logo

76 pages 2 hours read

Joe Hill

NOS4A2

Fiction | Novel | Adult | Published in 2013

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 10, Chapter 99-Part 11, Chapter 102Chapter Summaries & Analyses

Part 10: “Triumph-One Eternal Christmas Eve”-Part 11: “Come all Ye Faithful—October”

Part 10, Chapter 99 Summary: “Christmasland”

Vic drives down Gumdrop Lane past various shops. She sees the face on the moon and notices that it looks like Manx. She almost runs into a child, and then two more appear and trail behind her. She feels as though she is being surrounded as she approaches the biggest Christmas tree she has ever seen. The tree lights up and she sees dozens of children around it. Most have weapons. Vic sees that the Christmas ornaments on the tree are human heads.

Manx steps out of the Wraith and the lights of the park illuminate. His two daughters appear and hug him. Wayne steps out of the car when Manx says they should ask what he wants. Vic sees Wayne’s sharp teeth as he laughs and points the moon’s face out to her. Millie—one of Manx’s daughters—tells Wayne he can’t leave before he opens his present. Excitedly, Wayne says everyone can help unwrap it and a girl in a fur coat—Victoria, Manx’s other daughter—points her knife at Vic.

Part 10, Chapter 100 Summary: “Beneath the Great Tree”

Vic asks Wayne if he is still thinking in reverse. He says he is trying but it’s hard, and it’s clear that Manx can’t understand what he’s saying, when he says it in reverse. Vic takes out an ANFO sack, sets a timer, and explains how the explosions will work. Manx screams, and the moon screams for them to kill Vic. The moon screams so loudly that the earth shakes as the children swarm toward Vic. She gets on the Triumph and rolls toward the Wraith. Manx pushes one of his daughters back in a protective gesture that is familiar to Vic.

A girl jumps onto her back and wraps her cold hands around Vic’s waist. She hits Vic’s knee with a chain and then bites Vic’s shoulder when she hits her with her elbow. The Triumph goes down and the moon screams again for them to kill her. Vic brings the motorcycle upright just as a rock hits her in the head. A boy bites her leg, and she drives toward a costume store, where the girl she knocked off the bike is now sitting with a sack of ANFO between her feet. It explodes and the sky and moon evaporate briefly—they are a false projection, as if the sky is a film screen.

Vic makes it to a carousel. In disbelief, she watches the children—burned and smoking from the blast—move toward her. She goes to the rollercoaster and places ANFO in the mouth of the entrance, which is a Santa head whose mouth is filled with sharp teeth. She sees crucified men and women hanging from the tracks. A child stabs her in the lower back but she keeps moving. The rollercoaster explodes when she is one hundred feet away. She puts ANFO by the Ferris wheel. It explodes and rolls toward the town. An avalanche starts high in the mountains and snow rushes downward and begins to bury the town. Vic sees Mille trying to force Wayne into the trunk of the Wraith. Manx tells Millie to leave him so they can leave. Millie bites Wayne’s ear. Just as Manx swings the hammer at Wayne’s head, the ANFO at the base of the tree explodes.

Part 10, Chapter 101 Summary: “Gumdrop Lane”

Vic can get Wayne on the back of the Triumph and ride away. She thinks she is dying, but she is alert enough to notice that Wayne’s skin is warm again. The Wraith strikes her rear bumper. She makes it to the bridge and sees “LOU” spraypainted next to the familiar arrow. Wayne sees the bats as they cross the bridge. Bats swarm the Wraith, causing Manx to hit the walls. Suddenly, the Wraith falls through the broken floor to the river, where it smashes far below.

Manx dies with oil in his mouth. The girl is found four days later with bats in her hair. The rest of the bridge collapses as Vic realizes the Triumph is out of gas.

Part 11, Chapter 102 Summary: “Gunbarrel”

Wayne wakes to see Lou sitting on his bed. He says Wayne was smiling while he slept and asks if he was dreaming about his mom. Wayne says he doesn’t remember, but he had been thinking fondly of the dead children and their sadistic games, in the place he now thinks of as The White, instead of Christmasland.

Three nights earlier they’d been at a movie with Hutter. Wayne had been surprised—but not disapproving—to see Lou kiss her. Hutter transferred to Denver in the aftermath of the Manx case, and it was a good move for them all.

As they prepare to go out for the day, the phone rings. When Wayne answers, a girl with a Russian accent asks when he is coming back to rebuild Christmasland. Wayne hangs up. Sometimes, he worries. When he sees something nasty, like roadkill or a video about the genocide in Sudan, he catches himself smiling, which is what Manx would do. He compares himself to a broken plate that may never be the same. The last time he saw his mother, she was being loaded into the ambulance. She told Wayne he would always be okay. But he also remembers Manx saying that blood doesn’t come out of silk and does not know what he should realistically expect from his future.

Lou has lost a lot of weight, the result of his angioplasty and a gastric bypass surgery. They pass the country store where Lou met Vic. Then, they go to Sleigh House Lou says he has a promise to keep. Wayne is nervous because he is excited by how close the dead children feel. He imagines hitting Lou and Hutter in the head with the hammer he has in the back seat, but he resists the urge.

At the Sleigh House, Lou takes down the angels and ornaments from the trees and breaks them. He says one of the ornaments is Wayne’s, and if he can break it, he will have Wayne all the way back, without any of Manx’s influence clinging to him. Wayne and Hutter help him.

Wayne sees a girl standing by the house. She says a word that he does not recognize, but it is the Russian word for help. Then, Tabitha sees her. It is Marta Gregorski. A boy named Brad comes out behind Marta. Lou sees that Wayne is crying. He can no longer feel the pull of Manx and the children. It went away when Lou smashed the moon ornament. Wayne asks if they can skip Christmas that year. He hears a motorcycle and wonders if it could be his mother riding the Triumph. He knows it is impossible but is glad that there is still enough warm weather for people to ride before winter.

Part 10, Chapter 99-Part 11, Chapter 102 Analysis

Part 10 unfolds as climactic action allows the reader to finally see the full horror of Christmasland. It is a place that so obviously glorifies suffering that it is jarring to witness the children there, who appear to be as happy and tranquil as Manx said. However, in a perverse inversion on the coming-of-age theme, the children have lost all innocence and can find delight in violence and cruelty. The pain of others has become their toy.

The appearance of Manx’s daughters allows for a glimpse of his vulnerability: the same vulnerability that all parents share:

Manx grabbed the little girl and shrank back toward the open door, the protective gesture of any father. In that gesture Vic understood everything. Whatever the children had become, whatever he had done to them, he had done to make them safe, to keep them from being run down by the world. He believed in his own decency with all his heart. So it was with every true monster, Vic supposed (927).

Manx is not a simple sadist who delights in torture. He believes in what he is doing; he is just doing something horrific. He is protecting his daughters from Vic, just as Vic is trying to protect Wayne from him. The interaction here between Vic and Manx illustrates inscapes as the construction of one’s reality and the effect that construction has on one’s ability to forge connections. Manx uses his parental responsibility to prevent his own children from coming of age. In doing so, he strips both them and himself of the empathy necessary to make connections to others.

Vic spends the entire novel worried that she cannot change. Indeed, for much of the story, she is not even sure that her memories are real. Her father dies before they can fully reconcile. Her final interaction with her mother occurred while Vic was unconscious and may not be real. Now, Vic dies just at the moment of her greatest sacrifice for Wayne, and she tries to leave him with a conciliatory, hopeful wish for his future, which her parents were never able to give to her when she was a child. She tells Wayne, “What’s good stays good, no matter how much of a beating it takes. You’re okay. You’ll always be okay” (965). The silk remains silk, even if it is stained. The entire theme of resilience built toward this point.

However, until Wayne visits the Sleigh House with Lou and Hutter, he doesn’t know if Vic’s final words will prove true for him. Once she saves him, his prospects for the future are not optimistic. Vic knew this could happen, which is why she told him that he will always be okay. She knew that Wayne could make more of his life than she was able to because he will only have to contend with his memories, not the continued hounding of Charles Manx. Wayne experiences several transformations in these final two sections. He regains his ability to think for himself and remembers who he was and why he cared about his mother. However, it is not until they destroy the moon ornament that he experiences real relief: “‘I’m sorry,’ he whispered, his voice choked, strange. He moved his tongue around his mouth and could not feel his secret teeth anymore—a thought that set off such an explosion of relief he had to hand on to his father to keep from falling down” (975). Wayne here can find a resolution to the possibilities of his relationship with his mother that bears more possibilities for his own life instead of death, as it had for Vic and Maggie.

When Wayne feels the burden of Manx’s influence lift, it is a sign that he may be able to escape the fatalism and resignation that tormented his mother. He will no longer be haunted by “enticing” thoughts of violence. This is even more hopeful when the reader sees that Lou—who also believed himself incapable of change—managed to improve his life and currently has a partner who seems well-suited to helping Wayne.

As the novel concludes, Lou has never had a better chance at fulfilling his role as a parent, Wayne is no longer tormented by the harsh realities of Manx’s alternate world, Hutter is in a position where she can accept that science cannot account for everything, Vic died having accomplished what she needed, and at least two of the children at the Sleigh House—Greta and Brad—have been recovered. Wayne is no longer a threat to continue the chain of abuse that began with Manx, allowing the novel to end on an optimistic note.

blurred text
blurred text
blurred text
blurred text