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44 pages 1 hour read

Jonathan Lethem

Motherless Brooklyn

Fiction | Novel | Adult | Published in 1999

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Chapter 6Chapter Summaries & Analyses

Chapter 6 Summary: “Auto Body”

When Lionel gets into the Zendo, he finds the elusive and mysterious Gerard alone in an upstairs bedroom, sitting by candlelight, propped up on pillows, his legs crossed, “his posture calm” (228). Lionel confronts Gerard with his suspicions about his involvement in his own brother’s murder and his guesswork about the sinister underworld of Fujisaki Corporation itself. Gerard, smiling calmly, dismisses Lionel’s accusations and assures Lionel that Lionel knows little about who Frank really was: “The worse I attacked him,” Lionel admits, “the deeper his forgiveness and grace would be—that’s what the smile said” (232). Gerard cryptically tells Lionel only that Fujisaki is a ruthless and remorseless corporation and that to protect its investments its agents were willing to turn to violence. He cautions Lionel that Tony was quickly becoming a loose cannon and that he may draw the ire of the corporation. 

Lionel heads back to L&L. It is 2:30 in the morning, and, through the front window, he sees Tony and Danny inside. He decides to wait and watch from a stoop across the street. A car pulls up to the building, and Lionel is stunned to see the giant. The giant waits, also watching Tony and Danny. Freezing, Lionel moves to one of L&L’s parked cars, a Tracer, taking satisfaction in now being on a real stakeout. 

Typical in a narrative that lampoons detective fiction, Lionel promptly falls asleep. When he awakens at 4:30 in the morning, he impulsively calls L&L and tells Tony that he is in danger. Tony dismisses Lionel’s warning and heads out in one of the company’s cars, followed closely by the giant in his car. Lionel follows—the three head out of Brooklyn, out of New York, and toward Connecticut. They skirt around Boston and eventually drive all the way to southern Maine. On the way, munching through a bag of sandwiches, Lionel calls Kimmery and tells her that he thinks he is heading to Yoshii’s. He noted a brochure for the center in her apartment. Over the course of the long drive, he calls Kimmery repeatedly, confessing to her that she makes him feel different: “My life is organized around different compulsions. But it’s different with you. I feel different” (258). Reeling from a bad breakup, however, Kimmery says she needs space to figure out what—and who—she wants.

Lionel arrives at the tiny picturesque southern Maine town of Musconguspoint Station. He sees signs for Yoshii’s, apparently an emporium specializing in Japanese seafood cuisine. He pulls up to the restaurant. He sees no sign of Tony or the giant. The restaurant is closed. Lionel heads down to the pier. There, fishermen tell him about Yoshii’s and the Japanese who have invaded the town. He finds out that a Japanese corporation, he assumes Fujisaki, has taken over the town’s fishing operations to fish off the coast for uni, an exotic Japanese seafood delicacy. In Japan, the fishing of uni was tightly regulated by law. Because there were no restrictions in America, the enterprise was worth potentially millions. 

Lionel heads to Yoshii’s. He spots the cars of both Tony and the giant parked near the docks. At Yoshii’s, he is surprised to be greeted by Julia, sporting a close-chopped haircut, working as a hostess. Julia tries to get him to leave but before he can, six imposing Japanese men, “stoic and lipless” (275), enter and sit at a long table. It is, Lionel says, “a vision to break your heart” (274). The men, Lionel surmises, must be part of the Fujisaki Corporation. Lionel takes a seat and watches. Julia brings him a bowl of Thai chicken soup. When she leaves the bill, he finds a note from her telling him to meet her at the town’s lighthouse. 

As he leaves the restaurant, Lionel catches sight of the giant leaning next to Tony’s car, rifling through papers and then nonchalantly throwing a wallet (he assumes Tony’s) into the ocean. Lionel knows now that Tony is dead. He runs to the Tracer, but the giant follows. The cars collide in the parking lot. Desperate, with the giant momentarily stunned and slumped over on his car’s airbag, Lionel jumps into Tony’s car and heads to the lighthouse. On the way, he phones Matricardi back in Brooklyn. He reveals that Tony is dead and then tells him that Gerard Minna, the man responsible for Frank’s death, is living in the Zendo in Yorkville, thus sealing Gerard’s fate. 

Chapter 6 Analysis

The elusive giant at last reappears into the narrative—it is the classic big break that any detective in any mystery needs to find resolution. Even as Frank’s brother assures Lionel that he does not understand anything, we see that Lionel makes significant strides in sorting through the tangled involvements of his dead mentor. 

While Lionel begins to close in on solving the mystery of Frank’s death, the narrative focuses on Lionel’s evolution as a character—his movement away from the narrow certainties and clear sightedness of the detective role. When Gerard smugly tells Lionel how little he understands, we know that his admonition applies not just to Lionel as detective but to Lionel as a man. 

To mentally and emotionally grow, Lionel needs to get out of Brooklyn, away from the narrow world that defines him. His drive north becomes not so much a police chase but a pilgrimage. Through this distance, he is able to open up to Kimmery, if only through the car’s phone. When he arrives at the coastal town in Maine, the ocean’s vastness stuns him. Then, while watching the grim-faced Japanese men at the restaurant, Lionel undergoes a Buddhist-like moment of illumination. What Kimmery promised him at the Zendo has come to pass: “I knew, I knew it all, I understood everything at that moment” (275). However, this moment of clarity has nothing to do with solving Frank’s killing—which won’t happen until the next chapter. 

This is a moment of peace, as unanticipated as it is welcome for Lionel. 

Lionel closes the chapter heading to the lighthouse to meet Julia. The lighthouse itself is associated with illumination in times of storm and distress, a calming, even reassuring glint of light. Along the way, Lionel settles the untidy ends of the investigation. He phones the Brooklyn mobsters and lets them know who killed Frank and where they can find him, setting up Gerard for a retaliatory execution. However, guilt and vengeance drive Lionel, who is not yet ready for authentic peace.

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