cooks reserve the dish for special occasions: This night, Dr. John Brown will propose marriage. Tita is so distracted she cuts her finger with a knife. It turns out, Mama Elena’s death sent Rosaura into early labor. The baby, a daughter, was born three months early and Rosaura cannot nurse due to labor complications yet again. Rosaura required surgery to remove her damaged uterus and will not be able to bear more children. Pedro and Rosaura wanted to name the baby Josefita after Tita (as Josefita is her birth name), but Tita does not want her cursed with her name; they choose Esperanza instead. Tita does not nurse Esperanza like she did Roberto, instead feeding her gruel and tea like Nacha did for her. Rosaura is jealous of all the time Esperanza spends with Tita in the kitchen and demands her sister bring the baby to her bed after her meals. When the baby cries, she is only soothed by the sound of Tita cooking, so Tita takes her cooking pot into Rosaura’s room. On the way back to the kitchen, Tita spills the pot, ruining several hours of work. Pedro intercepts Tita and begs her not to marry John. She scolds him for not being brave enough to withstand Mama Elena’s demands. Pedro stomps around the ranch; everyone thinks he is angry over Rosaura’s barrenness.

A few days before, John and his son Alex visited Esperanza and Alex declared he would marry her. Rosaura said she would not marry, as she is her only daughter and must care for her mother in age. Tita is devastated that Rosaura has chosen to continue Mama Elena’s tradition. Her anger seeps into her cooking, making the bread rise too quickly and spill out of the bowl. She feels she is always on the verge of boiling over like a hot pot. Chencha returns with her new husband Jesús Martinez; they want to return to the ranch to work. Tita is happy to see her friend again; she charges Chencha with cooking while she bathes and dresses for John’s arrival. The cool shower relaxes Tita, but soon, the water turns hot. She notices Pedro watching her through the wooden slats and quickly runs and dresses. Tita is frantic over table setting, careful to adhere to etiquette rules. She overhears John and Pedro arguing about politics. Pedro, as the head of the household, must give consent for Tita to marry. He finally agrees, and the men plan the wedding without including Tita in the conversation. John presents Tita with a diamond ring. Everyone toasts with champagne, and Pedro’s glass shatters. Tita is anxious to marry John and leave the ranch as quickly as possible to get away from Pedro.

Tita helps Chencha make a bed for her and her husband Jesús. She returns to clean the kitchen. When she goes to Mama Elena’s bathing room, now used for storage, Pedro slips in. He locks the door, grabs Tita, shoves her to the bed, and takes her virginity. The others in the house see lights emanating from the room and think the ghost of Mama Elena has come to visit.

Chapter 9 Summary: “September: Chocolate and Three Kings’ Day Bread”

Tita prepares chocolate for a Three Kings’ Day bread for a party. She is distracted by the possibility of being pregnant with Pedro’s baby. She worries how she will explain the pregnancy to Dr. John Brown, fearing he will no longer want to marry her. Making chocolate reminds her of Christmas. Nacha would save money to buy Tita gifts that Mama Elena refused to purchase. One year, she purchased a movie projector, providing the sisters with many happy days. Tita desperately misses Nacha and her delicious food; she mourns the loss of joyful days with her sisters. She has not heard from Gertrudis since she sent her clothes. Once Tita finishes making the chocolate, she starts making yeasted dough for the bread.

Since giving birth to Esperanza, Rosaura has developed health problems. She is overweight and suffers from bad breath and flatulence. Rosaura and Pedro sleep in separate bedrooms and she tells Tita that ever since Mama Elena’s ghost visited the house, Pedro has refused to have sex with her. John has prescribed a special diet to help, but Rosaura begs Tita for a remedy. Feeling guilty for her and Pedro’s sexual encounter, she tells her to gargle with salt, camphor, and vinegar. However, Tita is still angry with Rosaura for cursing Esperanza with the family tradition. A chilly wind blows through the kitchen, and the ghost of Mama Elena appears, warning Tita to end her affair with Pedro. The ghost curses Tita and her unborn child but disappears as Chencha enters the kitchen. Tita is too disturbed to finish the dough, so Chencha takes over for her; still, Tita places the obligatory hidden doll in the dough. According to tradition, whoever finds the doll will have good luck. Tita feels she has not been lucky. She makes a wish on the doll that she could be free from guilt and shame, and that Esperanza could be free from the family tradition. She also wishes to see Gertrudis again.

Pedro helps Tita carry the bread to the table, and she asks to speak to him privately. He says he has been hoping to meet her in the storage room again. Tita sees the ghost of Mama Elena glaring at her from across the room and feels faint. Paquita Lobo, a neighbor whose family came to visit, interprets this as a sign of pregnancy; Tita denies being pregnant. The sound of hooves interrupts the awkward conversation. Gertrudis, now a rebel general, has returned with her husband Juan Alejandrez. Tita makes Gertrudis hot chocolate, and the latter prays that the family recipes will be preserved in the former. Gertrudis and Juan’s soldiers join the family to enjoy bread and chocolate. Juan plays music, and Gertrudis dances joyfully. Tita is thankful for her sister’s return and hopes the older can help her with her inner conflict. One year later, Gertrudis gives birth to a baby with dark skin. Tita reveals Gertrudis’s parentage, so Juan does not think she was unfaithful.

Chapters 7-9 Analysis

The author juxtaposes Tita’s respite at Dr. John Brown’s home with a shocking scene of violence in Chapter 7. Chencha traverses a dangerous battleground to deliver nourishing food to Tita—only to return to the ranch under siege. Her violent rape and Mama Elena’s severe injuries are sinister reminders of the ongoing revolution. Until now, the women had created a haven at the ranch, shielding themselves from the violence around them. The rebel attack lacks the benevolent leadership of Juan Alejandrez, so the raiders steal more than just food—they rob Chencha of her innocence and Mama Elena of her mobility. Forced to return home, Tita resumes caring for her mother, but their power dynamic has shifted. Mama Elena is humiliated by her reliance on her daughter, so in a bitter, defiant act, she refuses her food, dosing herself with ipecac. Ironically, Mama Elena is poisoned not by food but by her toxic hatred of Tita—effectively killing herself. Conversely, Chencha does not ask nor require Tita’s help healing from her wounds, yet Tita offers her friend empathy and kindness. Tita sees the humanity in others and by empowering Chencha to pursue and embrace a fresh start, she opens the door for her friend’s redemption. Chencha’s story finds resolution in a man symbolically named Jesús, a savior of her soul, who values her as a human and looks beyond her physical and emotional wounds.

After Mama Elena’s death, Tita grieves—not for her, but the fact she never truly knew her. The reveal of Mama Elena’s past humanizes her and speaks to a history of racial oppression. Once Tita learns her mother also experienced forbidden love, Mama Elena’s suppression of her happiness is contextualized; however, it does not excuse or lessen the sting of her mistreatment of Tita for so many years. With the passing of her mother, Tita is physically free to leave the ranch and pursue her own life, but she is still emotionally chained by trauma and guilt. The ghost of Mama Elena haunts her, starkly contrasting with the benevolent, nurturing presence of the departed Nacha and John’s grandmother Morning Light. Tita’s emotional turmoil causes her to doubt her love for John and fear that she may never experience a life of true happiness or freedom.

The author highlights the burdens women bear in the care of the household and greater community. Rosaura languishes in her arranged marriage, forced to bear Pedro’s second child and rejection of intimacy due to her health problems. She cannot control her sudden weight gain or illness, embodying women who suffer yet are still expected to continue the duties of a wife and mother. The birth of another female, aptly named Esperanza (“hope”), brings new female energy into the household—but Tita is devastated to learn Rosaura has cursed her daughter to the same fate as herself. Rosaura’s decision is born of grief at having lost Roberto and the knowledge she is now barren. Whether or not Tita fully understands this, she shows her sister compassion by offering a remedy for her pain. She cannot cure all that ails her family but employs the family recipes to do what she can.

Tita and Pedro’s consummation of their love is a turning point in the novel’s romance. After lusting for each other for years, their coming together is less romantic than expected—and Tita’s consent is far from enthusiastic, questionable even. Pedro’s desire stems from control more so than connection. After they have sex, Tita feels guilty rather than at peace. Like Chencha, she feels “damaged,” fearful John will no longer desire to marry her. After years of abuse and subjugation from her mother, Tita emerges with a warped sense of love clouding her ability to evaluate what she truly wants.

The author presents Gertrudis as the antidote to the repression of women in the novel. After allowing herself to be carried away on the wings of unbridled desire, Gertrudis explores her sexuality openly and without shame. Her defiance of Mama Elena’s control allows her to seek opportunities other than those of domestic duties—a fitting turn, as it was Mama Elena’s own act of rebellion (pursuing forbidden love) that led to Gertrudis’s birth. Not only did she meet the love of her life in Juan, but she earned a leadership role in the military, leading others to rebel against tyrannical authority. Gertrudis’s triumphant return to the ranch, confidently astride her horse wielding a sword, symbolizes female empowerment—reigniting Tita’s hope for the future.

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