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57 pages 1 hour read

Danielle Evans

The Office of Historical Corrections

Fiction | Short Story Collection | Adult | Published in 2020

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Character Analysis

Lyssa

Lyssa is the protagonist of the story “Happily Ever After.” She works at a replica of the Titanic in the gift shop. Her boss discriminates against her, not allowing her to dress up as a princess for children’s birthday parties, citing “historical accuracy” because she is Black. However, she does not seem bothered by the fact, especially after she is chosen by a director to be in a music video while her white coworker, Mackenzie, is not. Throughout the text, she struggles with her mother’s death and what it means for her to also be at risk for ovarian cancer. She cannot fully articulate why she does not go through with surgery to remove her ovaries, but her decision to break up with Travis for suggesting she prioritize her health over having children creates several possibilities. It might be that she wants children or that she wants to believe in an optimistic future (symbolized by children) rather than a pessimistic one (symbolized by cancer). The story’s title and reference to The Little Mermaid at the start of the text imply Lyssa’s desire for her own fairy tale ending; like Ariel, this involves choosing romantic idealism over concrete safety. At the same time, Lyssa says she wouldn’t make the same choice as Ariel—to leave behind her family and the ocean to be with Prince Eric. In this sense, she compares her sterilization and staying with Travis to Ariel’s giving up her voice—an essential part of herself—to be with a man, something she is not willing to do.

Rena

Rena is the protagonist of “Richard of York Gave Battle in Vain.” She is a photographer who travels around the world, often to dangerous places. She met JT on one such trip to Ghana. After her sister, Elizabeth, is shot by her husband, Rena copes with her grief by seducing married men and having dangerous sexual encounters. This lets her feel a degree of power over her own life and over men, as she acknowledges that danger exists everywhere, even in a trusted husband.

Rena changes over the course of the story. By the time the story begins, Rena acknowledges that she feels herself softening and does not find as much pleasure or catharsis in her sexual conquests anymore. At the same time, she doesn’t believe men are capable of nurturing her “kitten heart” and only view her as a sexual object. Instead, she comes to find companionship in Dori, even though they don’t like each other and Dori mistrusts her at the start. After the two bond by sharing more about their pasts and inventing a band, Rena tells Dori the truth about JT running away and apologizes for taking her on a wild goose chase to Ohio. As a result, she is finally able to confront her memories of Elizabeth and the fact that she misses the joy they felt together in their childhood. By confronting these feelings, Rena takes the first steps toward dealing with her grief and repairing her life.

Claire

Claire is the 18-year-old protagonist of “Boys Go to Jupiter.” A college student, Claire goes viral when a photo of her posing in a Confederate flag swimsuit is posted online. Claire doesn’t believe she is a political person and resents being targeted for the photo, so she doubles down, posting more images of the Confederate flag, harassing her floormates, and making allies with people who are outwardly racist (or at least pro-Confederacy). The stakes escalate ever higher as Claire digs in her heels, becoming more outspoken in her defense of the flag rather than listening to her peers’ or school’s attempts to discuss her behavior. Danielle Evans reveals Claire’s deep grief over her mother’s death as a factor in her erratic behavior while acknowledging how her status as a white woman shields her from consequences for her actions.

Claire is an example of how racist social structures permeate society and work to protect white people, even if that person is unconscious of them. There is a gulf between Claire’s experience and Aaron’s; while she is constantly protected, Aaron is killed because some white men believe that he is a danger to Claire. While Claire is the only person who can clear the record, she eventually stops trying because the powers that be—the police, the media, and her community—don’t care to listen to her. Similar to the college libertarians using Claire’s story to spread hatred, Aaron’s death and its aftermath illustrate how white supremacists instrumentalize white femininity to discriminate against people of color, particularly Black men, without actually listening to them or taking them seriously.

Vera

Vera is the protagonist of the story “Anything Could Disappear.” After graduating high school and living in poverty in Chicago, she worked in a record store where drugs were sold. When given the opportunity to transport drugs to New York City in exchange for $10,000, she leaps at the chance to start her life over. Similar to other characters in the collection, Vera’s actions are morally ambiguous. When William is left with her on the bus, she does not go to the police, because she is carrying drugs and needs to protect herself. Although she initially tries to find William’s family, she quickly stops and instead decides to build a life with him. She does a good job caring for him, but this life is unsustainable, and she is ultimately presented with a choice: run away with Derek, change her identity, and create the same sort of life for William that she tried escaping, or confront the reality of her situation. Her choice to find William’s father and reunite their family represents her breaking patterns of generational trauma as she does the right thing for William and gives him a fresh start, even if she can’t have one herself.

Cassie

Cassie is the protagonist of “The Office of Historical Corrections.” A former history professor with a PhD, Cassie leaves the university and begins working for the Institute for Public History (IPH), a fictional government department tasked with ensuring that monuments, memorials, events, and tourists are given factual information about history. She spends her days in different areas of Washington, DC, seeking out inaccuracies and making corrections. Throughout the text, Cassie struggles with her job at the IPH, especially when confronted with the actions of her longtime acquaintance, Genevieve. While Genevieve makes brazen changes —including one where she changed the programs of a play celebrating George Washington to reflect the atrocities he committed—Cassie struggles between her conscience and her duties. She often thinks that Genevieve is right but refuses to defend her. Instead, she continues to be pedantic, making minor changes with minimal impact on society, and sticking to her strict rules for her job.

However, Cassie changes on her trip to Wisconsin. She recognizes the complicated issues at play with the investigation she and Genevieve are performing, from Josiah’s false death to the arsonists’ pride in burning down his store and possibly killing the only Black man in their town. They are also plagued by White Justice, a white supremacist who vandalizes their sign and openly shows his support for Free America, a hate group. When Cassie comes face to face with Mrs. Varner and her strong desire to hide her Black ancestry, Cassie makes her change. Seeing how hiding Blackness allows white supremacy to endure, she recognizes the importance of the work that Genevieve has been doing. She apologizes to Genevieve for not standing up for her, but Genevieve’s fate shows the difficulty of individual action in overcoming institutional inequality and deep-seated racism. In the end, Cassie is left alone to steer the path toward truth-telling.

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