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78 pages 2 hours read

Christopher Paul Curtis

The Mighty Miss Malone

Fiction | Novel | Middle Grade | Published in 2012

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Themes

Fighting for Success and Survival

Survival and success are closely related in the novel. Families like the Malones must succeed in employment, for example, in order to provide basic necessities and pay rent; during the Great Depression, being unsuccessful in retaining a job threatened not only one’s pride and emotional well-being, but the health and survival of family members. Father’s choice to go job-searching in Flint underscores the urgency of his failure to find work. On a more symbolic level, the importance of success in the Joe Louis fight connects to survival via Father’s words: “Hitler and his boys have said that no black man can ever beat a white man, that we […] and all our neighbors are where we are because we deserve to be here” (121). As America begins to grapple with the potential threat of fascism with Adolf Hitler at the ideology’s helm, Louis’s failure to beat the German Max Schmeling symbolizes the threat to survival as well. Throughout the novel, characters make decisions and go to extreme lengths to fight for success and survival despite the difficult circumstances posed by the Great Depression and racism.

Mrs. Needham takes the fight for success seriously when she tells Deza, “I believe from the bottom of my heart that if we lose you, we’ve lost this country. If we can’t get you to your true path, it’s the failure of everyone from President Roosevelt right down to me […] I will not sit idly by and see you fail” (38). She places Deza’s spirit and talents on a representative pedestal here, suggesting that Deza symbolizes everyone’s potential for personal success and happiness through fulfillment of their skills. If Deza falters and fails because of poverty, hardship, and prejudice, it is society—even humanity—itself that is to blame. Trying to provide for Deza in the ways she can, Mrs. Needham provides Deza with a nice set of clothes she clearly purchased herself; she also offers advanced tutoring as a way to try to keep Deza’s spirit from breaking in the face of racism and disadvantage.

Later, in Flint’s Hooverville, Jimmie faces a drastic choice: He must either stay and help his mother and sister eke out their meager earnings, or leave them for a risky chance of true success. Jimmie elects to put his singing talent to use on an entertainment circuit—a bet that pays off handsomely for him. Thanks to Jimmie, the family comes to much improved finances and can return to Gary.

Father is a fighter throughout the novel. He tries to be a positive voice in the household even as he is laid off; he searches every day for work locally; in an attempt to procure fish for dinner for the family, he ends up in a literal fight for survival: “What choice did Pa have, He wasn’t trying to hurt him, he hit [Mr. Henderson] with the oarlock. Not hard. Just once. Once” (264). His trauma on the lake left him alive but confused and grieving. Father leaves, thinking it is best for the Malones; then tries to write from the poorhouse only to have his letters sent back. Ultimately, Father’s fighting spirit is evident in his kind eyes and humor as he, Mother, and Deza return to Gary.

The Driving Force of Family Unity

One of the great ironies in The Mighty Miss Malone is that in order to try to protect the unity of the family, some members elect to leave the others. The family structure is safe and secure at the beginning of the book; Deza’s problems are similar to those of many others who were impacted by the Depression (no spending money for a ballpark scorecard, no leeway to throw out bug-infested oatmeal, etc.), but she displays neither fear nor anxiety while her family is by her side. Their unity is suddenly and drastically threatened when Father does not return immediately from the fishing trip. When he does come home, clearly injured and traumatized, Jimmie reminds them all of the importance of their togetherness: “It’s okay, Pa, we’re all together now” (116).

When Father makes the heartrending decision to leave Mother, Deza, and Jimmie, he does so, ironically, for the sake of family unity. He points out that he cannot provide for them in a way that will keep each member healthy and safe as long as he is unemployed and must leave Gary for Flint, where he hopes to find work. Mother argues with him, saying, “Roscoe, we’re at our strongest when we’re all together, when we’re a family” (127), but she cannot sway Father. He tells Deza: “I will get us back together, Deza. Please take care of each other. I know it’s hard, but we’ll get this ship righted as soon as we can” (133).

Later, Deza writes in the forged letter as Mrs. Carsdale of Mother: “She is trying to keep her delightful family together” (146). To Deza, family unity is not only crucial for safety, security, and happiness, but also a mark of morality and virtue that speaks highly of Mother’s personality.

Once Deza finds Jimmie in Detroit, her first thoughts are on returning to family unity: “Saw-Bone said you might be here and I had to come tell you we heard from Father! We can go back home and be a family again” (265). Knowing the truth (that it is he, Jimmie, and not Father who sends the money to Mother and Deza), Jimmie tells Deza he cannot return; to do so would sacrifice the good job he has that helpfully provides for family needs, like fixing Deza’s teeth and returning to Gary.

The Impact of Racism on Coming-of-Age

Racism appears in the novel both in subtle, stealthy ways and in ways that are more obvious to Deza. Early in the story, Deza sometimes mentions a detail regarding racism or racial division that she witnesses but moves on without commenting upon it. By the story’s end, the way Deza more openly calls out racism suggests that she is increasingly cognizant of others’ attitudes and understands that she will probably continue to witness and endure racism throughout her life.

When Mrs. Ashton the librarian refers to Joe Louis as a “credit to your race” (75) before the fight, Mother and Father use the incident to compare a person with that kind of ignorant comment to a growling dog—someone who is throwing out a warning of how they really feel, even though they haven’t “bitten.” Father’s words about his appearance after the fishing accident represent the pervasive effect of racism during the Depression: “And if the white president of a bank is having his pay cut, what chance do I have? Look at me! Look at this mouth, I couldn’t find work when my face was whole” (126).

The words of Hitler with regard to the Louis-Schmeling fight show his racist attitude; he famously announced his opinion that no Black man could beat a white man. The author indicates in a brief afterword that we have no true parallel today to use in understanding the economic, political, and racial importance of the two fights between Louis and Schmeling: “In 1936, before the first fight, the growing Nazi Party proclaimed that white superiority would be proven because no black man could beat a white” (299).

While those examples expand Deza’s perspective of racism, her suspicion of the sealed letter from Mrs. Carsdale is an example of Deza actively reacting against racism. Mother’s employer of many years, Mrs. Carsdale, writes scathingly racist remarks about Mother to a friend. She also generalizes with additional racist comments. Deza and Jimmie see this letter when they steam open the sealed envelope, prompting them to rewrite a much more respectful letter as Mrs. Carsdale. (Ironically, Mother later reveals that she knew Deza wrote the letter and did not use it.)

Deza indicates a stronger understanding of racism and its impact on her as she discusses the juxtaposition of teacher attitudes between Gary and Flint. The Flint teachers are known for their prejudice and, as a camp neighbor tells Deza, never give the Black students better than a C. The teachers’ refusal to respect Deza’s talents exemplifies racism; they refuse to acknowledge her participation and willfully hold her back from success with inaccurate grades. Her experiences in the Flint school prompt an unfortunate and sad part of Deza’s coming-of-age: She recognizes that an institution she once loved unconditionally (school) can be inherently flawed. She must harden her heart to that fact: “I didn’t care, though, Flint teachers were so unfair” (276).

Deza’s Flint English teacher, who has no idea the level of maturity involved in the books Deza prefers, echoes Mrs. Ashton’s comment when he tells Deza she is a “credit to her race” (75) just for reading what he thinks is a book from the Penrod series. His choice of words is both oblivious and demeaning. Deza now shows an improved understanding of this racist remark, and she does not even grant his comment an acknowledgement in her interior monologue.

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