52 pages • 1 hour read
Alex AsterA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Isla lures Lark into a trap by pretending to have the heart of Lightlark. Oro stabs the Wildling with the cursed dagger, but its immobilizing power dissipates almost instantly. Lark kills Remlar, reveals that Cleo is working with her, and captures Isla. Isla uses her power to teleport Oro, Grim, and their allies away. Lark imprisons Isla, using the shademade bracelets to block her powers.
Isla regrets asking the blacksmith to make the bracelets, and she remembers his words to her: “You’ve always had everything you needed” (378). She realizes that she has the power to take the powers of everyone she kills. This means that she also possesses the blacksmith’s power to remove the shademade bracelets. Isla destroys the bracelets and her prison by unleashing her full abilities.
Isla goes to the Wilding newland. Terra and Poppy treat her injuries and explain that her first cry tore down her parents’ castle, killing them. To subdue the girl’s deadly powers, they put traces of shademade in her food, clothing, and weaponry. Isla reclaims the shademade dagger Remlar made and brings his body back to his people. Using her black diamond necklace, she summons Grim. He explains that Lark is biding her time underground while she heals from the effects of Remlar’s dagger. Isla sends Grim to gather their allies while she teleports to Azul and tells him that she is going to unleash the “storm to end all storms” (386). The winter is almost over, and Isla knows she doesn’t have much time.
Isla takes Lynx to the island called Isla, where he leads her to a house that her parents built. Inside, she finds a letter that her father wrote to her before she was born. The letter explains how Isla’s mother convinced him not to help Grim’s father unleash war and suffering on the world. They fell in love and built a home on Isla. Isla’s mother had the power to see the future, and they accepted that Isla’s birth would result in their deaths. They believed that she could save the world and had the blacksmith preserve the mother’s ability to see the future in a vial attached to a bracelet. Isla puts the bracelet on, but she doesn’t break the vial because she doesn’t feel prepared to learn how the prophecy will unfold yet.
Isla uses the relic she took from Horus’s tomb to draw a skyre over her heart. Grim uses his teleportation powers to evacuate Nightshade. Isla and Grim believe that this could be their final night alive, so they make love as if they “could fuse their very souls together” (398). In the morning, they part ways with Grim riding Lynx and Isla riding Wraith. Lark sends her armies after Grim and Oro, and the rivals fight side by side. Isla unleashes a storm that rains down monsters and fragments of shademade. Lark appears on a six-headed dragon, but Isla defeats the beast by using Cronan’s sword to command the dreks and by releasing monsoons, tornadoes, and blizzards from rings supplied by Azul.
Isla tells Grim and Oro to wait for her at the blacksmith’s forge. She goes to the winter palace, and Lark and Cleo attack her. However, Isla has persuaded Cleo to join her side. The Moonling ruler attacks Lark and then hurries to the ocean. Isla dons the armor the blacksmith made for her and leads the wrathful Lark into the maze. Using Cronan’s sword, she commands dreks not to let anyone in or out of the labyrinth.
The narrative shifts to Oro’s perspective. He and Grim grow anxious as they wait for Isla at the blacksmith’s forge. Isla told Grim that they needed to bind their powers together so that they could send Lark through the portal. Oro realizes that Isla already has access to their powers and was trying to keep them out of harm’s way so that she could implement her own plan. He tells Grim about the prophecy.
The narrative returns to Isla’s perspective. She finds a way to use her power inside the maze even though shademade cancels out most magic. She and Lark battle inside the labyrinth. Isla realizes that she was communicating with Lark, not Aurora, through the feather, and that the drop of blood she shed on the quill freed Lark. She weakens Lark by damaging the quill with Sairsha’s shadow power. Sensing Oro and Grim’s approach, she orders the dreks not to harm them. Isla needs to know the otherworld’s name to open the portal, and the augur told her that it’s called Skyshade. Isla plans to kill Lark on the other side of the portal so that she can take her power to raise the dead and use it to resurrect everyone she’s killed.
The narrative shifts to Grim’s perspective. He and Oro race into the labyrinth only to discover that Isla and Lark have both gone through the portal into the otherworld.
In the novel’s fifth and final section, Aster weaves the romance and fantasy genres together to resolve this novel’s conflicts while gesturing toward problems to be resolved in future novels. The fantasy elements in these chapters include apocalyptic prophecies, newly discovered magical powers, and battles teeming with monsters. As for romance, Isla has a passionate encounter with Grim in Chapter 37. As the Nightshade ruler observes, this is a “final night together in case [they] all die a gruesome death tomorrow” (395), which makes the scene similar to the night Isla shared with Oro before the battle at the end of Nightbane. Skyshade ends on a cliffhanger when Isla goes through the portal with Lark into the otherworld, making it clear that Isla and her love interests have more romantic fantasy adventures ahead of them.
Lark causes Grim and Oro to set aside their enmity to protect Isla and their world in a major demonstration of their love and loyalty for the protagonist. Although the two men still despise one another, they fight side by side because they share a common foe and know that their beloved would be devastated if something happened to either of them. This choice temporarily resolves The Tension Between Love and Duty. In this case, each man’s love inspires him to act in accordance with his duty toward Isla. At the end of the novel, Grim and Oro’s fear for Isla unites them: “All he could do was run as fast as he ever had in his life, next to his enemy, whose devastation he could see was as sharp as his own” (418). The chapters entitled “Oro” and “Grim” are the only two that don’t follow Isla’s perspective, emphasizing her sudden absence from their lives. Isla deceives her love interests and faces Lark without them. Although she uses their trust and loyalty against them—arguably abandoning a moral duty to repay that trust with honesty—she does so to protect them both, once again illustrating that love motivates people in complex ways.
The novel’s conclusion explores the theme of The Uncertain Existence of Free Will by presenting Isla as both a prophesied heroine and someone fighting to make her own decisions. Early in the story, Isla is told that “a storm to end all storms” will strike (89), and she takes matters into her own hands by creating that storm. After spending much of the book seeking oracles and augurs who can reveal her destiny, Isla has the opportunity to seize the power to see the future. However, rather than claiming her mother’s magic, she decides “to stick to her plan” (393). This choice demonstrates Isla’s belief in free will; she trusts in her strategies rather than looking for prophetic guidance. In addition, the novel’s climax sheds new light on Sairsha’s death and the theme of fate. As a follower of the prophet, Sairsha was convinced that Isla needed to take her life and that her heroine could save the world. Her faith is vindicated when Isla uses the shadow power she gained by killing her to subdue Lark. By going through the portal with Lark, Isla acts on the hope that she is destined to bring salvation rather than ruin and proves that she’s prepared to take great personal risks to make this prophecy come true. At the same time, Aster shows that Isla makes this decision of her own free will to work toward her personal goals, noting that this is her “final chance at redemption” (417). Although Isla fulfills her destined role to save the world, her choices show that she retains some free will.
Isla makes significant progress in The Journey Toward Self-Acceptance in these final chapters. She literally and figuratively sets herself free by destroying the shademade bracelets that block her power, which is an essential part of her: “She scraped every ability from where it had been buried, every bit of power that she had ever taken, every strength she had been afraid to use” (382). This marks a key moment in her journey to accept herself and her power. Isla continues to battle self-loathing, such as when she learns that she accidentally killed her parents when she was an infant and describes herself as “[v]illainous from the first breath” (384). However, receiving her parents’ absolution through her father’s letter helps her to forgive herself: “We made a choice, and we have never once regretted it” (391). Learning about her parents helps Isla understand who she is and what she’s capable of. This self-acceptance gives her the strength she needs to defeat Lark, as demonstrated by the fact that it takes all of her considerable magic to stop her ancestor: “All the people she had killed, all the death, all the blood, all the dreks, all the things that made her a villain, instead of burying it down, she took hold of it and let it consume her” (414). By the end of the novel, Isla doesn’t revile herself and her power as she did at the start of the novel, but her continued desire for redemption is important to the resolution. She goes through the portal because “she could bring everyone she had ever killed back to life” with Lark’s power (417). The novel’s cliffhanger ending reveals that Isla’s journey toward self-acceptance is not yet complete.