53 pages • 1 hour read
Stephanie S. TolanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The novel opens by introducing Jake Semple, a troubled 13-year-old who was expelled from all public schools in Rhode Island for burning down his school. Because his parents were arrested for growing marijuana in their basement, Jake relocated to North Carolina to live with his grandfather, Henry Dugan, and started attending Traybridge Middle School. However, his disruptive behavior led to yet another expulsion. Frustrated with Jake’s rebellious behavior, Dungan sought an alternative education solution and arranged for Jake to attend The Creative Academy, a homeschool program administered by his neighbors, the Applewhites.
Henry Dugan is now at Wit’s End, the Applewhite family’s property, discussing the arrangement they have worked out. Meanwhile, Jake and Edith “E.D.” Applewhite, the Applewhites’ 12-year-old daughter, are on the porch. He takes the opportunity to mock her name. Knowing that Jake is unaware of the literary reference to Edith Wharton, E.D. has “no intention of telling this creep the story of her name” (7). She perceives him as nothing more than a troublemaker and is offended by his appearance, with his red spiked hair, earrings, and dark clothes. The idea of taking in Jake was initially proposed by Edith’s aunt, Lucille, a suggestion Edith vehemently opposed. She’d even begged her grandfather, Zedediah, but he was convinced that accommodating Jake was a noble thing to do. Jake pulls out a cigarette. E.D. warns him against lighting it, but he does anyway, blowing the smoke in her face.
Jake takes satisfaction in annoying E.D. with his behavior, a skill he picked up from his parents. He believes that if the rest of the Applewhites are similar to E.D., he can quickly get on their nerves and drive them away. He is determined to show the Applewhites he won’t be forced into anything he doesn’t want; he resents adults making decisions for him and wants to have agency over his own life. He sizes up E.D., dismissing her appearance as unremarkable with her short hair and lack of curves. As he looks around the property, he deems it “quaint and rustic and weird” (13) and wonders what the other Applewhite children will be like.
Suddenly, a goat bolts past them, chased by a tall, barefoot girl in a black leotard with long auburn hair. Jake is taken aback by her beauty as they vanish into the distance. E.D. identifies the girl as Cordelia, her sister, and introduces the goat as Wolfie. Jake’s grandfather and the Applewhites come out of the house, scolding Jake for smoking. Jake identifies the Applewhite family members—Randolph, the father; Sybil Jameson, the mother; Lucille, the aunt; Archie, Lucille’s husband and Randolph’s brother; and Zedediah, the grandfather. He remembers that Zedediah and Archie make furniture, Sybil is a writer, Lucille is a poet, and Randolph is a theatre director. Everyone but Zedediah disperses in search of the goats and Destiny, the youngest Applewhite. Zedediah shakes Jake’s hand and welcomes him to Wit’s End, which he describes as a “Furniture Factory, Gallery, Studio, Goat Compound, and Creative Academy” (18). Jake’s response is to swear, but Zedediah is unfazed.
The next morning, E.D. sits in the kitchen quietly eating breakfast, reflecting on her differences from her family. She looks at the dying flower arrangement on the table, crafted by Cordelia, and acknowledges that she feels out of place: The “Applewhites [are] enormously talented. She [is] not. Applewhites [thrive] on chaos. E.D. [wants] organization and sense” (18). Today Jake Semple is moving in, a prospect that fills E.D. with dread. The previous day, after the goats had been rounded up and Destiny found, there had been a family reunion to outline the plan for Jake’s assimilation. Everyone participated except Hal, E.D.’s older brother, an artist so introverted he’s almost a recluse and never leaves his room. E.D. reflects on how the Creative Academy had been established because her father, Randolph, strongly believes that the Applewhites are not like the other people. He values creativity and individuality over conformity, prompting him to withdraw his children from Traybridge school. E.D., however, longs for her former school and the company of her best friend, Melissa.
At the Creative Academy, the Applewhite adults serve as teachers, and the children are encouraged to follow their interests and create their own educational plans. At the family reunion, however, the adults decided that Jake is to follow E.D.’s plan. Despite E.D.’s objections, where she emphasized the importance of individuality, the family remained steadfast in their decision, claiming that Jake needed “cooperative learning” (22). E.D.’s plan is heavily focused on math, a subject she really enjoys. She fears that Jake’s presence may disrupt the structured order she has established, throwing her carefully curated routine into chaos.
Henry Dungan pulls up to Wit’s End to drop off Jack. Feeling a sense of rejection from his grandfather, Jake wears a black t-shirt with a spiked leather collar, hoping to exude an intimidating aura. He is welcomed by Lucille, who smiles warmly at him and unexpectedly refers to him as a “radiant light being” (24), taking him aback. She then shows him around the property, explaining that he will be staying in the spare room of her and Archie’s cottage—Wisteria Cottage.
The cottage is adorned with bookshelves, candles, and extravagant furniture crafted by Archie. Jake’s room is entirely decorated in lavender hues and smells strongly of lavender flowers. H is repulsed by the color and smell, finding it overwhelming. Next, Lucille shows Jake the schoolroom, a space brimming with books, school desks, and walls adorned with hand-drawn maps and illustrations. A banner reads, “EDUCATION IS AN ADVENTUROUS QUEST FOR THE MEANING OF LIFE, INVOLVING AN ABILITY TO THINK THINGS THROUGH” (27). She assigns Jake a desk and informs him that he will be partnering with E.D. She then takes him to the kitchen, where the Applewhites are having breakfast. The lively chatter and chaotic energy of the Applewhite household leave Jake feeling destabilized.
After breakfast, E.D. ventures into the meadow armed with her butterfly net and camera, intent on collecting butterflies for her Butterfly Project. Her goal is to collect several types of butterflies, photograph them, and catalog them. She dreads the idea of Jake accompanying her, doubting his ability to handle “anything as fragile and beautiful as a butterfly” (32). Despite her efforts, after two hours of searching, she still hasn’t found the specific butterfly she needs—a great spangled fritillary.
Lucille appears with Jake in tow, explaining that she’s giving him a tour and encouraging E.D. to join them. As Lucille shows him the vegetable garden, where Lucille shares that the nature spirits have instructed her to make it round, Jake’s disinterest is palpable. As the tour continues, E.D. recounts the story of the rescue of their goats, Wolfie and Hazel. They walk past Paulie the parrot, who engages in a swearing exchange with Jake, and they visit the wood shop where Zedediah and Archie are hard at work. As they head to the schoolroom, they pass by the music studio where Cordelia is dancing. She captivates Jake’s attention, leaving him unable to look away.
Lucille then prompts E.D. to explain the curriculum to Jake while she gets rid of the withering bouquets scattered around the schoolroom. However, Jake shows little interest and instead asks if they have a TV, to which E.D. responds that they don’t watch it. Lucille suggests they work together on the Butterfly Project, and E.D. groans. Reluctantly, they head to the meadow together in pursuit of the great spangled fritillary. Growing increasingly frustrated, Jake says he doesn’t intend on staying at Wit’s End for long. E.D. responds by revealing the harsh reality—no other foster families are willing to take him in, and he is facing Juvenile Hall if he doesn’t comply. Jake remains silent.
Jake sits on the front porch steps of the main house, listening to his Walkman radio. He’s waiting for dinner time, wondering what the Applewhites will prepare. For lunch, they served tofu burgers, which he really disliked. Recalling his conversation with E.D. in the meadow, he remembers his social worker’s warning about this being his final chance. He initially doubted the gravity of her words, but he now realizes the seriousness of his situation. Getting expelled from Traybridge Middle School had been easy. Everyone has been scared of the “bad kid from the city” (40), and he lived up to this label. Yet, he doesn’t want to end up in juvie like some of his friends from home. Jake considers his two options—the Applewhites or juvie—and resolves to make it work.
Suddenly, Destiny emerges from the bushes and approaches Jake, asking him whether he used matches to set fire to his school. Jake lies, claiming he utilized a lighter and a bottle of gasoline—no one ever bought his explanation that it was an accident.
Randolph Applewhite and Cordelia step onto the porch. Randolph asks Cordelia to join his latest theater production of The Sound of Music at the community theatre. Cordelia, however, says that she’s busy with her fall semester project—The Death of Ophelia, for which she’s composing, playing, and dancing. Randolph tells her she needs to decide fast and, on his way to meet the board of the Traybridge Little Theatre, hastily departs in his car, only to collide with an oncoming vehicle.
Chapters 1 to 6 of the novel lay the groundwork by introducing all the key characters—Jake Semple and Edith “E.D.” Applewhite, the two narrators, along with the entire Applewhite clan. Jake and E.D. are portrayed as stark contrasts, both in appearance and personality. While Jake adopts a rebellious image with scarlet spiked hair, piercings, and black attire, E.D. maintains a simpler, unassuming look, leading Jake to judge her as not “much to look at” (12). E.D., on the other hand, perceives Jake as a delinquent and, beyond his looks, is troubled by his smoking and swearing habits. She is well aware of the rumors surrounding Jake’s involvement in the arson incident that destroyed his previous school, and she opposes her family’s decision to take him in. Later, she protests when they decide to pair them up for school. She perceives Jake as a troubled individual with a dangerous past, making her reluctant to form any form of association with him.
Jake is portrayed as a stereotypical troubled teenager whose outward appearance reflects his inner conflict—in an effort to mask his insecurities, he feels compelled to project a menacing image. He has inherited his swearing habit from his parents, he smokes, and he is unhappy about moving in with the Applewhites. However, beneath this tough exterior, Jake harbors a different, more vulnerable side. As he reflects, he is only living up to the bad kid label. He adopts a persona, even fabricating stories about using a lighter to burn down his school when, in reality, it was an accident. Still, he reflects that it’s “one thing to be thought of as the bad kid from the city. It was something else again to be locked up with real ones” (40); he doesn’t want to end up in juvie and decides to give the Applewhites a chance. Throughout the narrative, Jake’s internal struggles are evident, particularly in his concerns about his grandfather’s intentions and his frustration with adults making decisions for him. Jake stands on the threshold of Personal Growth and Transformation—moving in with the Applewhites marks a pivotal moment in his journey.
Through E.D. and Jack, the novel explores the theme of Individuality Versus Conformity. Unlike her eccentric family members, E.D. lacks artistic and quirky tendencies. She is named after Edith Wharton, her mother’s literary icon, yet she chooses to be called E.D., a name she perceives as more dignified. Her inclination toward subjects like math over art further sets her apart from her family members, who thrive in creative pursuits. E.D. yearns for her previous school environment and feels like an outsider in her own family—she reflects that she “[doesn’t] know how she could have been born an Applewhite” (18). Early on, Jack’s linkage to the theme is more complicated. Jack tries to present himself as a tough individual through his hair color and swearing. While he doesn’t conform to the traditional image of a “good kid,” he’s adopted the textbook appearance and behavior of a “bad kid,” which, in itself, is an act of conformity to prevailing stereotypes. His conformity to a non-conformist image speaks to how he hasn’t yet discovered what he loves and where he fits in. E.D. and Jake, therefore, share a common struggle with belonging despite their differing backgrounds and personalities. While E.D. struggles to reconcile her nature with her family’s artistic inclinations, Jake grapples with the stigma attached to his troubled past.
The other members of the Applewhite clan are portrayed as artsy and eccentric, each possessing a unique artistic talent. For instance, Lucille is depicted as a “frizzy-haired blond poet” (15) who likes meditation and believes in nature spirits. Their living environment reflects their creative inclinations—Wit’s End, the sprawling Applewhite estate and the primary setting of the narrative, is a haven of creativity and community. The presence of a goat shed, tool shed, and barn adds to the rustic charm. Jake, an outsider thrust into this eccentric world, views it as “quaint and rustic and weird” (12) and is taken aback by the presence of animals roaming freely, including a swearing parrot. Lucille’s cottage, where Jake will stay, is adorned with quirky décor, featuring items like a photo of her guru, a hippopotamus-like coffee table, and a lavender-themed room. Wit’s End is, therefore, a testament to the Applewhites’ commitment to embracing their unique artistic identities and a physical challenge for Jake, who is repulsed by the lavender-themed room he’s assigned. The very name of the property, an idiom meaning being puzzled and not knowing what to do, reflects both the chaotic disposition of the Applewhites and Jake’s sense of being at his wit’s end, his last resort.
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