58 pages • 1 hour read
John GrishamA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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The closest character the narrative has to a “protagonist”—though a morally questionable one at times—is Keith, one of the Biloxi “boys.” The narrative starts by aligning him with his childhood friend Hugh, emphasizing their similarities:
Their families lived two streets apart. Their parents and grandparents knew each other well. They went to the same Catholic church, the same schools, played in the same streets, sandlots, and beaches, and fished with their fathers in the Gulf on lazy weekends (8).
However, the boys’ paths eventually diverge. Keith follows the path of his father, Jesse, becoming a lawyer and, later, assuming Jesse’s DA position after his death. It’s when Keith starts to come into this position of power that he starts to show morally dubious traits—a hint that power can corrupt. Keith’s mission to avenge his father’s death drives the remainder of the narrative. It also drives his own rise to power; for example, he’s determined to become AG so that he can speed Hugh’s execution. The idea of pursuing political office in the interest of killing another man is uncomfortable, if not downright abhorrent. Keith’s bloodlust becomes even more questionable when Hugh petitions the governor for clemency. When the governor consults Keith on the topic, Keith says: “I want him executed” (445). All this becomes even more troubling after his final conversation with Hugh, when Hugh reveals that he never intended to kill Jesse.
Keith’s character thus speaks to the theme of The Dangers of Loyalty. He’s so loyal to his father, even in death, and so intent on following in his father’s footsteps, that he doesn’t leave any space or opportunity for a different path. Keith’s world boils down to a focused desire for revenge—which may not be the best answer, as he realizes after his final conversation with Hugh. He can’t even watch the execution: “For a long time, I’ve dreamed of watching your execution, but I can’t do it. I’m flying to Biloxi to sit with my mother” (454). By the book’s end, he seems poised to rise to the top—having gone from being the DA to being the country’s youngest AG. Governor may be next. The problem is, Keith won’t in any way break the cycle of corruption in power. Already, he has used a personal connection (to the governor) to influence whether a man on death row should get clemency, in effect singlehandedly putting Hugh to death. His inability to remove his personal point of view from his actions when given a position of power suggests that he’ll be just as corruptible as others who came before him.
Keith’s father, Jesse, is the other “good guy” in the book, setting the path that Keith follows. However, Jesse is likewise not 100% pure; in fact, his character seems to embody the phrase, “Die a hero or live long enough to see yourself become the villain.” The narrative clearly paints Jesse’s trajectory from purely a “good guy” to a morally questionable character. As a young lawyer, he has such a polished reputation that others approach him to run for DA to “clean up the Coast” (61). At this point, Jesse’s family’s safety is his priority, and he declines. Later, however, he changes his mind. In his first DA race, Jesse still plays by the rules: When Jesse informs the current DA, Rex Dubisson, of his plans to challenge him by running for DA. Rex warns him, “There’s nothing clean about politics around here, Jesse. You’re being naive. It’s a dirty game,” to which Jesse replies, “It doesn’t have to be” (114). However, later Jesse is no longer so adamant, resorting to plenty of dirty tactics himself.
The most poignant example of Jesse’s fall from grace as “the good guy” comes when he extorts Lance to force him into a plea deal involving prison time. Joshua, Lance’s lawyer, tells Jesse, “This is ruthless” (284) and calls his tactic “blackmail,” implying that it isn’t just morally questionable—it’s also illegal. Jesse has essentially become a criminal in his attempts to put another criminal behind bars. However, this all remains secret, and Jesse is lauded as the DA who helped “clean up the Coast” (61) in the book. In death, he becomes a martyr of sorts; even though he wasn’t the perfect good guy, the general public isn’t aware of it. This highlights the book’s argument that the good/evil dichotomy is generally overly simplistic. In reality, most people operate in moral gray areas, as Jesse exemplifies.
Keith’s counterpoint in the narrative, Hugh, is the other Biloxi “boy.” While Keith goes the path of the “good guy” (though no white knight himself), Hugh goes that of the “bad guy,” falling into the criminal underworld like his father, Lance. He gives up baseball in favor of boxing, starts hanging around his dad’s clubs, and accompanies Nevin on missions to beat people up—all while still a teenager. Hugh’s zealous desire to follow in Lance’s footsteps leads to his death; he’s executed for arranging Jesse’s hit. The book foreshadows Hugh’s demise early on: “Career gangsters like Lance Malco went to prison, or took a bullet, or they died in prison. That was Hugh’s future too” (170).
Hugh’s story serves as a cautionary tale about the dangers of unquestioning loyalty and insistent adherence to familial legacy. Lance had the money and means to arrange any number of other paths for Hugh—he could have gone to college and become a lawyer like Keith, theoretically. However, the father needed someone to whom he could pass his empire to, and the son was the logical choice. The narrative paints Hugh as a bit of a fool; his own father doesn’t even have confidence in his abilities. With Lance facing prison time, he knows he needs to make plans for his businesses: “Hugh was confident he could run the businesses in his father’s absence. His father wasn’t so sure” (269). It’s troubling that the devoted son, eager to earn his father’s approval, doesn’t seem to have his father’s confidence.
The book’s antagonist, the main “bad guy” in the narrative, is Lance. From the start, he clearly has no issue with violence, including murder, to protect his businesses and his reputation. For example, in Chapter 10, Lance arranges for the intimidation of Marcus Dean Poppy and the murder of Earl Fortier, after the two cheat him out of a club deal. This is just one of many instances in which Lance participates in what is essentially gang warfare. However, Lance never gets his hands dirty, always relying on Nevin to do the grunt work, like contracting hitmen. This exemplifies the book’s point about how hard it is to shake corruption; the people at the top always have underlings to protect them.
Lance seems eager for Hugh to follow in his footsteps early on: “Hugh was only sixteen but was mature for his age and could certainly take care of himself. He was showing no interest in college and that was fine with Lance as well. The boy was needed in the family business” (102). Just like Jesse and Keith’s dynamic, the father essentially charts out the son’s path. Hugh is just as loyal to Lance as Keith is to Jesse. The book again calls this level of loyalty into question when Hugh has Jesse killed in revenge for Lance’s imprisonment. Even Lance seems to question Hugh’s extreme loyalty: “They [Lance and Hugh] talked about everything but the obvious. Jesse Rudy’s death was never mentioned. Lance had not been involved in it, and he was worried that his unpredictable son had done something stupid” (339).
Nevin is Lance’s main henchman—the guy who does his dirty work. After Lance goes to jail, Nevin supports Hugh as his second-in-command. Nevin’s character demonstrates how crime and corruption tend to continue unchecked because the people in charge of criminal operations always have “middlemen” to take care of criminal acts. For example, it’s Nevin who deals directly with the hitmen that Lance (and later Hugh) engage. Judge Oliphant confirms how this approach—never allowing “the boss,” the man in charge, to have any direct contact in such deals—protects them: “Contract killings are virtually impossible because the guilty party touches nothing” (332).
However, having henchmen do one’s dirty work only works if they remain loyal. Nevin is initially loyal to the Malcos but ultimately turns against them, betraying Hugh by testifying in his trial and confirming that Hugh was the one who had the idea to take out a hit on Jesse. Nevin’s character thus speaks to the book’s theme of The Dangers of Loyalty.
Ginger’s character primarily serves as a plot device, in varying ways. First, she’s one of Lance’s competitors, helping demonstrate how cutthroat the world of crime can get. This is also evident in more minor characters, like Dusty Cromwell (Lance pays someone to burn down Dusty’s bar; Dusty has the arsonist killed and sends his ear to Lance in the mail). More significantly, Ginger is one of Jesse’s first points of attack in his crusade to “clean up the Coast” (61). She serves as an example to Lance of what he may face if Jesse is successful in his crusade.
Additionally, Ginger’s case serves another purpose: to help explicate the legal details of the “nuisance law” that Jesse uses successfully to go after Lance. The trial affords in-depth insights into proceedings like jury selection; in Ginger’s case, jury tampering results in a mistrial and Ginger walking free. This highlights why jury selection is so significant to a case’s outcome. Finally, Ginger’s case helps demonstrate the tediousness of the appeals process. It takes almost two years from the time that the appeal is initiated for the courts to rule on it—and only then does the Carousel close, for good. By using Ginger’s case to illustrate these details, the author provides some rudimentary legal knowledge that enables a clearer focus on the dramatics of Lance’s subsequent trial.
One of the book’s major focuses is the inherent and deep nature of corruption in society—especially in areas where corruption really shouldn’t occur, including law enforcement, the criminal justice system, and politics. Ironically, the societal systems created to fight corruption often create it. “Fats” epitomizes the rampant nature of corruption in the world. He not only takes money from known criminals but is even actively involved in drug running. In this way, Fats further demonstrates how corruption is often motivated by greed, money, and selfishness.
More shocking still is that everybody seems well aware of his corruption. Even the governor of Mississippi knows; he tells Keith and Jesse, “Fats Bowman belongs in prison” (244). That said, Fats is only one of many corrupt characters in the novel (besides those actively engaged in criminal activities, like Lance, Hugh, Nevin, and the various hitmen they work with). Jesse and Keith are “good guys” but exhibit some questionable behavior. Even lawyers, like Joshua Burch—who works for Lance—are corrupt. For example, Joshua urges Lance, “Go see Cyrus Knapp, the heart doctor. He’s a quack but he’ll do what I say. Tell him since you got arrested you’ve been having chest pains, dizziness, fatigue” (268). The lawyer has no qualms essentially falsifying medical records.
By John Grisham
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