44 pages • 1 hour read
Denise GiardinaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The characters in Storming Heaven are often described as “mountain people” in a derogatory way by the coal mine operators, meaning they are uneducated. Even Miles, upon returning from school, explains that the purpose of education is “to prepare mountain youth to take their place in the modern world” (60). Nevertheless, descriptive figurative language is often used to describe the mountains, making them symbolic of the struggles faced by the characters in the novel. Early on in the novel, Carrie observes:“The mountains hovered close and sheltering, like a quilt upon my back” (44), but when the forests are cut down for wood or the land is turned into coal mines, many characters observe how ugly and weak the mountains become. Carrie notes:“I hated the ugliness of the cleared mountain” (62), and C. J. observes “the flanks of the hills gashed and sticky with mud” (9) as if the land itself were in pain. These ugly descriptions of the mountains represent the struggles the coal companies impose on the people who live in the mountains. Even when Carrie leaves to attend nursing school, she feels torn:“I always feared mountains could be as jealous, as unforgiving, as any spurned lover. Leave them and they may never take you back” (89). Here, the mountains represent Carrie’s homesickness. Descriptions of the mountains appear numerous times throughout the novel and are often used to symbolize the characters’ feelings and struggles.
When Rosa first leaves Italy and immigrates to West Virginia, she remembers the butterflies that lived in her family’s trees: “My hands break the wings. I do not mean it” (49). When she becomes a maid in Lytton Davidson’s home, she often observes the butterflies Mr. Davidson collects and keeps in glass cases: “The butterflies are prisoners, the pins hold them down” (49), showing how Mr. Davidson’s butterflies come to symbolize her own feelings of being trapped. After Rosa’s sons are killed in the explosion, she imagines that “the butterflies weep. Let us out, they cry” (196), and she eventually breaks the cases of butterflies, attempting to free them. However, Rosa is unable to save the butterflies, just as she is unable to cope with her own life in West Virginia or the death of her sons. Rosa’s fixation on butterflies becomes a way for her to express her struggles.
Baseball is a complicated motif in Storming Heaven because while many characters are fans of baseball, it also becomes a distraction from the union work. At first, C. J. doesn’t approve of baseball, thinking how “the baseball games caused the miners to turn on each other instead of cooperating” (150). However, a turning point occurs in the novel when the Annadel team, which is part of the independent league, plays the Davidson team, a coal operator-owned team. C. J. observes that the Davidson players get special privileges at the coal mines and notes that they even bring in a professional baseball player from Philadelphia to go up against Annadel. To C. J., these are just more examples of the unfair ways the coal companies treat their workers.
One night, during the strike, Carrie comes across another coal miner who tells her:“Me, I’d rather be playing baseball than toting this here gun” (221). While the union work is dangerous and difficult, baseball is an enjoyable pastime, and it represents the kind of pleasant life the coal miners wish they could have. However, it can also represent a dangerous distraction from the important union work.
By Denise Giardina