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47 pages 1 hour read

Yael van der Wouden

The Safekeep

Fiction | Novel | Adult | Published in 2024

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Part 2Chapter Summaries & Analyses

Part 2, Chapter 6 Summary

The story moves back in time to Isabel’s teenage years after the war, when she observed Hendrik taking piano lessons. Hendrik was enamored with his new piano tutor, a tall man in his twenties who lived in town. He practiced his music obsessively and waited intently at the window for the tutor to arrive at the house before each lesson. 

After one lesson, Isabel realized that Hendrik had left with the tutor, and she went out to find him at her mother’s request. She discovered Hendrik and the tutor having sex under a tree on some farmland. The sight stunned her, and she refused to tell her mother where Hendrik went when she got back home. 

When Hendrik returned, he did not realize that a mark was visible on his neck. The piano tutor did not return, but Isabel caught Hendrik sneaking out of the house late one night. The next morning, the police arrived at the house, having arrested Hendrik for drunkenly causing a disturbance in a residential neighborhood. When Hendrik tearfully told Isabel that the tutor did not love him, Isabel told him that the romance was wrong. Hendrik said that she was just like their mother, and he left home shortly afterward.

Isabel’s mother got sick when she was 21, and she called both brothers back home. Louis stayed for only one day, and Hendrik brought a man with him, whom Isabel forbade from staying in the house. Hendrik refused to speak with Isabel for the duration of his stay. He briefly left the house to visit his boyfriend, and during that time, their mother passed away. When Isabel told him the news, he was angry that Isabel did not call him to tell him when it happened. 

Months afterward, the siblings began a tentative correspondence, and Hendrik told Isabel that he had met and was now living with Sebastian. She had a tense first meeting with Sebastian, whose foreign appearance made her feel nervous.

Part 2, Chapter 7 Summary

The morning after her first kiss with Eva, Isabel wakes up to the sound of Hendrik’s car honking outside the house. He and Sebastian have come to visit for the weekend. Isabel had forgotten about their imminent arrival and is flustered by their jovial presence. 

Eva is also caught off guard by their arrival. She hesitates when introducing herself to Sebastian as Louis’s girlfriend and avoids speaking with Isabel. Isabel goes to the bakery with Hendrik, and he tries to gossip with her about Eva, calling Eva silly. Isabel insists that Eva is not silly, against her better judgment. Changing topics, Hendrik announces that he and Sebastian will be leaving for France soon because Sebastian’s mother’s condition is declining. He then pesters her about Johan, jokingly asking when they will get married, which bothers Isabel.

Hendrik begins treating Eva more kindly after noticing that Isabel is no longer interested in mocking her. The four take a pleasant walk together, during which Sebastian starts a conversation with Isabel about his dying mother. He attempts to ask her about the moment when it became clear that her mother was not going to get better, but Isabel refuses to engage. After dinner, and several drinks, Hendrik puts some music on and insists that they all dance together. Isabel refuses and watches the other three from the comfort of an armchair. 

When a slow song comes on, Hendrik grabs Sebastian, and the two begin to slow dance, making the nature of their relationship clear to Eva. After both men tire of dancing, Eva asks Isabel to dance. The two begin to slow dance, and Isabel is nervous that Hendrik and Sebastian will notice, eventually pulling herself away to the kitchen to wash the dishes. Eva follows her to the kitchen, and they begin kissing again. Isabel is sure that she has a fever.

Part 2, Chapter 8 Summary

Hendrik decides that the group should go swimming. While packing up the car, Isabel scolds Hendrik for being too obvious with Sebastian in front of Eva the previous night. Hendrik scoffs, asserting that Eva knew the nature of his relationship. He asks her why she has allowed Eva to stay in their mother’s room, which makes Isabel angry, but he thinks it is a good thing that Eva has “loosened” Isabel. 

At the beach, Isabel watches the others swimming while trying (and failing) to read a book. She is too preoccupied with thoughts about her romantic encounter with Eva in the kitchen. Her thoughts also wander to her masturbation habits, which are infrequent and shameful for her. She starts swimming in the cold water to distract herself from her thoughts. It begins to rain, and the group has to run to the car.

They continue driving and find an upscale restaurant to eat at. The staff refuses to serve Sebastian unless he pays ahead of time—a racial microaggression. Over the meal, Eva asks Sebastian about his childhood, and he reluctantly recounts the story of how his family moved to Paris from Algiers when he was a toddler. Isabel considers her own prejudices against both Sebastian and Eva. Eva mentions that she once had an aunt in Algiers, but upon further questioning, she reveals that all her family is now gone. She asks about Isabel’s mother and how she must have loved rabbits, and Hendrik corrects her, saying that their mother loved hares

This leads Eva to tell a story about how her cousin was given a hare for her birthday once, and it smashed the family’s china as the children chased it around the house; eventually, the animal had to be released. Hendrik suggests that they spend the night at the inn attached to the restaurant, despite protests from both women, and books two rooms. Inside their room, Eva tries to convince Isabel that they should end their affair because Louis will return soon. Isabel thinks that Eva must be mocking her. They struggle to resist one another.

Part 2, Chapter 9 Summary

Isabel is woken in the middle of the night by Eva having a night terror. She tries to calm Eva by joining her in bed. In the morning, she finds the other three having breakfast downstairs in the restaurant, and she eats at a table separate from them. They have a tense drive back home, with Eva rushing to get in the passenger seat. 

Once back at the house, they discover Johan waiting in the driveway for them. Panicked, Isabel asks Hendrik to speak to him for her. Hendrik returns to the car, announcing that Isabel and Johan will have a dinner date that night at the house. Eva offers to help Isabel cook for Johan and suggests that the relationship with Johan could be good for Isabel. Isabel is hurt that Eva is also pressuring her to like Johan. She leaves the house to go on a walk by herself.

When she returns to the house, Hendrik and Sebastian have left, and Eva has cooked a meal for the soon-to-begin date and set a table for the couple in the garden. She does not intend to stay and eat dinner with them, but when Johan arrives, Isabel coerces Eva into staying, not wanting to be alone with Johan. Johan is annoyed by Eva’s presence, and dinner is awkward. When Johan compliments the food, Eva passes it off as Isabel’s cooking. 

Johan asks Isabel to take a walk, and Eva ushers them out. He forcefully presses himself against her and says that he enjoys the “games” that Isabel has been playing with him before kissing her. Isabel pushes him away and goes back to the house. Upstairs, she sees that the door to her mother’s room is open. Eva sits inside.

Part 2, Chapter 10 Summary

The first part of Chapter 10 is comprised of one long sexual encounter between Eva and Isabel. The morning afterward, while Eva sleeps, Isabel brings breakfast up and wanders around the bedroom. She remembers that on the underside of the secretary desk, the initials E.D.H had been carved into the wood. Isabel assumes that her mother must have been the one to etch the letters as a young child since her first initial was “E.” Isabel touches Eva’s diary, which sits on top of the desk, but Eva (having awoken) tells Isabel not to because its contents are private. They continue having sex, despite Neelke’s presence downstairs.

The days begin to pass quickly, with Eva and Isabel enjoying an extended period of domestic bliss. Isabel barely thinks about her inventory and the missing things. She does, however, begin to dread Louis’s imminent return, which Eva refuses to acknowledge. 

They spend one night in Isabel’s room, and Eva looks over all the objects, paying close attention to a stuffed hare from Isabel’s childhood. She asks what the stuffed animal is called, and Isabel tells her that it’s “Haas,” the Dutch word for “hare.” This causes Eva to pause, and Isabel does not understand why. 

On July 1, a letter arrives from Louis announcing that his return has been delayed, offering them a brief sense of relief. Johan calls, and Isabel tells him not to come back while Eva is still visiting.

Part 2, Chapter 11 Summary

Louis’s arrival draws closer. Isabel makes a reservation at a restaurant so that she and Eva can go on a date. Eva is very clearly uncomfortable with the plan, and Isabel takes offense at her fears about being seen together in public. 

During the dinner, Eva looks very afraid and behaves cautiously. Isabel excuses herself to go to the restroom, and Eva follows her; the two embrace. The drive home is quiet, and they sit in the car together for a while before going inside. Isabel kisses Eva’s hand. Eva tells her that when Louis returns, things will have to return to what they were before the affair started. Isabel doesn’t understand and bites Eva’s hand. They return inside.

The phone rings. Isabel picks it up and is startled that it is Louis calling. Louis asks Isabel to break up with Eva for him, saying that he has met another woman while away on the business trip. Eva walks into the room and demands that Isabel hand her the phone. They briefly wrestle over hold of the phone before Eva grabs hold of it. Louis does not break up with Eva, continuing the pretense that they will be together again soon. Eva says that Louis will be back tomorrow to pick her up. 

Isabel is hurt that Eva wants to leave and that Eva seemingly loves Louis. This sparks an argument in which Isabel reveals that Louis has been unfaithful, which, to Isabel’s surprise, does not bother Eva. Eva says that stability is the most important thing to her, and Isabel says that she could provide stability for Eva in the house. Eva knows that Isabel does not have the ability to offer that since the house is promised to Louis.

Later, Isabel finds Eva hurriedly packing her suitcase in her room. They have one final romantic encounter. In the early morning, Isabel stumbles on Eva’s diary on the ground and opens it. The first page is an inventory of all the objects in the house, with all the items that have gone missing crossed out. Isabel realizes that she hasn’t been counting the objects recently and realizes that more teaspoons are missing. 

She confronts Eva, calling her a thief, having realized that Eva was stealing objects all along. Eva tells Isabel that she won’t get the objects back and calls her “blind.” Isabel kicks Eva out of the house and confiscates the diary, threatening to use it as evidence with the police. As Eva leaves, stolen objects spill out of her suitcase, including the plate shard that Isabel once dug up in the garden.

After Eva leaves, Isabel falls ill. When Louis arrives, he is relieved that Eva is gone. The illness persists. Louis brings his new girlfriend, Mary, to visit the house, but Isabel is too sick to engage fully with them. Eventually, she opens Eva’s diary and begins to read it. She notices that Eva’s full name is written in it: Eva de Haas.

Part 2 Analysis

In the central part of The Safekeep, the budding romance between Isabel and Eva comes to the forefront, drawing focus away from the mystery of the missing objects and toward The Transformative Power of Unexpected Relationships. Chapter 10 in particular conveys how all-consuming the affair has become, devoted in its entirety to the sexual and emotional intimacy between the two women. Chapter 10 is essential to Isabel’s character development, as she becomes vulnerable and loving in these scenes. Van der Wouden writes, “Isabel swung daily between hope and terror, though she hardly knew what hope would look like; what the worst of terror would look like, either” (151), indicating that these two polar opposite emotions are, for Isabel, one and the same. These intense emotions are overwhelming for Isabel and begin to consume and transform her entire way of being.

Despite Isabel’s absorption in her newfound sexuality and love affair, there are hints that the mystery of the missing objects is still important and will soon lead to a moment of reckoning over The Nature of Home. After one romantic encounter, as she drifts off to sleep,

Isabel spare[s] an edge of a thought for her forgotten inventory: that tightly folded piece of paper left in the pocket of her skirt. An edge of a thought to the things on that list, to the precious things and the places they belonged—and then she [i]s gone. F[allen], all at once, into slumber (149).

That “edge of a thought” will turn out to be important later, and Isabel’s dismissal of it foreshadows that importance. By including this detail, van der Wouden encourages the readers to pay attention and not forget about the inventory like Isabel does. In a similar vein, significant details about Eva’s past are offered during the group outing to the lake. Eva reveals over dinner that all of her family has died and is visibly uncomfortable discussing it, but Isabel is too preoccupied by her sexual attraction to Eva to pay close attention: “Her thighs rubbed together sticky, tacky. Eva’s forearm was a line of heat, a hand’s width away from hers, leaned on the tabletop” (118). Like the inventory, Eva’s troubled past, especially the absence of her family, is an essential detail for understanding what is truly occurring, but Isabel is too involved with her own emotional development to realize this.

After the romantic haze of these chapters, the realization of Eva’s true purpose hits Isabel abruptly and forcefully. The tone of the entire novel shifts in an instant, though Isabel experiences the shift as a prolonged moment in time: “Isabel stared at the list. She held the little book so long and so tightly that her thumb left a print on the page: damp, sticky. The shadows shifted against the curtains. A bird flew off a branch” (174). The subsequent confrontation with Eva is quick and heated, during which Eva calls Isabel “blind.” 

The underlying meaning of this word choice will become clearer in Part 3, but it reaffirms here that Isabel’s perspective has been unreliable the entire time: Her love for Eva has made her inattentive to the more sinister realities occurring right in front of her, hinting at The Complexities of Civilian Complicity during World War II that Isabel will soon have to confront. Like many of van der Wouden’s word choices throughout the novel, “blind” is therefore imbued with multiple meanings. By ending Part 2 on this note, the author creates a sense of momentum heading into Part 3, where those meanings will finally be clarified, both for Isabel and the readers.

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