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Kara finds the idea of moving risky, but while Lenny is out, she takes the kids and drives to Fuchsia’s apartment to speak with Crystal. The meeting is tense until each realizes that Lenny intentionally sowed discord between them. Bryce falls in love with Jane Kitty, becoming a sweet, sensitive boy away from Lenny. Aurora too calms down and hugs Bryce instead of fighting with him. Crystal denies that she fears Michael, but her shaking hands and uncertain voice reveal the truth. Finally, she agrees to let them stay.
At home, Zoey and her family act fast, stuffing their things into black trash bags before Lenny gets home. Lenny owns the car, so Kara runs to the Pizza Pit to borrow Connor’s. The scenes are fast-paced and tense as they paint a searing picture of the fear, desperation, and determination it takes to escape an abuser.
Lenny gets home just as Zoey is throwing the final bags into the car. She struggles to attach Hector’s car seat as Lenny demands to know what’s going on. Kara makes an excuse that she has borrowed the car to take the trash to the dump. Lenny isn’t convinced, but they drive away before he can stop them.
Before arriving at Crystal’s apartment, Kara stops at the courthouse to file a protective order against Lenny. She brings an extra set of paperwork for Crystal and urges her to file one against Michael. Crystal demurs but takes the forms and puts them in her pocket.
Kara’s arrival at Crystal’s apartment isn’t sentimental. The women are still wary of each other and terse in their interactions. Fuchsia is out, and Kara leaves Zoey to settle the kids and Hector into the one-bedroom apartment while she returns Connor’s car. Now that Zoey and her family have moved out, the reality of living with seven people in a one-bedroom apartment begins to sink in. Fuchsia finds an extra mattress in the basement for Bryce and Aurora. She and Crystal sleep on one mattress, while Zoey, Kara, and Hector sleep together on another so that Bryce and Aurora can sleep together on their own.
At school, Matt Hubbard surprises Zoey by approaching her to apologize for his judgment about Silas. He praises Zoey’s powerful debate speech and confides that his mother wrote his student council president speech for him. The interaction bewilders Zoey, especially when Matt calls her “cool.” Matt tells her to come back to debate club because, unlike him, she doesn’t need her mother to write her speeches; she doesn’t even need to look at notes. He says that if he had her skills, he’d score more points in the debate tournament. As they talk, Zoey begins to see Matt in a new light: “I look at him. At his nicely combed hair. At his pleading brown eyes. At his complete cluelessness that somehow it all comes down to how many points you can score in a tournament” (159). She gently tells him about the difficult life experiences it takes to gain a perspective like hers and how imagining someone else’s situation might make him less likely to judge them.
After social studies class, Ms. Rochambeau follows up with Zoey about her comments during the debate. She wants to know if Zoey is safe and encourages her to come back to the debate club. Zoey assures her that she’s safe and tells Ms. Rochambeau that thanks to her mentorship, Zoey saw that someone was trying to discredit his opponent. Near tears, Ms. Rochambeau congratulates Zoey on her fortitude.
The reality of the difficult life that Zoey and her family face after escaping Lenny becomes clear. Bryce is still having nightmares, and the family still lives out of trash bags. Zoey plans to go to the dump that weekend to find Hector a broken ExerSaucer to keep him from crawling around the apartment, which hasn’t been babyproofed. Crystal can watch Hector for the hour between when Kara leaves for work (she must walk even further now) and when Zoey returns from school. Zoey still must heft Hector to the bus stop to pick up Bryce and Aurora, and they too have a longer walk to their new downtown residence.
Fuchsia drops off the paperwork that Crystal finally filled out to get a protective order against Michael. Kara buys yogurts for everyone and leaves a clean pile of laundry in the bedroom. These actions demonstrate that a life without Lenny and Michael allows the families to live on their own terms. That night, Zoey tells the kids a bedtime story—and this time, Fuchsia joins them.
After the kids fall asleep, Zoey vows to tell other, real stories, or as she calls them, “Things That Need To Be Said” (165). She has discovered the power of using her voice and decides to rejoin debate club, knowing that even though speaking up is scary, what she has to say is important.
The final chapters are the novel’s denouement. After the turning point, where Zoey finds her voice during debate club, she and her family prepare for the final test—the arduous task of escaping their abuser. In literature, the climax of a story’s narrative represents the highest point of action and emotional stakes. In this sense, the actions of Zoey and her family in carrying out the move are the continuation of the climax that occurs when Zoey asserts herself to point out the complexity of gun control in her debate class. While splitting up a story’s emotional peaks is a nontraditional structure, the author wants to present a real-life scenario rather than a conventional narrative arc. The nonlinear flow of events mimics the reality of living. It has stops and starts, people make and unmake plans, and what others might consider a simple task takes considerable planning and effort. Adding abuse into the scenario means that the story’s actors must move furtively. The stakes for Zoey and her family are life and death. By breaking up the story’s plot structure, the author masterfully underscores the uncertainty of Zoey and Kara’s quest for independence. The narrative avoids making the Albros’s escape from Lenny a storybook happy ending, showing that even though they’ve avoided the worst, they face many challenges ahead.
The author gently ends with the notion that change is possible through education. Zoey has not only succeeded in helping her family but has also changed her self-perception. She no longer sees herself as inferior. She even ventures to give Matt Hubbard advice because she knows that her life experiences have given her insight that Matt lacks. Her educational growth empowered her to change her personal life, and her life informs and enriches her academic success. By making the sources of empowerment in Zoey’s life reciprocal, the author intentionally avoids the stereotypical narrative of the poor girl whom a devoted teacher saves. Ms. Rochambeau is important in Zoey’s life, but Zoey herself takes responsibility for her future.
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