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56 pages 1 hour read

Adam Johnson

The Orphan Master's Son

Fiction | Novel | Adult | Published in 2012

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Chapters 14-17Chapter Summaries & Analyses

Part 2: The Confessions of Commander Ga

Chapter 14 Summary

After his meeting with the Dear Leader, the new Ga returns home to Sun Moon. She cries when he talks with her, not because she is sad about her husband, but because she doesn’t understand what is happening: “You must be part of my husband’s plan, he must have sent you as some kind of stand-in—otherwise, his friends would have killed you” (244), she says.

 

Commander Ga hears the sound of a truck engine approaching, and realizes it is a crow—a Russian transport vehicle. Next door, Comrade Buc also hears the engine and calls for Ga, Sun Moon, and the children to come over. Instead, they head down the trap door to the tunnel beneath the house. Sun Moon is shocked to see that it goes nowhere. Instead of working on the tunnel, her husband had spent time down there with hundreds of DVDs.

 

Comrade Buc opens the trap door to the tunnel and tells Ga, Sun Moon and the kids that they must come over to his house. They comply. Buc’s family, dressed in white, is sitting at the dining room table, and they join them. Buc opens a can of peaches and dishes out a single peach to each person, but they are interrupted by a soldier at the door asking for Commander Ga. He hands Ga a car key and an invitation, while outside a baby blue Mustang is lowered from the crow. When the soldier leaves, Comrade Buc removes the peaches and compliments Ga on his good fortune. He explains that the peaches are poisoned—they are from the last batch at the closed cannery.

 

That night, the new Ga and Sun Moon take the Mustang to attend a state dinner, where they meet several of Ga’s friends. One, Commander Park, punches Ga viciously in the stomach, seemingly in jest. A woman approaches to ask Commander Ga about the “zombie prison” where she believes her husband is being held, a place where lobotomies are performed, leaving the prisoners senseless and compliant. Then, when the band begins playing “The Ballad of Ryokotosan,” a figure dressed as Ryokotosan emerges from behind the curtain and challenges Ga to taekwondo. Ga does not know how to respond and receives several painful blows before smashing his fist into the man’s nose. Then the Dear Leader appears, laughing at his prank. Ga looks at Sun Moon, whose “face confirmed that she now understood that it didn’t matter if her husband was alive or dead—he had been replaced and she would never see him again” (258).

 

Sun Moon is upset that her latest movie, which she worked on for a year, will not be released. She compares her disappointment to hunger, but Ga, furious, forces her to eat a rose petal so she can understand the real meaning of hunger. 

Chapter 15 Summary

The Best North Korean Story continues with Ga and Sun Moon leaving the state dinner and driving through Pyongyang as the electricity is being extinguished for the night. Unlike in America, where the cities never really sleep, in North Korea there’s “just eye-closing satisfaction and then deep, powerful dreams of work quotas fulfilled and the embrace of reunification” (260).

 

Ga and Sun Moon talk on the ride home, with the announcer’s commentary twisting the meaning of their words. When Ga says he will miss the car, the announcer reflects that “life is transient and subject to hardships” (261). Sun Moon replies that she will pass those words along “to the next man who finds himself driving it” (261).

 

The broadcaster warns that the next installment of the story contains an “adult situation… as the actress Sun Moon decides whether she will open herself fully to her new husband Commander Ga, as is required by law of a wife, or whether she will make a misguided declaration of chastity” (262). 

Chapter 16 Summary

Back at their home, Sun Moon examines the new Ga’s knuckles, which were hurt when he punched the Dear Leader’s driver. Ga goes down into the tunnel to bring up some wine and notices that none of Sun Moon’s movies are kept amongst the stockpile of DVDs. He wonders how her husband watched the movies, since there is no player, and Sun Moon confirms that he had a laptop, although she hasn’t seen it in a while.

 

For the first time, Sun Moon invites Commander Ga into her bed, but she has very definite rules: that he complete the tunnel, that it would be up to the children to reveal their real names to him, that he cannot use taekwondo on the children, and that he cannot touch her. In response, Ga tells Sun Moon how he met her husband, the real Commander Ga, in Prison 33. During an inspection, the commander held an electronic machine to the prisoner’s chests to determine which mines contained uranium. The machine registered traces of uranium on the prisoner formerly known as Jun Do, and the commander noticed his tattoo of Sun Moon and the scars on his arm from pain training. The commander prepared a taekwondo kick, but the prisoner blocked him. Satisfied, the real Commander Ga said that he would return in a month and that this prisoner was to be treated very well and would act as his own eyes and ears in the mine. He gave the Warden a large stone to hold and proceeded to beat him—and at this point, Sun Moon stops the story, conceding that it is indeed about her husband.

 

She touches the new Ga’s chest to see his tattoo and asks if her husband did something to hurt him when he returned a month later. Ga nods and says, “But I was stronger” (269).

Chapter 17 Summary

The interrogator’s parents appear to be completely blind, although he wonders if his mother still has some eyesight remaining. Whenever he tries to talk to his parents, they refuse to engage him in anything other than state-sanctioned conversation. The interrogator goes down to an area of Pyongyang where he can find an illegal night market and trades a Pubyok badge for a cell phone charger, so he can use the imposter Ga’s phone.

 

He is prevented from going to work for a few days due to the Grass into Meat campaign, which requires him to haul dirt and goats, to the rooftop of his building. Electricity is spotty, so it takes a while for the phone to charge. When it does, the interrogator is disappointed that there is no reception, and also that he has no one he can call. This prompts him to ask his parents about the friends from their youth, but they deny they ever had any friends and ask why he is questioning their loyalty. The interrogator remembers his father teaching him a lesson about how they might have to prove their loyalty, but they would still always love each other as a family.

 

In the middle of the night, the imposter Ga’s phone beeps with an incoming photo. The photo is of a star on a sidewalk with the words “Ingrid Bergman.” His parents hear the sound, too, but he does not tell them about the phone. Unable to sleep, he looks at Comrade Buc’s file and finds the picture of his family sitting at the dining table in their white dresses, dead. For the first time he notices the open can of peaches and realizes the significance of the question the imposter Ga asked about the peaches by his bed. He hurries to the imposter Ga’s room in Division 42, but the peaches are gone. He asks Ga about Ingrid Bergman, but Ga says he does not know those words. The interrogator wants to know how he convinced Sun Moon to love him, and Ga explains the concept of intimacy to the interrogator.

 

Q-Kee, the intern, hurries past with a device to pump a man’s stomach. She says she has made a mistake. They find Comrade Buc dying on the floor next to an open can of peaches. It is too late to save him. Q-Kee says that he told her he would talk in the morning if he could have peaches tonight.

 

Before heading home, the interrogator visits the property locker and finds a can of peaches from Fruit Factory 49 among Comrade Buc’s belongings. He takes the can home. 

Chapter 14-17 Analysis

The terrifying arrival of the Russian “crow” at Sun Moon’s house illustrates the fear and helplessness of the people against the state. These are not “average” citizens—Sun Moon is the national actress, Comrade Buc comes from a family of decorated party members, and it is not yet clear whether the new Ga’s status as an imposter is widely known, yet they are still subject to the repressive measures of the state.

 

The meaning of the imposter Ga’s question regarding the can of peaches becomes clear in the course of these chapters. Buc has a well thought out “exit strategy”—a ritual practiced with his family. As a procurer for the state, Buc knows that no food or supplies were ever requisitioned for prisoners, and he will not allow anyone in his family to be sent to a prison. His daughter’s white dresses and the seemingly festive atmosphere surrounding the opening of a can of peaches suggests his love for family and his underlying, though necessarily hidden, distrust of all things related to the state.

 

When the new Ga arrives at the state dinner with Sun Moon, it seems like the jig should be up—it is clear that he is an imposter. Oddly, amongst the Dear Leader and the real Ga’s “friends”—like the brutal Commander Park—there is no mention of the fact that he is an imposter, that one Ga has simply replaced the other. Most likely, pointing out that Ga is not Ga would be a huge gaffe—though it is as obvious as the observation that the emperor has no clothes. The Dear Leader seems perfectly aware of the new Ga’s identity, however, sending out his driver to engage in a taekwondo exercise that only the real Commander Ga would be able to defend. The exact purpose or importance of this event is not known, but the Dear Leader has both attempted to humiliate the new Ga and issued a challenge to him.

 

Sun Moon is growing closer to her imposter husband, although she remains unwilling to hear his full story. It is clear that the new man sharing her bed is a much more decent person than her husband was, even though the new Ga has confessed to the murder of the real Ga.

 

In small glimpses, the interrogator’s home life is being revealed. Although he has a fearsome position within the government, he has a humble living situation caring for his elderly, blind parents, who seem to be too afraid of his position to have an honest conversation with him. His life is frequently interrupted by his duties to the state, which keep him away from his work and home. He doesn’t know what to make of the image that arrives on Ga’s phone, although the reader recognizes Ingrid Bergman’s star on the Hollywood Walk of Fame. It suggests that Sun Moon is not dead, as the interrogator believes, but has in fact escaped the country. 

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By Adam Johnson