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57 pages 1 hour read

Diane Wilson

The Seed Keeper

Fiction | Novel | Adult | Published in 2021

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Part 3, Chapters 13-20Chapter Summaries & Analyses

Part 3: “Germination: A Seed Awakens”

Chapter 13 Summary: “Rosalie Iron Wing Meister, 1981”

During Rosalie’s pregnancy, John gives up drinking, and the two bond like a regular married couple. They disagree on one issue: the child’s name. John wants to name the boy Thomas after his father, but Rosalie insists on Wakpá. When the boy is born, Rosalie capitulates, though she calls him Wakpá on her own. Tommy is a fretful infant, and soon, strain develops in the marriage.

Gaby shows up one day and informs Rosalie that she’s headed for a community college in the Twin Cities. In the following years, the farm does well, garnering respect for John in the community. He starts meeting other farmers for coffee. Rosalie feels like he sometimes sees her as they do, as an outsider. She realizes that though John has great knowledge of plants and the land, he doesn’t understand the politics of agriculture. Consequently, he is surprised when President Carter’s USSR grain embargo hurts US farmers and money becomes tight again. Rosalie feels it is up to her to find a better way to do business or keep them solvent.

Chapter 14 Summary: “Rosalie Iron Wing Meister, 1986”

Times are rough for farm families. One of the worst farm crises in decades has led to water rationing and reports of farmers either attempting suicide or murder in their desperation. John starts drinking again and tries to get a bank loan to buy some of George’s acreage.

On Tommy’s fifth birthday, Rosalie bakes a cake like Edna used to do for John and his brother. She reflects on her favorite birthday when her father took her fishing, and they fried the fish over a fire before sleeping under the stars. Rosalie regularly takes Tommy into the garden with her to teach him an appreciation of nature, and she’s hopeful when he is amazed by a monarch butterfly.

Rosalie gets a job writing obituaries at the local paper to help make ends meet. After she and Tommy are viewed suspiciously at the library’s story hour, she takes him to visit George at the Corn Museum. George is fond of Tommy. There is a photo of Gaby in a newspaper and an article about her work with Save Our Rivers speaking about farm chemical runoff in the Minnesota River. Rosalie asks George’s opinion on the issue, and he gives a fair assessment: The chemicals are in the water, and farmers are worried about the possible health effects. However, migrant workers need these jobs to survive, and most farmers are barely getting by, so it’s a hard choice when they might lose their farms. Rosalie calls Gaby to ask her about it, and Gaby invites her to a powwow in Mankato.

Chapter 15 Summary: “Gaby Makespeace, 1986”

Gaby feels at home when she smells the scents of a powwow. Mathó is in a new grass dancer outfit made by Aunt Vera. When Rosalie and Wakpá arrive, Gaby contemplates how Wakpá was “born from grief” (168) because Rosalie cut her hair in mourning before he was born.

They discuss Gaby’s work with the task force. She was inspired by a dream she had in which the river was crying because there was no one to help it. She explains that seed companies often collaborate with pesticide companies or are one and the same, which impels farmers to keep buying their seeds and using more of their chemicals. She tells Rosalie that the drainage tiles and ditches that farmers put in to prevent the fields from flooding send contaminated water into the river.

Alluding to the history of government agencies trying to turn Dakhóta people into farmers, she chides Rosalie, but Rosalie defends herself by saying that she is gardening, not farming. She also just likes being around plants. Gaby reminds her that she is Dakhóta and must make a choice about remembering and practicing their ways. Gaby and Mathó then begin the dance procession, and Wakpá joins in. Rosalie stays in the shadows, however, and leaves soon after with her son.

Chapter 16 Summary: “Rosalie Iron Wing Meister, 1986”

A cigarette starts a fire in the farmhouse kitchen one night. In their panicked rush, Rosalie thinks John is getting Tommy, so she goes to the kitchen to put out the fire with an extinguisher. Before she heads out the door, she grabs her packets of seeds. Outside, she sees John hauling in a hose, but Tommy is not with him. He runs inside to get him. So angry that, from his perspective, Rosalie decided to save the seeds instead of her son, he has her spend the night with Judith and George.

Rosalie calls Gaby, who speaks of a “purifying fire” (178). She notes how some trees need fire to germinate their seeds, and perhaps Rosalie is the seed. Rosalie has a dream that night of a Dakhóta woman escaping fire by going to the river. The next morning when John arrives, Judith explains to him how it was all just a miscommunication. John accepts this, but he doesn’t apologize for accusing Rosalie of being a bad mother. Rosalie senses that this issue of her choice to save the seeds first will linger between them.

Chapter 17 Summary: “Rosalie Iron Wing Meister, 1987”

While taking Tommy harvesting, they see a buck, which reminds Rosalie of the dream she had of her mother with the deer antlers. They go to a parent-teacher conference with John, where the teacher explains that Tommy had trouble with an assignment requiring him to list the names of his grandparents. When Rosalie supplies the names of her parents, the teacher realizes that Tommy is Indigenous and informs them that Tommy has been teased with racial slurs. This inflames Rosalie, who wants the names of the bullies’ parents, but John rushes her out of the school. Rosalie understands that he’s uncomfortable facing “a thin veneer of nice covered a dormant hostility in this community” (185) and that it’s directed at his son.

Rosalie wants to homeschool Tommy, but John points out that she’s already been teaching him, and it’s time for Tommy to learn more about farming. Rosalie continues to bring Tommy with her to gather plants, giving him lessons about the natural world and the cycles of interdependence. She remembers one of her father’s lessons about a chokecherry tree that was ailing because it was sending its resources to heal one of its offspring.

The next day while harvesting beans, they encounter a large flock of blackbirds, which scatter when John calls to Tommy. Later, Tommy tells Rosalie that John wants him to ride the tractor and feed the chickens. John also starts reading to Tommy at night, starting with Bible stories. As time goes on, Tommy spends more time with his father than Rosalie, and she eventually stops asking him to join her in the garden or woods. She feels that this turn in their relationship will be interpreted by Tommy as her abandoning him, for which he won’t forgive her.

Chapter 18 Summary: “Rosalie Iron Wing, 2002”

The narrative jumps forward to 2002. In her solitude at the cabin, Rosalie nearly freezes to death when she lets the fire go out. Going out for wood, she spies a feral cat she calls “Šazí” (“Orange”). The cat watches her instead of running; it is clearly hungry, so she sets out some food. She feels her connection with the land and animals regrowing.

She recalls her father’s story about the fox and the rabbit, which was a lesson about life’s balance, but she also remembers him drinking and leaving her for days at a time. She allows herself to realize that when he was gone, she was often scared, hungry, and sad. She recognizes that his actions toughened her up, but because of them, she wanted to keep Tommy (who now goes by Thomas) safe from such things. Now she is not so sure that was the right course to take with him. Looking at her father’s map of constellations, she sees an inscription he wrote: “Find the place that Indians talk about,” which is the “place of spirit where all things are created” (199).

Chapter 19 Summary: “Marie Blackbird, 1889”

The story flashes back to 1889. Marie has been moved to the Santee Normal Training School in Nebraska. She harvests corn—grown from the corn seeds her mother sewed into her hems—leaving some for the deer, birds, and her neighbors. She now has a blue-eyed daughter named Susanne, who attends school there.

Prior to Santee, Marie and her mother were at a government-run camp at Crow Creek. The conditions were awful there, and her little brother died. Marie and her mother also received a long-awaited message from her father. He wrote from a prison in Davenport, Iowa, but they also learned that he died there. Now, Marie is planning to marry the farm teacher, Oliver Bordeaux, and move back to Minnesota.

Before she leaves, a white teacher interviews Marie about her experiences at Santee and what she might miss there when she’s gone. The woman’s ignorance about the atrocities and tragedies that Marie and her people endured makes Marie explode. She answers the woman in Dakhóta: She is leaving behind the bones of her mother, father, and brother, and the sickness and hunger that plagued them when they were forced off their lands. She says that the minister’s insistence that people forgive each other does not account for her people defending their land and their families, for which Indigenous people are still being punished.

Marie says she learned forgiveness after she was raped. The blue eyes of her daughter are a reminder of that crime, but her mother urged her not to hold that against the child and to love her, saying, “Let love be your vengeance” (209). As she and Susanne pack up to leave, Marie brings the willow seed basket that Iná gave her and a lock of her mother’s hair that she hopes to bury under the cottonwood trees by the river.

Chapter 20 Summary: “Rosalie Iron Wing Meister, 1987”

The narrative jumps forward to 1987. Rosalie has been promoted to write more articles for the paper since they landed an advertising account with Agri-Tech. She would like to write about the farm chemical and water issues, but the editor Ralph denies her, saying that they would lose their account with the company. Even though the year is almost over, he offers instead to let her write about how Minnesota’s Governor Perpich declared 1987 “The Year of Reconciliation” with the Dakhóta. Rosalie learns that Anthony, Gaby’s brother, is doing the run from Fort Snelling to Mankato to honor the 38 Dakhóta men hanged in 1862, and she goes to see him run. She decides that her angle on the article will be about how the run is a prayer of remembrance, of learning how to grieve and forgive. Ralph doesn’t publish it.

Part 3, Chapters 13-20 Analysis

The ideas of germination and awakening are central in this part of the novel. When a seed germinates, it shows that it is alive. It draws upon its inner resources to push through the earth and send up shoots. From there, a plant grows toward the sun. Similarly, Rosalie, Tommy, Gaby, and Marie all start becoming who they are meant to be. As with tender seedlings, though, the characters find that coming into the fullness of being is not always comfortable.

At the start of this section, Rosalie is “germinating” her child, whom she wants to name Wakpá. Though it is a bountiful time for the farm and her relationship with John becomes more genuine, the issue of the boy’s name becomes a wedge that grows between them. The Importance of Names emerges as a theme in these chapters. Rosalie is angry that John is afraid her preferred name will upset their neighbors, saying, “They’re so afraid of stirring up the past that even a name is too much of a reminder” (149). Rosalie hopes that her son will strengthen her connection to her culture and people, as Mathó did for Gaby. The resolution to the name conflict foreshadows Rosalie’s eventual estrangement from her son; while Mathó has a Dakhóta name and leads powwow dances with Gaby, Tommy turns away from his mother’s lessons and takes his white father’s lead.

What had not been an issue before their son’s birth is now starting to emerge: John and his farm represent the white settlers and homesteaders who took Dakhóta lands, and Rosalie represents not only the warriors who attacked John’s forebears but a rejection of settlers’ Relationships with the Land. Though she socializes more with farmers than with her Dakhóta friends, she is growing angrier about the way facts about her people are distorted by the people around her. In other ways, Rosalie is growing as well. She takes up writing for the local newspaper, acting on her talents and reaching out beyond the farm’s confines. Gaby, however, with her sense of belonging in the world of powwows, points out that Rosalie must choose between being Dakhóta or completely assimilating into the white world of the farm.

The division between Rosalie and John becomes palpable to her after the fire; he believes she is a bad mother, and even Rosalie questions her decision to save her seeds first. From this moment, the couple’s paths diverge, represented by their different approaches to farming. Rosalie continues to forage and connect with nature traditionally, while John embraces American farming techniques and agrotechnology. In the chapter set in 2002, this split is finalized; Rosalie returns to her roots to further her growth as a Dakhóta woman because she feels her roles as wife and mother are obsolete. Another instance of germination occurs in this section with Rosalie’s revelation about her father. She acknowledges that her father’s care was not always good or kind, often leaving her lonely and fearful. Her reaction against that shaped how she approached parenting, though she was not able to cultivate the relationship she wanted with her child.

Tommy shows the most germination in this section, as it starts with his birth and ends with him reaching adolescence. He resembles his grandfather, Ray Iron Wing, and Rosalie hopes to instill his lessons in Tommy. He is her Wakpá, the symbolic river that leads back to her family and roots. Initially, he is Rosalie’s promise of retaining Dakhóta ways, showing interest in her stories of the “bean mouse” and learning about the interconnectedness of all living things. But he is also his father’s son. As with most young beings, it is unknown which of his parents’ traits he will exhibit or inherit. He is Rosalie’s, appearance-wise, but like his father before him, he yearns to please his father, and doing so requires that he become more like his white forefathers. As he ages, Tommy aligns himself more and more with John’s farming techniques, and Rosalie stops trying to teach him. This parallels the difficulty of maintaining Indigenous cultural traditions in a hostile world.

Gaby is in law school in this portion of the book and making a name for herself by speaking out on environmental issues, especially concerning pollution in the Minnesota River. She is achieving her goal of fighting for causes that affect the Dakhóta and their lands and sacred waters. Her personal growth, however, has come with a cost: her son, Mathó, is living with Aunt Vera. This estrangement foreshadows Mathó’s future troubles. While Gaby concerns herself with water, she sparks a fire in Rosalie’s mind about being more Dakhóta and paying more attention to how the farming practices around her are affecting the land, water, and people. Gaby’s future path is laid out before her, as she’s doing what she wanted to do when she was younger. However, she is already starting to sense the trade-offs she may have to make to continue.

Marie’s chapter shows the most literal examples of germination as she is growing and harvesting the corn that her grandmother gave her mother. She tends to it with care, knowing that it carries not only the potential of more life but her family’s stories. After all the tragedy she has experienced, she can no longer endure ignorance. In lashing out against the interviewer in her own language, Marie stakes a claim to her right to be angry. Marie is powerful in this moment, but the language barrier symbolizes white resistance to hearing and understanding Indigenous testimonies. However, her daughter Susanne is a reminder of love and hope for the future; while Susanne was born of rape, Marie’s love shows that new beginnings can be created from tragedy. Their move from the harsh land of Santee to her homeland in Minnesota shows that Marie hopes for more fertile soil for her descendants, both literally and figuratively.

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