43 pages • 1 hour read
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Eleven-year-old Yumi Chung is at a Koreatown beauty parlor with her mother. She wants a short haircut, but her mother insists on a perm, the same as always. Yumi’s mom informs her that her parents can’t afford the steep tuition at the Winston Preparatory Academy. Yumi is secretly delighted since she feels like an outsider at the exclusive Beverly Hills prep school. However, her mother says she can qualify for a scholarship if she passes an SSAT exam at the end of August. Mrs. Chung has enrolled Yumi in hagwon classes to prepare her for the test. This will take three hours a day and kill the balance of her summer vacation. Yumi doesn’t object because nobody would listen to her anyway.
After the beauty salon, Yumi and her mother return to the family’s Koreatown restaurant. The neighborhood is changing and becoming gentrified, so Chung’s Barbecue is struggling to survive. Yumi helps out at the restaurant, and her 20-year-old sister Yuri is working there today too. Yuri is already in UCLA medical school and is the family paragon, while Yumi isn’t.
Yumi is an aspiring comedian. The only person who supports her in this dream is the restaurant’s cook, Manuel. She overhears her parents humblebragging with customers about their overachieving children. Each one is trying to outdo the others for the most accomplished child. Yumi thinks, “If only my parents were proud of me for the things I can actually do” (23-24).
That evening, Yumi is practicing a stand-up comedy routine in her bedroom. Her idol is the kids’ comedy coach vlogger Jasmine Jasper. Yumi follows all of Jasmine’s advice about how to deliver a joke. She tries making a video clip of her performance and is mortified by the result: “Hopeless, I fall onto my bed face-first. What I really need is a personality transplant. From a really spontaneous, naturally outgoing, fun-loving donor” (28). Yumi records all her comic observations in a Super-Secret Comedy Notebook. When her mother enters with a snack, Yumi hides the notebook. Mrs. Chung asks if big sister Yuri is seeing a boyfriend because she isn’t taking phone calls and doesn’t come home from campus very often. Yumi says she doesn’t know but promises to keep Mrs. Chung informed.
Yumi dutifully starts attending the test-prep classes but hates the experience: “To no one’s surprise, my parents enrolled me in Koreatown’s most rigorous hagwon, which is run by Mrs. Pak, otherwise known as ‘Pak Attack’ for her ability to whip kids into straight-A shape” (36). Yumi is inattentive throughout the three-hour morning session. Afterward, she is expected to spend three more hours each afternoon doing homework in the local library. Yumi confesses her misery to her friend Ginny, who is also in the class.
After the session ends, Yumi starts heading to the library when her attention is drawn to a nearby theater marquee. The new building is actually a comedy club featuring a poster of Jasmine Jasper. Yumi darts inside to snap a selfie next to Jasmine’s picture when she hears the comedian’s voice drifting out to the lobby.
Yumi enters the auditorium and finds that Jasmine is conducting a comedy camp for kids. Before Yumi can protest, Jasmine assumes she is a missing student named Kay Nakamura. Too shocked to say anything, Yumi watches helplessly as Jasmine starts an improv exercise where everyone is supposed to play the worst zookeeper ever. A boy named Felipe plays a character allergic to animal dander. Jasmine then calls Yumi to the stage: “I take a deep breath and go for it. I scrunch my face with my hands on my hips. ‘I’m never playing Uno with you sniveling beasts ever again.’ I give my nastiest side-eye. ‘Bunch of lion cheetahs’” (52).
The other students applaud, and Yumi is flushed with success. When the class ends, she wants to tell Jasmine that she isn’t Kay Nakamura but never gets the chance. When Felipe compliments her on her improv performance, Yumi belatedly realizes that her mother will be arriving at the library to pick her up, and she dashes out.
Back at the restaurant, Yumi finds her sister washing dishes because two employes quit abruptly. As the girls work, Yumi tells Yuri about the comedy camp. Yuri is very encouraging and says that Yumi needs to stand up for herself. Yumi suspects that Yuri has a secret of her own that she’s hiding. Later, while dining with the family, Yuri suggests that their parents should sign Yumi up for the performing arts camp because it develops confidence and poise in public speaking. Yumi’s father rejects the idea since it costs $200, and Yumi is crushed with disappointment.
The next day, Mrs. Pak wants to see Yumi before class to discuss her dismal progress. The teacher points out that Yumi’s initial test answers were correct, but she second-guessed herself and changed them. Yumi confesses that she is afraid of disappointing her teacher and parents. Mrs. Pak advises, “Stop worrying about living up to other people’s expectations and pursue excellence on your own terms” (79).
The first segment of the novel introduces the reader to the microcosm that is Koreatown in Los Angeles. Yumi’s entrapment in this world becomes apparent from the very first pages. Although she is 11 and presumably old enough to decide on a hairstyle for herself, her mother insists on a perm. For her part, Yumi is obsessed with a fresh start, introducing the theme of The True Yumi. However, at this stage of her development, Yumi is keying on the idea of newness rather than truth. She assumes that an external change will break her out of old patterns.
This set of chapters devotes most of its attention to describing Yumi’s various constraints. She puts in many hours helping out at the family restaurant. Her parents are experiencing money problems because the restaurant is failing. These financial issues then impact Yumi’s schooling. Before she even has the chance to rejoice at not attending Winston Academy, her mother insists that she earn a scholarship and take summer classes to cram for the SSAT exam.
The reader is given a strong impression of how limited Yumi’s options for self-determination really are. In conjunction with all these restrictive external conditions, there is also a layer of psychological constraint related to Yumi’s ethnic heritage. She carefully explains how obsessed her parents are with success for their children. While any preadolescent might likely ignore parental wishes, the Chungs instill a high degree of guilt in both daughters. Yumi quickly explains that this behavior isn’t unique to her parents. All Korean American immigrants do this:
Whenever she senses even an ounce of resistance, she busts out with, ‘We came here from Seoul to work seven days a week, sacrificed everything. Why? For you! So you can (insert undesirable thing here).’ Play piano, go to Korean school, learn tae kwon do. It’s like baking soda, useful in so many different scenarios. I’m dying to know what nonimmigrant parents say to coerce their kids (8).
In the face of this guilt trap, Yumi submits to whatever conditions are forced upon her. The internal struggle that she faces between her personal needs and the desires of her family introduce the theme of Cultural Expectations. Yumi’s dilemma might not be so serious if her parents were anomalies, but their behavior is echoed by every other parent in the neighborhood. When Yumi overhears a humblebrag session between her mother and a patron, the intent is to establish whose child is the biggest overachiever.
Yumi realizes she is rarely a cause for boasting since her elder sister claimed that slot. Because Yumi is the younger sibling, she can never hope to take first prize. Yuri got there first, which creates a psychologically troubling pattern in Yumi’s mind. She expects to disappoint those she wishes to please. However, her mortal Fear of Causing Disappointment makes her try even harder to conform to expectations. In doing so, she unconsciously disappoints the most authentic part of her own nature—her true self. The one bright spot in Yumi’s bleak existence is her passion for stand-up comedy. As might be expected, her family ignores her interests. The arrival of a new comedy club in Koreatown becomes a catalyst for much-needed change in Yumi’s life. When she stumbles across the Haha Club, she says:
It’s not a movie theater—it’s a comedy club! I’m suddenly light-headed. How did this come to be? It’s as if my subconscious wished it into existence. I’ve never actually seen a comedy club in real life, but now there’s one right here (43).
Koreatown maintained its traditions and stability by insulating itself from the larger culture of Los Angeles. Gentrification has put an end to its old-world customs and behaviors. In this respect, the Haha Club appears as the means to change Yumi’s future. Her appearance in the auditorium and the case of mistaken identity that follows will allow her to pursue a dream that would otherwise have seemed impossible. As it is, in the early stages of her evolution, Yumi is only brave enough to assert her love for comedy by assuming someone else’s identity. The True Yumi won’t make her first appearance until much later.
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