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Eudora WeltyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In her essay “Place in Fiction” (1957), Welty argues that “location is the ground conductor of all the currents of emotion and belief and moral conviction that charge out from the story and in its course.” As in her other works, setting is fundamental to the story of “Petrified Man”; the location is crucial to understanding the emotions and behaviors of the main characters. The town and salon remain unnamed, but certain details, in addition to Welty’s use of dialogue and dialect, imply that the narrative takes place in a rural Mississippi town in the late 1930s.
Welty creates an intimate “den” in an already intimate small town, narrowing the scope of the story to a deeply personal experience. Gossip is expected, even eagerly awaited, at the salon, in a town where everyone desires to know everything about each other. This is a place where everyone is subject to observation, rumor, and scrutiny, which Welty showcases by strategically placing the freak show next door to the salon. Having spent her entire adult life in Mississippi, Welty establishes the setting authentically, which allows both insiders and outsiders to this locale the opportunity to experience the minutiae of an average week for people like Leota and Mrs. Fletcher, and a chance at understanding the conceptual framework that dictated life in the Depression-era South.
In combination with the characters’ southern dialect, the dialogue provides an accurate and believable glimpse of a mundane moment in 1930s Mississippi. Nearly the entire story takes place within Leota and Mrs. Fletcher’s dialogue, the sole source of plot movement. The dialogue within the confines of the salon “den” creates a sense of intimacy between the two women and establishes the salon as a space where curiosity can be given its “freedom” (1). All exposition is revealed through their conversations, and they both take each other’s word as fact. While this implies trust between the women, the narrator does not provide any other corroborating information, creating a completely subjective perception of events and other characters. It is through these subjective accounts that Leota reveals both conflicts: the rumor about Mrs. Fletcher’s pregnancy and the identity of the Petrified Man.
Welty uses the subject matter and manner of speaking to indirectly but efficiently characterize the women as self-absorbed. The tone the women use with each other is flippant, matching the superficial content of their gossip, but it also captures their highly emotional reactions to inconsequential news. These reactions convey the true feelings of the women, in a time and place where women were expected to remain affable and polite. The dialogue allows Leota and Mrs. Fletcher (and Thelma, briefly) to engage in the conflict brought about by their gossip, and though that gossip is initially a source of tension between the two women, it ultimately strengthens their rapport and trust, which is the dual nature of gossip in this small town—simultaneously dividing and uniting those who participate in it.
Right away, Welty introduces the two main characters with strong southern dialects. This is reflected in the grammar (“I don’t like no,” “ain’t”), pronunciation (“git,” “kin”), and even the vocabulary itself (“goobers”). Welty’s use of dialect (specifically Mississippian) is a powerful way to characterize the people in her story and imply their geographic and social background. Welty does not provide enough details of their past to confirm how educated or high-ranking the women are, but their dialogue paired with their dialect suggests a rural, working-class background. The beauticians’ frequent use of endearing terms like “honey” and “precious” reflects the gracious relationship they have with their clients, and more generally, the charm women in the South were expected to have. The dialect used in this story is powerfully congruent with the dialogue and setting to accurately and believably illustrate the reality of this fictional moment in time.
By Eudora Welty