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We are introduced to the narrator and main character, Vince Luca, and to his circumstances, which are both ordinary (he is a typical hormonal and insecure teenaged boy) and strange (his family is a well-known Mafia crime family).
We meet Vince as he is preparing to go out on a date with the “hot” Angela O Bannon. His best friend, Alex, who is himself lonely and romantically frustrated, grooms Vince extensively for the date, telling him only half-jokingly, “This is my love life we’re talking about” (2). Meanwhile, his older brother, Tommy, who works for the family business, is loudly frustrated with a family associate known as “Benny the Zit”; Vince can hear him downstairs in the house, complaining about how Benny was supposed to pick him up to deal with “some business or other” (1).
Tommy’s reasons for being frustrated become clear later in the chapter. Vince’s date with Angela seems to be going well, until they drive to Bryce Beach, to “park.” Vince opens the trunk of his car for a blanket, and discovers a live, injured body wrapped up in the blanket. He recognizes the person as Jimmy Ratelli, or, as he is known, Jimmy Rat: an associate of Vince’s father, who owes the father money. Vince realizes that this is why Tommy was so angry with Benny: Benny was supposed to use the trunk of his Cadillac for this purpose, after he and Tommy both “leaned on” Vince. Since he never showed up at the Luca house as he had promised, Tommy apparently decided to use the trunk of Vince’s Mazda, instead.
Vince cannot keep the body a secret from Angela for very long; revolted and furious, she demands that he take her home. As they leave the beach, however, they encounter a police roadblock: the police are searching all cars for drugs and alcohol. Vince believes that he is trapped, until suddenly a Cadillac–Benny the Zit’s Cadillac, as it turns out–comes swerving in from the opposite direction and crashes into a highway divider, distracting the police and allowing Vince to escape. Vince realizes that, since his having Jimmy in the trunk of the car was in an indirect way Benny’s fault, it is Benny who has been sent by his family to clean up the situation. The whole incident is a typical illustration of how Vince’s family gets him into trouble, only to then bail him out of it.
In this chapter, Vince provides us with some family background. He tells us of his and his older brother Tommy’s early belief, encouraged by their parents, that their family was not an organized-crime family but was instead in the “vending machine business” (13). Gradually, and after such poorly explained peculiarities as a sudden “class camping trip” at which none of the other boys in Vince’s class were present, Vince realized the truth about his family. He also realized that their house is bugged by the FBI; hence, their father’s jokey habit of saying goodnight to “Agent Numb-Nuts” after he has turned off the boys’ bedroom light at night (16).
Vince introduces us more fully to individual members of his family, both immediate and extended. He tells us about his father’s business associates, all of whom are called some variation of Uncle: Uncle Fin, Uncle Pampers, Uncle Exit. He tells us that he has over sixty of these “uncles,” in all. He describes his older brother, Tommy, as both violent and not very bright, and his mother as being obsessed with order, decorum and family meals. His father is a formidable negotiator, who subtly pressures Vince to join the business–which Vince is determined not to do–and worries about Vince’s lack of motivation.
This chapter also introduces us to the character of Ray Francione. Ray’s function in the organization is to shadow Tommy, so that he does not get too out of control: “If he’s upset about being reassigned as a nursemaid to a hothead, it doesn’t show” (24). Vince admires Ray for his calmness and reasonableness–rare qualities, in Vince’s world–and regards him as a confidante and a role model.
Vince and Alex decide to join the high school football team, although neither one of them are good at, or interested in, football. Joining the team is another one of Alex’s strategies for attracting girls: “‘Chicks can’t resist shoulder pads’” (29).
During their home opener, both boys are benched at first; in the middle of the match, however, Vince is told by their coach to get out on the field. He does inexplicably well out there, considering his lack of athleticism or experience. As he is going back to the bench, a boy on the opposite team approaches him; he recognizes the boy as “Johnny Somebody,” the son of Rafael, who is himself a member of “Uncle Uncle’s crew” (32). Later, back on the field, he notes the “fear” in the eyes of the other players watching him, and hears someone behind him whispering, “That’s him. Luca’s kid” (32). In frustration, he realizes that his triumph on the field has nothing to do with his talent as an athlete; instead, it is a consequence of all of the other players knowing who his father is.
To Alex’s confusion and disappointment, Vince decides to quit the team, right in the middle of the game. He is followed to the locker room by a reporter for the high school journal, a girl named Kendra Brightly, who presses him on what happened to make him quit the team so suddenly. While finding Kendra “[p]ratty cute,” he evades her questioning and mocks her poor knowledge of football (34).
Vince and Alex are given a tough new assignment for their least-favorite high school class, New Media: they are to design their own website. Their teacher, Mr. Mull nicks, tells them that their grade will be based solely on how many “hits” their website is able to generate.
That evening, Vince and Alex have plans to go to a party in New York City. The host is a boy named Elfie Heller, a former high school classmate who now goes to NYU. Before going to the party, Vince stops by Tommy’s apartment, since Tommy lives in Greenwich Village. He is greeted by a beautiful girl named Cede, whom he assumes is Tommy’s girlfriend; Cede tells him that Tommy is out and asks him if he would like something to drink. Her manner towards Vince turns increasingly flirtatious and familiar, and she starts rubbing his shoulders. She tells him not to worry about Tommy coming back, asking him, “Who do you think set this up?” (46). Vince realizes that she is not Tommy’s girlfriend, but a prostitute. Hiring her, he realizes, is Tommy’s way of trying to “make up for the Jimmy Rat thing” (46).
Vince flees the apartment and Cede, although Vince is tempted to stay: “It’s the toughest decision I’ve ever had to make, but I make it” (48).
Vince meets Alex at Elfie’s party, which is noisy, crowded and drunken. At the party, Vince once again encounters Kendra. Kendra is being harassed by a drunken fraternity boy, and she uses Vince as an escape, telling the boy that Vince is her boyfriend. Her ruse works, and the boy disappears, at which point Vince and Kendra start talking. This is when Vince learns that Kendra is the daughter of an FBI agent. Something about learning this information drives him to spontaneously kiss her: “It’s as if an unseen force takes over, and I have absolutely no say in the matter” (56). Some of his motive comes from attraction, but he is also still brooding about his family and their sway over his life. Vince feels the desire to get revenge: “Once, just once, I’d like to hand it back to them in spades” (56). Kissing an FBI agent’s daughter makes him feel that he is taking control of his own destiny.
At home, Vince father is waiting up for him. He wants to be sure that Vince is “all right with what happened” at Tommy’s apartment (61). He defends Tommy’s good intentions, but grudgingly admires Vince for his independence and strong will. He then states that he is going up to bed and turns off the living room lamp, first saying, as is his habit, “We’re going to bed if that’s okay with you, Agent Bite-Me” (62). Vince then remembers that Kendra’s last name is Bightly–a very similar-sounding name—and realizes that her father is not only an FBI agent but is the very agent who is bugging his house.
In these first chapters, the focus is less on what Vince’s family does than on how his family affects his life. This is the life of a fairly regular suburban teenager, who wants to do well in school and with girls, and who wants, above all, to fit in. Although there is violence and corruption shadowing these chapters, the settings themselves are ordinary and familiar. They range from a popular make-out spot to the hallways of a high school to a family dinner table. Likewise, Vince himself gives little hint in these chapters of the smarts and resourcefulness that he will show later on. He comes across as an average, sarcastic teenager who is both resigned to and embarrassed by his family. We can deduce that although Vince adopts a knowing and sardonic tone in discussing his family–a tone that is, in itself, typically adolescent–he has little idea of who his family is; consequently, he has little idea of who he is, either.
His family’s more violent activities do not seem to affect Vince very deeply in these chapters, except insofar as they confirm for him that his family is not like other families. In other words, he seems to feel more embarrassment for himself, in these chapters, than empathy for the victims. In the first chapter of the book, when Vince’s promising date with Angela O’Bannon is interrupted by the appearance of an injured Jimmy Rat in the trunk of Vince’s Mazda, Vince’s first instinct is not to take Jimmy to a hospital, or even to let him out of the car trunk, but to hide all evidence of his existence from Angela: “Now, this doesn’t exactly put me in the mood for love, but I’ve got to stall for time, and I can only think of one way to do it. I clamp myself onto Angela like there’s no tomorrow” (7). This strategy, of course, backfires completely, as do much of Vince’s early attempts at independence and self-definition.
In the following chapter, Vince tells us about the gradual way in which he and his brother learned about their family’s true line of work. Though the clues that he was given as a child are often gory and violent (seeing a business associate of his father’s lying down on his parents’ bed with a bullet wound, which his parents try to explain away to him as a kidney stone), they are presented in a flip, jokey tone: “My teacher, Mrs. Metzger, confirms my suspicion that kidney stones don’t come out of your butt cheek” (15). It is almost as if the bizarre and over-the-top nature of these episodes prevents them from having a reality for Vince, and his joking about them is a kind of coping mechanism. Tellingly, he spends as much time describing his family trying to present him with a stolen car for his birthday—and his high-minded rejection of this car—as he does describing his family’s rumored murders and “jobs.” He tells us that he “truly, truly wants no part” in his family’s business, but we can sense that his morality, while sincere and passionate, is also rigid and naive. It is the black-and-white, too-easy morality of a sheltered teenager who has not yet seen very much of the world.
In order to truly break away from his family, Vince must first look at them more closely and acknowledge what he has in common with them. This is difficult for any teenager to do, but, given who his family is, it is especially difficult for Vince. It marks one of his major challenges in the novel, as much as does bailing out criminals and dating the daughter of an FBI agent.
By Gordon Korman