49 pages • 1 hour read
Richard PowersA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Mark quits his cognitive therapy, still trying to convince his friends of the grand conspiracy. They admit they were at the scene of the accident, talking on walkie-talkies while driving. They heard him say something about taking evasive action immediately before the accident. When they found him, they fled the scene and made an anonymous 911 call. Mark realizes they are not the good friends he thought they were.
Karin encounters her old flame, Robert Karsh. He flatters her, offers to buy her something to eat, and asks about Mark. Karin realizes that he has been carrying a torch for her in spite of his marriage and children. When Karin brings up the impact of the development on the crane habitat, Karsh tells her she will be proud of him when she finds out what he is doing.
Karin returns to Daniel and offers to work with him as a fund-raiser for the crane refuge. Karin feels a need to do something that makes a difference because Mark doesn’t need her. Daniel and the cranes do.
Weber returns to Kearney, feeling like he is on the road to redemption. Mark is glad to see him and quickly explains everything that has been happening, including all the conspiracies, spies, and fakes, and the fact that his friends betrayed him. He tells Weber there was something on the road, but he can’t remember what he saw. He sometimes thinks the thing he saw on the road was himself.
Searching for a new treatment for Mark, Weber finds a reference to the anti-psychotic, olanzapine. He realizes that he should have found the reference the first time he interviewed Mark, but he hadn’t because he hadn’t wanted Capgras to be curable by medical science. Weber tells Karin and Daniel about olanzapine, and Karin is cautiously optimistic about the idea that Mark might recognize her again.
When Weber returns to see Mark, he encounters Barbara. He admits to her that everything the reviewers have said about him and his work is true. As they talk, Weber senses that Barbara is hiding a deep secret about herself.
Karin decides not to tell Mark about the olanzapine, and her refusal feels to Weber like a confirmation of all his self-doubts. He returns to New York, still having accomplished nothing.
Karin and Daniel attend a city council meeting about the proposed development near the cranes’ refuge. Daniel speaks passionately against the project, but his messianic fervor is off-putting to the audience. Karsh argues that the development won’t harm the cranes and will attract and manage more tourists to enjoy the birds. Barbara is at the meeting. Afterward Karin introduces her to Daniel, who realizes that Barbara’s voice is familiar from somewhere.
Weber tells Sylvie about his attraction to Barbara. He denies that he has any physical desire for her, but she reminds him of himself in a way that Sylvie does not.
Karin finally decides to tell Mark about the olanzapine treatment. Mark sees the choice as a kind of death but agrees to consider it. If the real Karin ever comes back, he still wants the fake Karin to care about him at least a little.
Daniel visits Mark. Their falling out happened because Daniel made a pass at him, and Mark reacted violently. They resolve their feelings about Daniel’s attraction to Mark. Barbara arrives, and Daniel leaves in a hurry. When he gets home, he remembers why Barbara’s voice seems so familiar: She is the investigator who quizzed him on the phone about the crane refuge two months before Mark’s accident.
Mark decides to start the olanzapine. Four days later, he phones Karin and tells her that he died on the operating table the night of the accident, and he has been walking around dead for a year. The next morning, Mark tries to overdose on his medication. When he recovers, he demands to talk to Weber in person.
Sylvie doesn’t understand Weber’s sense of responsibility or his need to see Mark. He can’t explain to her that it is because he wants Sylvie to be able to see him as a different person.
Karsh’s development gets the green light to buy water shares that will further deplete the crane habitat. In reaction, Daniel quits his job with the sanctuary. Karin tells him she has found out from Karsh that the consortium is planning a zoo and a water park that will destroy the cranes’ staging ground on the river. Daniel takes the information about the development consortium to the city council.
Weber arrives in Kearney. At the hospital, Mark greets Weber gratefully. Mark is afraid the olanzapine is going to erase the person he has been for the last year. He asks if it is possible to cut out one part of the brain without killing all the other little parts talking to each other. Weber assures him that it is. Mark asks if it is possible to put something in, like transplanting the amygdala of a crane into a human brain with the aim of saving a species, but Mark doesn’t know whether that species is the cranes or the humans.
Weber goes to Barbara’s house. He reflects that the person he was before—husband, researcher, writer, teacher—is already gone. Being with Barbara can’t make it any worse. They make love. Weber has known for a long time now that she is a news reporter. He asks her what story she was covering when she came to Kearney.
She admits that she was covering a story about water rights. She learned that the development would destroy the crane habitat, and there was nothing she could do to stop it. The pressure of her job was already breaking her, and the story was the last straw.
Barbara goes to the hospital and tells Mark that she was the white pillar Mark saw in the road. She had pulled off the road and stepped out in front of Mark’s speeding truck. He swerved to avoid her and rolled the truck. Before he was taken to surgery, Barbara went to his room. He couldn’t speak, so he wrote the note for her. Barbara had been working as an aide in the hospital as cover for her investigation, so she got herself assigned to Mark’s case to keep an eye on him. Mark feels betrayed. He spent a year looking for the person who saved him, thinking she would have answers for him, and all the time, she was lying to him.
Part 5 opens with a poetic passage about the cranes that links them to the past and future. After the cranes, the river, and humanity are gone, nature will take back the Earth and nothing will be remembered.
Daniel has gone to Alaska, following the cranes to their northern breeding ground. Karin is staying to work with the refuge in Kearney. Karin returns to the hospital and finds a new Mark, one she has never met. He recognizes her as his real sister. Mark tells Karin to ask Barbara to go to work at the bird refuge. He reflects that if he could go for a year not knowing himself, then no one can really be sure they are who they think they are. Even if everything is an illusion, it’s just as good as the real thing.
Weber returns home to Sylvie feeling alienated from himself. All he has left is his homing instinct—like the cranes—calling him back to where he came from.
Part 4 delves deeper into the novel’s themes, especially the theme of Ecosickness. Daniel and Karsh represent the competing needs of humanity and the ecosystem. Daniel identifies with the natural world and the cranes. He expresses this by trying to eradicate his human/animal nature. He doesn’t eat at the restaurant with Karin. He meditates in order to flow with the natural world, and he denies his complex human sexuality. He strives for a near messianic self-abnegation that Karin finds stifling. His rejection of his own humanity means that he can’t connect with the community when he needs to persuade them to reject Karsh’s development project. In the end, he retreats even farther from humanity, all the way to the Alaskan wilderness, where he can withdraw from the complexities of identity.
This theme continues with Karsh’s development as a foil for Daniel. Karsh immediately offers to feed Karin, which contrasts Daniel’s abstaining from food. Karsh is earthy and open about his sexual interest. His animal appetites represent a threat to the cranes’ habitat. The implication is that Daniel’s fight to protect the environment is a losing game, which is reinforced by his retreat. The revelation of Daniel’s decades-long love for Mark confirms his bisexuality and confirms for Karin the realization that she has always been just a substitute for Mark in Daniel’s affection.
Mark’s remark that he might have killed his former self is the first indication of a break in his conviction that he is fine and highlights the theme of The Negotiation of Identity. His sense of self is breaking down under the stress of growing paranoia. Until now, Mark has felt sure that he was the same and everyone and everything else had changed. Mark is beginning to find his current state so painful that he is willing to risk change, even if he loses himself. He still believes he is enmeshed in a plot or conspiracy, but he is desperate enough to do anything to get out. His condition, a metaphorical link to the damaged environment, is finally giving him a motive to try to heal the split between man and nature, reason and emotion.
In his coming-of-age arc, Mark is going through a death/rebirth cycle. His first symbolic death is the car crash in which he lost his original self. That dead self did, in a sense, walk around for a year before starting treatment that helped Mark regain his identity. He then underwent a second symbolic death and emerged whole but changed. He is no longer the man-child who played reckless games with his immature friends.
Mark also has a new relationship with Karin. He was already reaching a new balance with her. He had accepted that the “real” Karin would probably never return, but he hoped the fake Karin actually cared about him. He was starting to accept that he would have to grow up without Karin to protect and shield him. As he reintegrates himself, he puts the Karin he remembers together with the Karin he has come to know in the last year and finally has a chance for an adult relationship with her.
Weber is struggling to put himself back together in the same way that Mark is. He lies to Sylvie when he says he doesn’t desire Barbara. He still loves Sylvie, but Sylvie doesn’t understand his moral struggle, and she actively resists his need to renegotiate his professional identity. His change threatens her because any change in him will require a renegotiation between them. Barbara represents Weber’s transformation. She understands him because she is going through something similar herself. He turns to Barbara to get through the change he needs to make. That done, he returns to Sylvie. He is confident they will be able to stay together, and their relationship will have been pulled out of its rut.
The novel’s mystery thriller arc concludes with the reveal that Barbara was the person—described as a “white pillar”—that Mark saw on the road the night of his accident and that she is an investigative reporter. She weaves all the novel’s plot lines and character relationships together even though she has a limited role in the narrative. Knowing that her identity explains the note in Mark’s room helps him re-enter reality.
By Richard Powers