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53 pages 1 hour read

Marjan Kamali

The Lion Women of Tehran

Fiction | Novel | Adult | Published in 2024

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Part 1, Chapters 1-8Chapter Summaries & Analyses

Part 1, Chapter 1 Summary: “December 1981”

Content Warning: The text includes sexual assault, rape, and pregnancy loss.

Ellie, 38, lives in New York City and works in a retail store selling expensive perfume. The scent of tobacco makes her recall a long-ago night in Iran “when an act of betrayal changed the entire course of my friendship with Homa and both of our lives” (3). She still feels guilty and believes her mother’s old superstition about the curse of the evil eye. She thinks about a letter from Homa telling Ellie how lucky she is to live in America with her professor husband, Mehrdad, and to escape Iran with its slide back to medieval times. Ellie has been estranged from Homa for 17 years, but Homa now asks Ellie to contact her, saying it’s urgent. After her shift, Ellie buys a slice of pizza, then gives it to a homeless woman sitting outside the subway station. As she takes the train home, Ellie becomes lost in memories.

Part 1, Chapter 2 Summary: “Spring and Summer 1950”

Ellie’s father passes away in the spring of 1950, just after Ellie turns seven. They can no longer afford to remain in their large house, but Ellie’s mother claims she is descended from royalty, and she cannot demean herself by working. Ellie’s uncle Massoud arranges for them to have a small place downtown. Ellie’s father had tuberculosis, but her mother claims it was the evil eye that killed him; other people were jealous of their happiness. To console herself in her loneliness, Ellie daydreams of going to school and meeting a friend.

Part 1, Chapter 3 Summary: “September 1950”

Ellie clutches her satchel as she enters her new school. As she waits quietly in line, another girl pokes her and tells Ellie a joke. When seats are assigned, Ellie is seated next to this girl, Homa. Ellie thinks her rude and tries to ignore her until a day, five weeks later, when she is walking back to school after the break for her lunch of rice. Homa catches up with her, teases Ellie, and challenges her to a race. Ellie thinks, “It was impossible to be near her energy and not want to jump or run or act like a fool as well” (19). Homa declares the race a tie.

Part 1, Chapter 4 Summary: “October 1950”

Ellie is dismayed that her mother looks down on the children of their neighborhood. Her mother bemoans her dependence on Ellie’s uncle and hints that he wants something from her. Homa invites Ellie to her house after school and Ellie is at first wary. Homa reveals that her father is a communist and doesn’t support the king. Ellie is surprised that Homa does not live in a hovel. Ellie’s mother introduces herself and offers Ellie food. Homa and Ellie play hopscotch and jump rope. Then Homa takes Ellie downstairs to the cool, inviting kitchen where their mother has made them ghotab for a treat. Ellie is jealous of Homa, who has a father, a kind and loving mother, an adorable baby sister, and this delicious-smelling home.

Part 1, Chapter 5 Summary: “November 1950”

Ellie becomes close friends with Homa and learns to cook from Homa’s mother. The first time she cuts an onion, Ellie reflects, “I felt we had performed magic. I couldn’t believe the control we had over changing the shape of things” (30). Homa’s house is warm and welcoming compared to Ellie’s home, which is cold with her mother’s distance and disapproval.

Part 1, Chapter 6 Summary: “May 1953”

By fourth grade, both Ellie and Homa are at the top of their class. One day, Homa convinces Ellie to skip school and go with her to the Grand Bazaar. Ellie is thrilled by the sights and smells, and she savors the ice cream Homa buys for them. They discuss their futures. Ellie wants to be a mother, but Homa wants to study law and be a judge. Homa envisions them as cubs that will grow up to be lionesses, strong women who shape Iran’s future. Ellie is worried about getting caught. At home, her mother is angry that Ellie went to the market. She claims Homa’s family are peasants, vermin. Ellie speaks back to her mother for the first time, then apologizes. Her mother is cold and dismissive.

Part 1, Chapter 7 Summary: “May and June 1953”

The girls receive detention for skipping school, but joke with each other while being punished. Ellie earns the distinction of being first in her class. Her mother doesn’t plan to attend the ceremony. Homa congratulates her effusively. Ellie is recognized at the ceremony and given a crown to wear. She doesn’t have to attend her afternoon classes, so returns home. She finds her mother in bed with Uncle Massoud. Ellie is shocked when her mother, seeing Ellie, smiles and winks. Ellie feels that their small house, her school, Homa, and Homa’s family are all fluttering away.

Part 1, Chapter 8 Summary: “July 1953”

Her mother agrees to marry Massoud, and they prepare to move. Ellie doesn’t want to leave. Ellie’s mother says she is making a sacrifice so Ellie can have a better life. Her mother will not permit Homa to visit, so Ellie goes to Homa’s house to say goodbye. The family are picnicking on a blanket in their yard and share their food with Ellie. Ellie thinks, “I already missed this family even though I was right here with them. But how could I miss what was never truly mine?” (55). Homa gives Ellie a necklace with a bird charm on it, the homa bird. Ellie gives Homa a notebook with pressed flowers on the cover. Ellie aches when she leaves them and Homa calls after, “I love you madly!” (57).

Part 1, Chapters 1-8 Analysis

Chapter 1 acts as a prologue, establishing a narrative arc and conflict of fundamental difference in Ellie and Homa that raises the stakes for their estrangement later in the novel. Their deep bond is key to understanding their reactions when they are reunited, and it introduces the themes of the Bonds of Friendship and Loyalty and Jealousy, Guilt, and Redemption, which intersect in this primary relationship to create inner and outer tension. The opening frames much of the book as a flashback, creating mystery and suspense around Ellie and Homa’s friendship. Part 1 also addresses the beginning of their friendship, but a sense of loss pervades their sweetest moments, adding to the tension surrounding the anticipated break. Their childhood closeness and declaration of love raises the question of what caused adult Ellie and Homa to become estranged. This foreshadowing through a sorrowful, longing tone highlights the deeper theme of jealousy, guilt, and redemption that will play a major role in the emotional journeys of both women.

Ellie, as a child, is naïve and fragile. She feels isolated after her father’s death and the loss of her home, but she also shows resilience in her willingness to adapt to the new neighborhood, her excitement about school, and her hope for a friend. Ellie’s early vulnerabilities and hopes make her a relatable character, and her admiration for Homa’s energy and boldness suggests a growing sense of both admiration and inferiority. Homa is portrayed as the exact opposite of what Ellie longed for—a quiet, studious girl like Ellie—highlighting the predestined nature of their friendship. Homa is Ellie’s contrast and foil in many ways, and these contrasts will prove both motivating and daunting for Ellie, who is far less idealistic, ambitious, or aware of the world and its workings. This early contrast is a key foundation for their relationship, as both girls balance and enrich each other in ways they might not recognize as children.

Even as a child, Homa exhibits a spirit of courage that symbolizes the shir zan, the lioness. Ellie, who is cautious and wary of getting hurt, doesn’t demonstrate the same fearlessness. The race that ends in a tie suggests both girls are capable of the same determination, but Ellie focuses on what will directly benefit her, like advancing her academic rank and earning her admiration from her community, and Homa shows an interest in improving the world around her. This interest—outward versus inward—will define their adult lives and serve as an important distinction between the women. Homa’s sense of justice and her boldness tie directly into the theme of The Protectiveness of Mothers, as her desire to fight for justice and protect those she loves, even as a child, foreshadows her adult roles and key characteristics.

This section is built on contrasts, including setting: Ellie, who once lived in the prosperous area of Tehran, is now in the downtown or “bottom” of the city. She soon learns her mother’s disdain for their neighbors is motivated by her fear of poverty. Ironically, Ellie’s mother looks down on Homa and her family as peasants because of her former wealthy life; Ellie, meanwhile, realizes that Homa possesses greater qualities than Ellie’s mother. Ellie’s mother is spiteful, fearful, and resentful. In contrast, Homa’s mother is nurturing, thoughtful, and kind, and she teaches Ellie life skills like preparing food. Ellie’s hunger for the affection and shelter of a family is conveyed in her enjoyment of the smells and products of Homa’s mother’s kitchen, while the sustenance she receives in her own home is represented by the plain, repetitive meal of rice. Ellie’s pull toward Homa’s family—and the contrast between her own mother and Homa’s mother—demonstrates the value of maternal protectiveness. This theme shapes Ellie’s view of family life and plays into her longing for stability and warmth, thus laying the foundation for Ellie’s internal conflict over jealousy and admiration.

The strength of friendship is established through the development of Ellie and Homa’s relationship, as is the theme of jealousy, guilt, and redemption. This complexity suggests that friendship and jealousy can be intertwined: One can both adore and envy a friend. Ellie feels supported and inspired by Homa, who embraces the world and does what brings her joy, such as the simple childhood games Homa plays with Ellie. However, Ellie recognizes her envy for what her friend has: a secure home, a loving family, and parents who approve of her. Ellie would much rather have Homa’s mother’s gifts of food than her own mother’s plotting to marry Uncle Massoud so she can again have prosperity and status. Ellie’s complicated emotions regarding Homa suggest that her feelings of guilt and envy are deeply intertwined and will evolve as their relationship grows more complex. So too will her feelings about the bird necklace Homa gives her—a symbol of their friendship but also, given the name of the bird it represents, of Homa herself.

The setting of 1950s Tehran is presented in vivid descriptions of tastes and smells, particularly of food, which is of special interest to young Ellie. The Grand Bazaar represents the variety and complexity of the city from which Ellie has been prevented from enjoying by her mother’s isolation. The sunny innocence of these early chapters provides a devastating contrast to the escalating tensions in the country depicted later in the book. The juxtaposition of youthful innocence against a backdrop of political upheaval reinforces the broader theme of jealousy, guilt, and redemption, as both girls will have to reckon with their past actions and choices within a changing world.

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