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53 pages 1 hour read

Kent Haruf

Our Souls At Night

Fiction | Novel | Adult | Published in 2015

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Character Analysis

Louis Waters

Louis Waters is a retired English teacher who has lived in the small town of Holt for 42 years. His late wife Diane died of cancer, and his daughter Holly, also a teacher, lives in a different city. Louis once wanted to be a poet, which indicates an emotionally open, free, and artistic side to him; however, he found that his responsibilities as a husband and a father conflicted with the life of a poet. Though he tried to keep writing poetry for a while, he eventually gave it up. He had little success in publishing, and without external validation, he felt his work was not good enough—he calls some of his poems “awful little things. Imitative. Unnecessarily complicated” (94). Also, he had to work hard and make enough money to run the family since Diane didn’t work, so he didn’t have time for writing. Moreover, he says Diane didn’t support his writing; she was “jealous” of his passion for it “and about the time it took [him] away to [himself], being isolated and private” (95). So, he shelved his interest in poetry and gave in to duty and responsibility—until his affair with Tamara.

Louis’s affair reveals his yearning for freedom and passion. He feels hemmed in by his familial responsibility, and he wants to be a different kind of man—the kind of man who dares to follow his dreams instead of following societal expectations. It is telling that he begins the affair on tax day, after he dutifully files and posts his taxes, as if he wants to be done with that side of himself—the staid family man who finishes his chores on time—and unleash the rebellious poet he keeps suppressed. After he ends the affair and decides to return home, he cries when he leaves Tamara, feeling like he “failed [his] spirit or something. [He] missed some kind of call to be something more than a mediocre high school English teacher in a little dirt-blown town” (42). The affair represents his bid for freedom from the everyday—from being “mediocre” and uninteresting. However, despite this failed attempt to prove his nonconformism, Louis has a strong sense of obligation at his core. He returns to his family, makes amends with his wife, and tends to her with care until her death.

Ever since the affair, Louis has lived with remorse and shame. After Diane’s death, he feels guilty that she “never really got what she wanted from [him]. She had a kind of idea, a notion of how life should be, how marriage should be, but that was never how it was with [them]”; so, Louis feels he “failed her” (130). A sense of failure dominates his idea of what his life has been, since he believes he failed as a poet and a husband and that he was only mediocre as a teacher. This is why he has trouble understanding why Addie would choose him to spend her nights with, and this is also why he is sensitive about Rumors and Reputations at the beginning of the novel—he gets defensive about Addie’s reputation when the rumors about their relationship spread. His own bad reputation for leaving his wife has followed him for four decades. Through Addie’s influence, however, he becomes less concerned with other people’s opinions. He also learns to enjoy the simpler, less grandiose parts of life, telling her, “I just want to live simply and pay attention to what’s happening each day. And come sleep with you at night” (147). Through their relationship, Louis learns to live in the present and not worry about the future or fixate on problems of the past.

Addie Moore

Addie Moore is a 70-year-old widow and grandmother. Louis describes her as a “good-looking woman […]. She’d had dark hair when she was younger, but it was white now and cut short” (4). He also remarks upon her courage, not just in making her bold proposal to him but in how she managed her life after her husband Carl’s death. While Louis is initially worried about what their neighbors might think about their nightly arrangement, Addie is not, because she has decided to not let other people dictate her life choices. She asserts: “I made up my mind I’m not going to pay attention to what people think. I’ve done that too long—all my life. I’m not going to live that way anymore” (8). To demonstrate this, she wears a bright, bare-backed dress when she and Louis walk down Main Street together to have lunch.

In Addie’s earlier life, she had to hide or subvert her desires for the sake of her family. When young Gene showed no interest in the trips she planned with him to Denver, she kept going on her own. These excursions—often involving concerts, stays in a posh hotel, and stylish clothing she wore only in the city—were not mere indulgences for her; they were an escape from the grief of losing her daughter and the emotional estrangement she experienced at home from her husband and son. At the start of the novel, she tells Louis she is tired of being lonely and denying herself pleasant companionship just because society would consider her choices unconventional. As her relationship with Louis progresses, she revels in not just the emotional intimacy but in the simple joys of physicality: handholding, hiking and camping with Louis and Jamie, swimming naked in a creek, and making love with Louis. She tells him, “I do love this physical world. […] And the air and the country. The backyard, the gravel in the back alley. The grass. The cool nights. Lying in bed talking with you in the dark” (129). As she ages, she is expanding her exposure to the world and nature, soaking in the pleasures her body can still give her.  

Though Addie’s pursuit of simple pleasures drives the plot in this novel, she is also its emotional center. Addie is not only brave but also kind and generous. She regularly assists her elderly neighbor Ruth with grocery shopping and helps Gene out financially as much as she can. She does not balk at having Jamie stay with her over the summer, seeing it as an opportunity to develop a relationship with him. It is that relationship with her grandson, ultimately, that forces her to end things with Louis. Addie believes it is very important to build connections with people, check in on them regularly—she even visited Louis’s wife Diane when she was dying—and help those who need it. She feels this deeply because she experienced The Pain of Loneliness after Carl’s death, and well-meaning people like Louis stayed away, not wanting to be intrusive. Her philosophy is that it is better to make the attempt to connect with people and be told off than to leave the person wallowing and alone. This concept informs her bravery in approaching Louis the first time. She explains, “[If] it didn’t work I’d be no worse off. Except for the humiliation of being turned down” (146). That, to her, is a risk worth taking.

Gene Moore

Gene Moore is Addie’s son. He insists that his mother end her relationship with Louis, even threatening to cut her off from her grandson if she doesn’t comply. Though he plays the role of the villain in this novel, he is not entirely unsympathetic. The accidental death of his sister Connie when he was just a child informs much of his character. Addie describes him to Louis as “too controlling, too protective” (63). This is because on some level he still feels that the accident that killed Connie was his fault because he had been chasing his sister when she’d run out onto the street and met with an accident. Gene’s need for control, which is driven by his lingering insecurity and fear of losing those he loves, has driven his wife Beverly away. He shows this overprotectiveness with his own son when he states that being exposed to Louis’s and Addie’s sleeping arrangements will harm the boy and when he warns Jamie about going near the street with the dog.

Addie fears that Gene is replicating with Jamie the relationship he had with Carl. Gene needed Carl’s love, especially right after Connie’s death, but Carl had shut down and pushed his son away. Addie tells Louis, “He didn’t pay as much attention to Gene after that and when he did it was often critical, to correct him” (110). Carl died before he and Gene could resolve these old issues, so Gene’s anger and resentment have lingered over the years and showing up in his relationships with his mother, wife, and child.

Gene’s furniture business, too, is failing, and he needs to find a new job or some source of income to support his family. This is why he is keen to keep Addie’s financial support, which he has had in the past. When Louis suggests that maybe this downturn is actually an opportunity for Gene to try something new, as “[h]e’s not the salesman type” (63), Addie responds that Gene won’t see it that way, explaining, “He’s got his life all screwed down tight. Now he needs help and [she’s] sure he hates it. He’s got a bad temper and it comes out at times like this. […] and he resents having to ask [her] for anything” (64). Gene worries that Louis is after his mother’s money, and since he so desperately needs it himself, he becomes even more agitated about Addie’s relationship. Gene feels his life is spiraling out of his control, so he clamps down hard on the one thing he can control, which in this case is Addie’s access to Jamie.

Jamie Moore

Jamie Moore is the six-year-old son of Gene Moore and his wife Beverly. He arrives at Addie’s house to spend the summer with her after Beverly leaves the family and moves to California and Gene’s furniture business is failing. Since Jamie has experienced stress and change at his young age, he is initially timid and fears abandonment. He needs his lamp kept on and the bedroom door open at night, and despite this he has nightmares and wakes up crying. However, he is slowly drawn out of his shell through his friendship with Louis and he enjoys helping Louis with water his garden. Louis realizes that Jamie has not been exposed to certain things that he thinks are “normal” for little boys, such as watching ball games and playing catch. Camping and roasting marshmallows over a fire are other new experiences for Jamie, too. Louis suggests that a dog might help ease some of Jamie’s anxieties, and it indeed does. Having Bonny the dog as a dependent companion eases Jamie’s loneliness and makes him a bit braver, such as when Louis allows him to take her for a walk along the creek in the mountains while camping. Jamie asks about bears, but his questions are sparked more by curiosity than fear; he says, “I’d like to see one from the pickup. From inside” (121). Jamie is open to talking about and expressing his feelings, despite his father’s sternness. He cries when he’s unable to say goodbye to Louis and when his father won’t let him talk to his grandmother on the phone. Addie loves Jamie and hopes to build her relationship with him, providing him with positivity and stability through the years. So, she sacrifices her relationship with Louis so she can stay in Jamie’s life.

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