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57 pages 1 hour read

Danielle Evans

The Office of Historical Corrections

Fiction | Short Story Collection | Adult | Published in 2020

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“Boys Go to Jupiter”Chapter Summaries & Analyses

“Boys Go to Jupiter” Summary

Content Warning: This story contains discussions of the Confederate flag and racial insensitivity.

Claire Williams is a 19-year-old college student. She spends her break in Florida living with her “almost stepmother,” Puppy, and her father. She regularly hangs out with Jackson, an 18-year-old “redneck” high schooler. Jackson buys her a bikini with the Confederate flag on it. Just before she leaves to go back to college, he takes a photo of her wearing it leaning against his truck and posts it on Facebook.

Waiting for her plane back to Dennis College, Claire checks her phone and sees that the photo has gained attention on Twitter. A Black hallmate of hers sent out the photo, which caused several students at Claire’s college to message her in anger and confusion. Claire considers how she did not wear the bikini to “bother Black people” but to annoy Puppy (55). As she turns off her phone, she thinks “fuck you too” to the girl who shared her photo (55).

When Claire’s parents were still together, they lived in Virginia. When she was six, their new neighbors—the Halls—moved in next door. They were a Black family with two young children: Angela, who was Claire’s age, and Aaron, who was one year older than them. She and Angela used to torment Aaron by singing the refrainboys go to Jupiter to get more stupider” and posting pictures of Jupiter on his bedroom door (57). Claire and Angela grew up together and became best friends. Eventually, they drifted apart when their mothers got sick and Claire’s failed to recover.

Back at Dennis College, the girl who shared the photo, Carmen, has continued to gain attention from her tweet of Claire’s photo. Angered, Claire prints a photo of the Confederate flag and writes a “Welcome Back” note on it, then slips it under Carmen’s door. The following morning, Claire has hundreds of emails, most from people she does not know. Carmen moves out of her dorm room.

Claire gets a note from the school newspaper, asking for an interview. The original photo and a photo of her note have been shared across blogs and other social media platforms. Her academic advisor has also emailed her asking to meet. She receives messages of support from several “rednecks,” who send her photos of their genitalia. The president of the campus libertarians, Robert, comes to her dorm room, saying he supports her right to freedom of expression. Through it all, Claire spends her day hiding in her room and insists to Robert that she “doesn’t care” about it. She gains support from groups like Heritage Defenders. As she reads emails of support, she feels ashamed, but she is also overwhelmed by her anger and annoyance. She prints a photo of the Confederate Flag and posts it to her dorm window, then calls the student paper to tell them that she has a right to celebrate her heritage.

Claire has a mandated meeting with the Dean of Student Affairs, the Vice Dean of Diversity, and other officials. The group advises her to take down the picture of the flag and apologize to Carmen, but they also tell her that they cannot force her to do so. They tell her that she will face a disciplinary hearing for “threatening” Carmen, which flusters Claire, who insists that it was not a threat and that she herself is getting very real threats on her phone. The group advises her to report these threats, then suggests she speak with the history department to learn more about the Confederate Flag and why it is offensive. Instead, Claire dismisses them and leaves.

As the days go by, Claire adopts a strong Southern accent, even though her mother is from Connecticut and her father is from Minnesota. She feels slightly ashamed, especially because it reminds her of Angela’s real Southern accent, but she continues to use it. Feeling finally in control, Claire returns to eating lunch in the dining hall and attending class. That night, however, she finds a blog online that is covering her story. They posted Aaron’s photo and a picture of her smashed car, but do not have most of the story and could not reach Angela’s family for comment.

Claire reflects on what happened. In her senior year of high school, four months after her mother’s death, Claire went to a party and got drunk, mostly out of grief. When Aaron showed up, she realized that she had not seen him or Angela in months. Aaron tried to take her home because of her drunken state, and she initially resisted, then allowed him to pick her up, put her in her passenger seat, and drive her home. A group of boys from the party saw a “Black guy” carrying Claire and followed him. They flashed their lights, pulled up next to him, and threw things at his car, causing Aaron to drive faster until he crashed. After the crash, Claire—who was passed out for all of it—initially tried to defend Aaron as the police and reporters spun the story to make Aaron seem like a threat. However, after several failed attempts, Claire gave up. No legal charges were ever filed against the boys who harassed Aaron on his drive. Claire never spoke with Angela or her mother again.

At a town hall organized by the campus libertarians, Robert tells Claire to wait to speak, allow everyone else to give their thoughts, and to not mention Aaron unless she has to. It is an open-mic conversation, and there are also comment cards that people can fill out to be read aloud if they don’t wish to openly speak. Claire prepares her responses, thinking over the reasons Robert gave her for supporting the Confederate Flag.

Several white students speak, including one who “apologizes” to the Black students on campus. Claire sees Carmen surrounded by rows of Black students and waits for them to speak. However, after a handful of white students speak, everyone sits in silence for several minutes. Slowly, the Black students get up, hand their comment cards to the Dean of Students, and leave without saying anything. The comment cards are all blank.

“Boys Go to Jupiter” Analysis

Throughout The Office of Historical Corrections, Evans explores the different ways that racism manifests. Through Claire, a character who considers herself generally apolitical, Evans discusses microaggressions and the way that structural inequality perpetuates casual or unconscious anti-Blackness. Rather than creating a character who is hateful, Evans creates a character who is struggling with grief and copes with it in harmful ways. This makes Claire a round character, and Evans cites her mother’s death to contextualize her actions, similar to Rena’s seducing married men to deal with her grief. Along with Manifestations of Grief, Claire’s inability to deal with her mother’s death, Aaron’s death, or her classmates’ accusations relates to Running from Versus Reckoning with the Past. At each potential moment for conflict resolution, Claire either lashes out or runs, leaving negative emotions to fester rather than facing consequences and healing.

Nonetheless, Claire’s humanity does not absolve her actions. While she might be ignorant of the Confederate flag’s connotations, she digs in her heels, brazenly posting the flag in her window and sliding a picture of it under Carmen’s door, for no other reason than as a “fuck you” to Carmen for daring to be offended by her actions (55). Despite bullying Carmen and creating a hostile environment for her Black peers, Claire does not face consequences; her white privilege shields her from repercussions, and while she insists that the Confederate flag “isn’t even [her] thing” (51), she reluctantly finds companionship with people who believe deeply in its message. Through this, Evans highlights the difference between intention and impact; regardless of Claire’s intentions, her actions embolden people who are openly racist. This also underlines the fact that prejudice and discrimination are maintained by indifference. The text argues that violent and open hate thrive when others are silent, a fact that is emphasized by the circumstances surrounding Aaron’s death. While Claire has the facts that could get justice for his death, she admits that she “stops trying to explain” (77) what happened or to defend Aaron. Because she refuses to accept any responsibility for what happened or use her privilege to fight back against the media and police portrayal of the incident, Aaron’s killers are not prosecuted.

Another thread in this story is the question of innocence. A counterpoint to Rena’s Jezebel in the previous story, Claire embodies post–Civil War cultural narratives about pure, innocent white women. The Confederate flag imagery directly links this story to the Civil War and Reconstruction, making Aaron’s story a lynching. As lynchings proliferated in the late 19th century, white mobs frequently used false accusations of rape to justify killing Black men. This created a widespread stereotype of Black men as sexual predators who prey on white women. Aaron’s attackers use this logic to chase him down, convinced that he is taking Claire away to harm her rather than help her. He is presumed guilty, killed without evidence, and his killers face no justice. By contrast, Claire never has to face consequences for her actions, even though she is openly harassing and antagonizing her Black classmates. The school cannot punish her even though there is plenty of evidence that she is creating a hostile environment, and she is even given an open forum to defend her actions. Through this, Evans asserts that the Confederate flag’s racist legacy endures today, even if racist actions don’t look the same as they did in the 19th century.

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