51 pages • 1 hour read
Joan DidionA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Maria dreams that she has had the baby and is living with Ivan in New York. The narrator juxtaposes this fantasy with Maria’s memory of Ivan calling her lasciviously in the middle of the night. Ivan used sex to control Maria.
Maria visits Kate’s medical facility unannounced, and the nurse reprimands her for disrupting Kate’s adjustment to her new treatment. Kate clings to the nurse and does not look at Maria. The next morning, Maria steels herself for the abortion, reassuring herself that afterward, Carter will no longer control her.
On the morning of the abortion, Maria waits anxiously for the phone call that will tell her where to meet the man who will drive her to the location. When the call comes, the man on the phone tells Maria to meet him in a Thriftmart parking lot off the Ventura Freeway. As with everyone else who has spoken with Maria throughout the process, the man’s manner is abrupt and dismissive.
As Maria and her contact drive to the abortion site, a motel in Encino, he talks about a Camaro he wants to buy. At first, Maria finds his chatter hollow, but eventually it puts her at ease: “[Maria] saw now that she was not a woman on her way to have an abortion. She was a woman parking a Corvette outside a tract house while a man in white pants talked about buying a Camaro” (79).
Maria lies on the bed and tries to distract herself with thoughts of Silver Wells and a shed outside the window with a gleaming tin roof. She thinks about the minutiae of the room, about the secret life of the woman who may have bought the furniture.
The doctor tells Maria to relax, that he is simply inducing menstruation. He uses little anesthetic, and at one point, while the narrator describes how Maria is listening to the sound of the TV in the living room, the doctor interrupts, “Don’t scream, Maria, there are people next door” (82).
After the procedure, the doctor tells Maria that in six weeks she will have a regular period. This month’s period, he says, “is in that pail” (82). The doctor gives Maria some pills, and she drives back to the parking lot with the man in white pants. Maria finds the whole experience surreal, as if those around her do not even recognize that she was a part of it.
That night, Maria meets Les, who has just flown in from New York. At dinner, she orders a large steak and three drinks, and tells him she wants to go to a party with loud music. Les asks her what is wrong, and she replies, “I am just very very very tired of listening to you all” (85). She does not tell Les about the abortion.
Maria thinks about the last time she saw her mother. Maria had returned to Silver Wells for a weekend not long after moving to New York. Benny said her mother had been depressed, which worried Maria. During dinner, Maria told her parents that she did not want to return to New York (she was 18 or 19 at the time), but her father insisted that she should not give up on her career, using a gambling metaphor to make his point.
When Maria was on the plane, her last image of them was “her mother and father and Benny Austin, waving at the wrong window” (87).
Carter tries to convince Maria to spend the weekend with Helene and Carlotta. When he asks why Maria does not want to go, she replies, “‘She’s not my mother’” (89).
Maria goes to the doctor who confirmed her pregnancy to tell him about the pain and bleeding she is experiencing. The doctor dismisses her pain as normal and tells her she should “count her blessings” because the doctor who performed the abortion did not botch the operation. He gives her some pills, and Maria leaves the office wishing she could talk to her mother.
Freddy meets Maria to tell her that the TV director with whom he spoke wants to cast her. When Maria tells him she is not feeling well, he says, “10 percent of nothing doesn’t pay the bar bill” (91). Freddy assures Maria he is just joking.
Chapters 21-30 present the final days before Maria’s abortion and the initial stages of its aftermath. Didion creates mounting tension through ominous dream imagery, erratic weather (there is a violent storm the night before Maria’s abortion), and passages in which Maria thinks about planes crashing and fatal accidents befalling children as punishment for their parents’ adultery.
Chapters 24-30 highlight Maria’s negative interactions with men, most of whom have control over some aspect of her life. When Maria begins her journey to get the abortion, she is at the mercy of faceless men on the phone and the “man in the white duck pants” (79), who will be a symbolic gatekeeper figure during Maria’s abortion. In Chapter 25, the doctor performs the procedure mechanically, with little regard to Maria as a human being. She focuses on the details in the room, dissociating from her body as a way to tolerate the intense pain.
After the procedure, Maria meets Les but is unable to talk to him about what happened. Carter tries to pressure Maria into socializing and does not ask her about the abortion, which he knows has taken place. He also avoids talking about Kate.
Maria’s recalled conversation with her father in Chapter 27, in which she asked to stay home instead of returning to New York, establishes Maria’s inability to make her voice heard and the fundamental disconnect she experiences with other people, even those closest to her. The doctor Maria sees in Chapter 30 dismisses Maria’s concerns about the abortion’s aftereffects. When Maria tells Freddy she is not feeling well, he tells her that “work is the best medicine” (91). These demeaning interactions with men are juxtaposed with Maria’s desire to talk to her mother, the one person who could have comforted her in these moments.
By Joan Didion