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125 pages 4 hours read

Ray Bradbury

The Martian Chronicles

Fiction | Novel | Adult | Published in 1950

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“June 2001: —And the Moon Be Still as Bright”Chapter Summaries & Analyses

“June 2001: —And the Moon Be Still as Bright” Summary

The Fourth Expedition lands on Mars in the middle of a cold night. Jeff Spender, the archaeologist, collects scattered wood and starts a small fire while Captain Wilder, Hathaway, and Sam Parkhill—who will all reappear in later stories—explore the landing zone on the “dead, dreaming world” (63). Other crew members question why Spender isn’t using the chemical fire from the ship, but Spender refuses to answer. Instead, he thinks, “it would be a kind of imported blasphemy” (64). The rest of the crew is raucous in their landing, celebratory after surviving the long space voyage.

A secondary rocket lands after an exploratory fly-over and reports that most Martian cities appear to have been abandoned for centuries but several bear fresh Martian corpses dead from chicken pox brought by the previous expeditions. The disease “burnt them black and dried them out to brittle flakes” (66).

Spender grows increasingly annoyed with the crass celebration of the rest of the crew, and the evening culminates with him punching a man named Biggs who is tossing empty bottles into a Martian canal. Captain Wilder chastises Spender and fines him but indicates that he shares Spender’s sympathies with the vanished Martian culture. Wilder guesses that there aren’t enough Martians left to cause any trouble to the expedition.

Later that evening, Wilder leads several men, including Spender and Biggs, into a Martian city, and the party is awed at the vanished grandeur. Spender recites a Lord Byron poem—"So We’ll Go No More a Roving”—which touches the other men, but the moment is broken when Biggs vomits alcohol over a Martian mosaic. Afterwards, Spender disappears for a week.

When Spender returns to camp after studying Martian literature that he finds, he claims he is a Martian and shoots six members of the crew, including Biggs. He retreats to the hills, and Wilder leads a vengeful group of men after him. Once they have Spender cornered, Wilder attempts to talk him into giving himself up. Spender suggests the Martians were superior to humans because “they knew how to blend art into their living” (84). Spender suggests that he killed the others because they were crass Americans, reminding him of his father during a visit to Mexico City. He states that he plans on killing the entire Fourth Expedition and any others who arrive to preserve Martian culture.

After another shootout, Wilder kills Spender. He commands the others to bury Spender and create a tomb. Later, when Sam Parkhill uses one of the Martian cities for target practice, Wilder punches him.

“June 2001: —And the Moon Be Still as Bright” Analysis

The success of the Fourth Expedition marks a shift in the wider story of human settlement on Mars. The work moves from the failed exploratory missions to that which establishes a clear path for the other settlers to follow.

Bradbury depicts the shift of Spender from protagonist to antagonist, though he presents Bradbury’s critique of the effects of colonialism on Indigenous peoples. Bradbury sympathizes with Spender’s perspective, but despite his admiration for the superior way of life of a people who have abandoned conflict, he descends into violence and murder. He indoctrinates himself to the belief that humans are a scourge and that only the Martians (now including himself) have the right to the planet, failing to see that he is simply playing the role of lone savior. At the beginning of the story, Spender seems to be the voice of reason and moderation. By the end, he is totally radicalized. “I have something to fight for and live for”; he tells Wilder, “that makes me a better killer” (89).

Spender and Wilder are both ambivalent about colonialism, though Spender’s extremism becomes evident early. After Spender attacks Biggs, Wilder mentions “an object lesson in civilizations” (72), implying the decaying ruins invested the crew with an awed humility. Surrounded by the grandeur of alienness, he cannot stand the baseness of his colleagues. Spender’s path represents radicalization, while Wilder represents moderation, though he worries that his approach is too permissive, and his attack of Parkhill at the end suggests that Spender’s sympathies and theories have rooted in him deeper than he suspects.

Bradbury situates the crew members as colonialist invaders. The death of the Martians from chicken pox echoes the smallpox epidemic brought by European colonizers to the Americas. Spender compares the human legacy to what Cortez did to Indigenous peoples when he invaded, and Wilder paints a portrait of the Martians very similar to Jean the white European trope of the “noble savage” (71-72).

This story includes the second appearance of a poem in the text by Lord Byron. Spender’s recital of “So We’ll Go No More a Roving” is bittersweet, recalling nostalgia, yet is direct in the sense that there is no going back, that time and progress have moved forward, and that to live as one once lived would be false, empty. Bradbury’s use of Byron, moving from the hopeful beauty of the Second Expedition to the morose lament of the Fourth Expedition, casts a dark tone over the efforts of the settlers in the second part of the book.

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