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47 pages 1 hour read

Kerri Maher

The Paris Bookseller

Fiction | Novel | Adult | Published in 2022

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Part 2Chapter Summaries & Analyses

Part 2: “1921-22”

Part 2, Chapter 9 Summary

Joyce’s trial looms, and no publisher is willing to take on the task of releasing a complete edition of Ulysses. Julie comes to visit Sylvia and tells her that she can no longer dance because she is pregnant. Sylvia is grateful that she will never have to make such a sacrifice herself. Sylvia’s mother, Eleanor, comes to Paris and spends the day with Sylvia and Adrienne. When Eleanor proves to be enthusiastic about Sylvia’s shop and helps wherever she can, Sylvia realizes that her mother needs a purpose, too.

Soon afterward, Sylvia learns that John Quinn has lost his trial; Ulysses has been ruled obscene and is now banned in America. Incensed at this injustice, Sylvia decides to publish the novel herself. She feels excited and refreshed by this new purpose in life. Over dinner, Adrienne helps Sylvia to plan for her publication. However, Adrienne is cautious about placing too much trust in Joyce and encourages Sylvia to remember her own worth.

Part 2, Chapter 10 Summary

On hearing about Sylvia’s plans to publish Ulysses, Gertrude Stein withdraws her membership from Shakespeare and Company. Sylvia begins gathering Joyce’s handwritten pages to type for the printer, which proves to be an intensive and frustrating task. Sylvia laments that “some of the very things [she] love[s] about this book [will] be the things that will drive [her] to insanity” (113). The publication monopolizes all of Sylvia’s energy until Cyprian returns to Paris and agrees to help. However, Cyprian quickly reconsiders when Joyce’s scribbles prove too difficult to decipher. Another female friend, a local doctor, steps in to help instead. When spring arrives, a new American visitor comes to Paris: Ernest Hemingway. He and Sylvia instantly become friends. When Adrienne arrives, she and Sylvia discuss how to have more fun experiences.

Part 2, Chapter 11 Summary

One of Sylvia’s typists arrives in tears, saying that she accidentally left some pages out, and her husband threw them in a fire. When Sylvia tells Joyce the bad news, he reveals that John Quinn has a copy of all the scenes that have been written so far. She writes to Quinn and asks to borrow the missing scene. While they wait, she has the first section printed. Sylvia and Joyce sit outside and try to pick out Joyce’s characters from the crowd. They also discuss preorders for Ulysses; Sylvia is hoping that George Bernard Shaw will buy a copy, but Joyce doesn’t expect it. They make a friendly wager on the outcome, in which the prize will be a free lunch. Soon afterward, Joyce returns with numerous corrections to the printed pages.

Sylvia and Adrienne join Ernest and his wife, Hadley, at a boxing match; Sylvia finds herself fascinated by the spectacle. Soon, Ernest and Ezra begin boxing together, and they both attend Gertrude’s salons, from which Sylvia herself has been ostracized. However, Sylvia continues to hear all the gossip about these events.

Part 2, Chapter 12 Summary

John Quinn replies to say that his draft of Ulysses is too valuable to send to France for publication purposes. Sylvia learns that there is an open shopfront across from Adrienne’s bookshop, so she makes plans to move in. Joyce’s children, Lucia and Giorgio, arrive to tell Sylvia that their father’s health is failing. While she goes to see Joyce, she hires an assistant named Mysrine to watch over her shop. At Joyce’s house, Sylvia finds Joyce in bed because his eyes are deteriorating. She takes him to her oculist friend, Dr. Borsch. Later, when Sylvia tells Adrienne about her day, Adrienne again voices her distrust of Joyce.

Quinn contacts Sylvia to say that he will soon visit Paris and will bring the missing scene. Margaret, one of the editors of The Little Review, also writes to caution Sylvia against Quinn, declaring that he is highly conservative and prone to anti-gay bias. Joyce continues seeing Dr. Borsch, and Sylvia becomes overwhelmed with her many responsibilities. Quinn arrives in Paris and inspects Sylvia’s shop, voicing his disdain for the old location and his hope for the new one. He encourages Sylvia to keep a “firm hand” (147) on Joyce. Meanwhile, Sylvia continues to struggle with money, and Joyce wins their bet on Shaw, who disdains Joyce’s work.

Part 2, Chapter 13 Summary

Shakespeare and Company officially opens in its new location with a grand opening party. Sylvia watches the romantic intrigues playing out around her and feels grateful for her steady relationship with Adrienne. Adrienne christens the new shop “Odeonia,” while Joyce names it “Stratford-on-Odéon.” Sylvia embraces both names. As Parisians go on holiday for the summer, Sylvia visits Adrienne’s family. However, she soon becomes overwhelmed with worries. Upon her return, Joyce tells her that his health has improved and he has gone back to writing. Sylvia arranges for a French translation of Ulysses and begins preparing to smuggle copies into America illegally. She also notices that the relationship between Julie and Michel is floundering now that they have become parents. Julie distracts herself from these issues by helping with the typing, but Sylvia wishes that Julie could do more to help.

Part 2, Chapter 14 Summary

Following a party to celebrate the French translation of Ulysses, Ernest becomes depressed because he wants to earn a place amongst the more successful writers around him. Toward the end of the year, Sylvia visits Adrienne’s family and tries to support Joyce through the final stretch of his novel. Finally, at the start of 1922, they print the final copy, and Sylvia becomes emotionally overwhelmed. She brings the book to Joyce’s family and believes that she made the right choice to publish his work. Once the book is published, her shop becomes a notorious curiosity. Several writers reach out, seeking publication, but Sylvia doesn’t want to publish anything else.

Part 2, Chapter 15 Summary

Sylvia puts her smuggling plan into motion, with a friend of Ernest’s helping to move copies of Ulysses out of Canada. She voices concerns to Adrienne about piracy, but Quinn assures them that the serialized novel is fully copyrighted. When Sylvia and Adrienne go to bed, Adrienne arouses her by using food for physical pleasure. Later, Sylvia basks in the praise for the novel that she has published. More editions are released. However, Joyce’s life is disrupted when Nora leaves him and returns to Ireland. His health also deteriorates once again. Sylvia comforts him and considers the various struggles of her friends. Adrienne voices her opinion that Joyce and Nora are too different to be compatible and reminds Sylvia not to feel too responsible for the problems of others.

Part 2 Analysis

This section focuses more intensely upon the recurring theme of Freedom Versus Censorship as Sylvia decides to fight oppression by publishing a full-length edition of Ulysses. This goal will become her guiding force throughout the novel, for her dedication to the idea of Art as Purpose influences many of her major choices even as it fuels the conflicts that consume her time and energy. Immediately, the consequences of these choices become clear, for as the narrative states, “The first thing that happened was that Gertrude disavowed her” (112). Ironically, the famous author uses this act of exclusion as a form of censorship, for Gertrude withdraws her public support of Sylvia’s bookshop as a way to chastise the bookseller for her decision to publish Ulysses and openly champion the controversial Joyce. In addition to these social complications, the publication process also takes an enormous toll on Sylvia’s mental and physical health, and as the endeavor slowly progresses, the nature of Joyce’s work becomes a division in the lives of many people, even those on the very periphery of the project. This aspect is aptly illustrated by the typist whose well-meaning husband accidentally destroys several pages of the precious manuscript. Significantly, the divisive influences of Joyce’s work manifest most often between women and men, with women taking up the battle against censorship and becoming “Florence Nightingale[s] to the rescue of Ulysses” (117). In a sharp contrast to this trend, John Quinn and the legal representatives in the United States represent the antagonistic male forces that actively inhibit Sylvia’s work.

It is also important to note the key interpersonal shifts that take place in these chapters, for they highlight the growing divide between Adrienne and Joyce, with Sylvia caught halfway between the two. This dynamic is encapsulated in their two different names for Sylvia’s new shop: Adrienne’s “Odeonia” and Joyce’s “Stratford-on-Odéon.” The latter is distinctly English, for it alludes to William Shakespeare’s home of Stratford-upon-Avon and attempts to transplant it to a Parisian setting. Sylvia also notices that Adrienne and Joyce only ever use their own chosen titles for the bookshop and never acknowledge each other’s. This occurrence marks a trend in which Adrienne begins to continuously voice her mistrust of Joyce, criticizing his treatment of Sylvia and characterizing it as exploitative. Meanwhile, Sylvia herself refuses to heed these warnings and becomes something of a mother figure to Joyce, tending to both his artistic needs and his medical issues, even arranging for her oculist to care for his health. This tendency to take on additional responsibilities far exceeds her original plan to simply enable the publication of his book, and this trend will continue to escalate throughout the novel.

Maher also addresses the more mundane concerns of Sylvia’s business as the shop owner prepares to move from her temporary location to the larger one closer to Adrienne, which will become the home of the true historic Shakespeare and Company. The move fortuitously occurs “in the week between the Fourth of July and Bastille Day” (152) (between July 4th and 14th), and the timing enhances the new shop’s thematic resonance as a meeting place of French and American culture. This aspect is further enhanced by the fact that both American and French friends come together to deal with the day-to-day business elements of the move. This parallels the later, off-page deconstruction that Shakespeare and Company will face when its stock is hurriedly stripped away to avoid Nazi requisition.

In each stage of Sylvia’s journey, her literary friends are there to pave the way and keep her from facing her challenges alone. However, Joyce’s friendship becomes increasingly detrimental as his declining mental health becomes inextricably intertwined to Sylvia’s. Thus, the early details of Joyce’s failing health and Sylvia’s overzealous attempts to act as caretaker foreshadow further strife to come. Significantly, Part 2 encompasses the shortest chronological period of the novel, yet its many developments serve to introduce all of the major conflicts that will grow and expand throughout the novel’s second half. This section also addresses the events surrounding the actual release of Joyce’s completed novel and the criticism and praise that it receives, for its publication proves to be the event that establishes Sylvia’s place in the wider literary world. By the end of this section, Sylvia is fully engaged on her path, well-established in her new location, and confident in her new identity as the champion of Ulysses and the Franco-American community as a whole.

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