logo

36 pages 1 hour read

Margaret Atwood

Stone Mattress

Fiction | Short Story Collection | Adult | Published in 2014

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Story 1Chapter Summaries & Analyses

Story 1 Summary: “Alphinland”

“Alphinland” introduces Constance Starr, a widow who talks to her dead husband, Ewan, as she does her best to ride out a winter storm. Constance lives alone now that Ewan is dead. While her grown sons push for her to downsize and move closer to them, Constance does not want to leave the house she’s shared with her husband, with whom she still communicates. Constance knows that her husband is dead and believes her hallucinations are normal for someone grieving for a lost loved one.

Despite the storm, Constance makes her way to a corner store and back because she needs salt. The store is sold out of salt so, at Ewan’s suggestion, she buys kitty litter and spreads it outside the house over the ice. Once back inside, Constance starts to think about Alphinland, a series of fantasy books she wrote to support her and Gavin, an old boyfriend she lived with at the time. The couple could not afford to live on Gavin’s nonexistent poet salary. Much to Gavin’s dismay, Constance’s books became bestsellers. Looking back at that time in her life, Constance thinks, “Girls did that then—knocked themselves out to support some man’s notion of his own genius” (23).

Constance and Gavin broke up when she walked in on him cheating on her; later, Constance married Ewan. She kept writing her fantasy books, as Alphinland is more than just a money-maker for Constance. It provides Constance with an alternate reality she can escape to when she doesn’t want to deal with the real world. This world allows her to keep Gavin prisoner, out of sight and out of mind, and when Constance believes that Ewan has left her to go to Alphinland, she has no choice but to follow him through Alphinland’s gate.

“Alphinland” Analysis

In this story, Constance has one foot in reality and one foot in her fantasy world. Specifically, she visits a world she created for herself, even if she was forced to share it with fans because she needed the profits. Meanwhile, it’s a relief when Constance admits that she knows Ewan is dead, convincingly persuading the reader that she is in command of her mental faculties. When she thinks about her fans who obsess over the details in her book, she thinks, “It’s astonishing how folks can get so worked up over something that doesn’t exist” (11). This is ironic because as the story goes on, Constance shows how obsessed she is with something that doesn’t exist: Alphinland.

Once Constance convinces herself that a dead Ewan left the real world, she loses the ability to keep the worlds apart and to know which is real and which is fantasy. When Constance “follows” Ewan at the end of the story, she chooses fantasy over reality. Atwood writes, “Lighting a fire is an act of renewal, of beginning, and she doesn’t want to continue. No: she wants to go back” (7). Constance won’t light a fire because she doesn’t want to move forward in the real world now that Ewan passed away. She would rather retreat into a fantasy world where she feels safe.

blurred text
blurred text
blurred text
blurred text