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49 pages 1 hour read

Johann Hari

Lost Connections: Uncovering the Real Causes of Depression - and the Unexpected Solutions

Nonfiction | Book | Adult | Published in 2018

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Prologue-IntroductionChapter Summaries & Analyses

Prologue Summary: “The Apple”

Hari recounts being in the Vietnamese capital of Hanoi and buying a very large, appetizing apple. Following health guidelines for visitors to Vietnam, Hari washed the apple with water. Still, it had a “bitter, chemical taste” (1). Hari ate half of the apple, nonetheless. For the next several days, he became very ill. Despite that, he continued his work interviewing survivors of the Vietnam War for a book project.

Hari’s condition worsened during an interview with an elderly woman who was one of the sole survivors, along with her children, of the bombing of her village. The interviewee and Hari’s translator, Dang Hoang Linh, insisted that he go to the hospital. There, Hari learned it was the apple that made him sick and almost killed him. It was covered with so many pesticides that cleaning it with water was not enough; instead, the apple skin needed to be removed entirely. The lesson he took from his experience was what the doctor told him while he was sick: “You need your nausea. It is a message. It will tell us what is wrong with you” (4).

Introduction Summary: “A Mystery”

Hari writes that he took his first antidepressant when he was 18. He decided to start medication after traveling around Europe to celebrate his last summer before starting college. During his vacation, he cried continuously and was overwhelmed with emotion because he “had been rejected by the first person [he] had ever really been in love with” (6). After a friend told him most people did not act this way, he “experienced one of the very few epiphanies of [his] life” (6). He realized he was depressed and decided to try antidepressants.

His doctor prescribed him a drug called Seroxat or Paxil. He told Hari that “some people […] naturally have depleted levels of a chemical named serotonin in their brains […] and this is what causes depression—that weird, persistent, misfiring unhappiness that won’t go away” (8). Later, while writing Lost Connections, Hari would be asked why his doctor didn’t ask him about any reasons why he might feel depressed.

At college, Hari encouraged friends to try antidepressants and felt he had become “unusually resilient and energetic” (9). However, he noticed several side effects, like putting on weight, and continued experiencing sudden outbursts of sadness. In response, his doctor kept giving him higher doses. From books and TV shows, Hari decided that he had inherited his tendency toward depression from his mother, which further proved depression is “something innate; in your flesh” (10).

Hari’s therapist kept pointing out that he still seemed depressed despite the antidepressants. Hari noticed that when he was a child, his friends’ families did not take medication for their mental health, unlike his own family. At the time of his writing, one out of five US adults took at least one mental health drug, one in four middle-aged women in the US took antidepressants, and one in ten US male high schoolers took a stimulant to help them focus. There is also an epidemic of addiction to legal and illegal drugs that has lowered the life expectancy of white men in the US (12).

Hari stopped taking the drugs after a personal crisis and realization that the drugs did nothing to help. Reluctantly and slowly, Hari began researching three mysteries: why antidepressants did not seem to work for him (11), why more people appeared anxious and depressed (13), and if something other than chemical brain imbalances could cause depression (13). Hari focused on his book Chasing the Scream: The First and Last Days of the War on Drugs.

Eventually, Hari started working on the book that would become Lost Connections, conducting interviews and traveling around the world. He learned that doctors no longer consider depression and anxiety to be completely distinct medical problems, and that “there is a continuum between unhappiness and depression,” although they are “very different” in severity (15). In his research, Hari found “real solutions” to depression that “don’t look like the chemical antidepressants that have worked so poorly for so many of us” (17).

Prologue-Introduction Analysis

Hari’s autobiography and personal interest in antidepressants inspired him to write Lost Connections. After he was diagnosed as depressed and prescribed antidepressants, Hari felt his depression was caused by “a malfunction in the brain” and could be cured by “drugs, which repair your brain chemistry” (10). For Hari, the medical “story” of depression was not just about his illness and its treatment, but about his identity.

The Prologue hints at Hari’s shift in perspective. The doctor in Vietnam had told Hari his nausea was a “message” about the real cause of his sickness (4). This is echoed later in the conclusion of Lost Connections, when Hari writes that depression and anxiety is “a signal—a necessary signal” (313). Just as nausea signaled food poisoning for Hari in Vietnam, depression and anxiety hinted toward deeper traumas and social problems affecting his life.

The Introduction illustrates how Hari will approach his argument in Lost Connections. Hari draws on his own experience, explaining why he was once invested in his own “story” about malfunctioning brain chemistry being the cause of his depression (10). He challenges readers to “look up and read the scientific studies I’m referencing in the endnotes as I go, and try to look at them with the same skepticism that I brought to them […] Kick the evidence” (16).

Hari blends data with personal anecdotes. He presents arguments from researchers and scientists as proof for the conclusions he reaches, both when it comes to depression and to its causes and cures. Hari adds anecdotes to make his narrative more engaging. He also uses them to clarify, support, or give emotional weight to the same points made by data-based arguments. Finally, he uses anecdotes to provide a different kind of proof, one that is rooted in personal experience and observation.

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