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54 pages 1 hour read

John Gwynne

The Shadow of the Gods

Fiction | Novel | Adult | Published in 2021

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Character Analysis

Orka

Orka is one of the point-of-view characters in The Shadow of the Gods. She is tall, strong, and physically imposing from a life spent fighting and surviving. At the beginning of the novel, Orka has settled into a quieter life with her husband, Thorkel, and their young son, Breca, in a steading away from the chaos of the wider world. The family makes a living as trappers, selling pelts to nearby villages.

Orka’s primary concern is raising her son to survive in a world she knows to be merciless. Her stern parenting style is a source of tension between her and Thorkel. While he takes a more patient role with Breca and the boy’s compassionate nature, Orka believes “harsh words are needed for this hard world” (1). Throughout the novel, Gwynne gives glimpses of Orka’s past, which reveals how she came by her harsh and pragmatic view of the world. She and Thorkel are both Tainted. Orka, under her moniker “Skullsplitter,” was the former chief of the Bloodsworn, who are now led by Thorkel’s brother, Glornir. She was a “terrible, merciless warrior” (164) during her time with them. Both Orka and Thorkel were presumed dead after falling over the side of the Sea-Wolf.

In the aftermath, the pair metaphorically buried their past through the literal burial of their armor and weapons. They then attempted to forge a new life. While Thorkel manages to find solace in it, Orka remains haunted, unable to entirely escape the scars of her past. While her awareness of the fragility of life shapes her interactions with her family at the beginning of the novel, her vigilance is not enough to save them. Her steading is one of those attacked by Drekr and the other dragon-born to steal Tainted children for the ritual to free Lik-Rifa. Thorkel dies in the attack, leaving Orka alone to pursue the kidnappers.

The quest to get her son back is the focal point of Orka’s story. Her fury at the injustice inflicted upon her family transforms her into a relentless predator who lives up to her prior reputation as the Skullsplitter. Through a combination of her Tainted blood and experience, Orka is capable of enduring physical and emotional hardships that would break most others. In battle, she is a force of nature, capable of dismantling entire groups of enemies, whether human or vaesen, with terrifying efficiency.

However, Orka is unwilling to trust others and attempts to pursue her vengeance alone, which is why the roster of allied characters surrounding her is lower than that of Varg or Elvar. Only the brothers Mord and Lif accompany her, against her wishes and better judgment. Their brashness and inexperience contrast with her hardened nature. While she initially views them as liabilities, she gradually assumes a mentor-like role with the brothers by teaching them basic combat skills.

Despite her single-minded pursuit of vengeance, Orka occasionally allows moments of humanity to shine through, particularly when mentoring or protecting those less capable than herself, particularly children. While her focus is on Breca, she still takes time to rescue all the other kidnapped children she comes across. At the end of the novel, when the Bloodsworn find her in the ruins of the Grimholt, she is surrounded by the children she rescued.

As a vengeful and fiercely protective mother, Orka channels the archetype present in Norse mythological figures like Frigg or Freyja, goddesses associated with familial bonds and war. In the climactic fight at the Grimholt fortress, her maternal fury and warrior prowess merge into a singular force, as she unleashes her full might against her enemies. Nevertheless, even in victory, she is left hollow and grief-stricken, as Breca remains beyond her reach. The tragedy of her journey is an example of the fragility of hope in the brutal world she lives in.

Varg

Varg is the second point-of-view character in the novel and the only man. He was born into enslavement and spent most of his life in subjugation with his sister, Frøya. When she is murdered, Varg kills the man who enslaved him and escapes to pursue vengeance. His quest to find her killer and get justice for her death is one half of his journey in The Shadow of the Gods. The other half centers around him finding companionship and belonging with the Bloodsworn, who expose him to new ideals and relationships that challenge the singularity of his focus on revenge.

The clash between the two goals drives his decisions and overall character arc throughout the novel. His journey to find vengeance is not just about the literal avenging of Frøya’s death, but also about making sense of his pain and finding closure. His singular focus initially isolates him, as he distrusts those around him and views relationships as tools to achieve his goal. However, Gwynne presents vengeance as a double-edged sword: While it gives Varg purpose, it’s also an obstacle to the growth and connection that the Bloodsworn represent.

Varg is the most fallible and least experienced of the three point-of-view characters. Initially, he is desperate and untrained, carrying the rawness of his grief. He attempts to compete to join the Bloodsworn just for access to Vol, despite his lack of combat experience compared to them. The mercenaries are shocked when he refuses to take a shield with him into the fight against Einar Half-Troll, earning him the name “Varg No-Sense.” The shield, which Varg initially rejects and later learns to use, is a metaphor for protection and unity. Røkia’s insistence that he learn to wield one represents the Bloodsworn’s philosophy: No warrior fights alone. The Bloodsworn’s emphasis on communal strength and sacrifice and their code of loyalty contrasts with Varg’s solitary journey of revenge. The shield symbolizes his acceptance of the philosophy and his new willingness to rely on others, marking a departure from his solitary quest.

When he is injured during the fight, the Bloodsworn realize he is Tainted, a descendant of the wolf god Ulfrir. The combination of his nature and his determination led to his recruitment. However, this fact is kept from him for most of the novel. Even when he does learn that the entire group, including him, is Tainted, he rejects the idea due to the heavy cultural stigma surrounding those descended from the gods. He notes that a Tainted person is “Lower than a thrall, only good to be hunted, enslaved, used” (415). The words he uses are critical, as freedom is central to Varg’s arc. His escape from enslavement is only the beginning; true freedom, for him, lies in reclaiming his agency and forging a new identity for himself outside of what he was forced to be. His sister, Frøya, was his only companion in a world that treated him as property. However, with the Bloodsworn, he finally finds people willing to accept him fully for who he is and, for the first time in his life, he finds a sense of belonging.

While his quest for vengeance remains unresolved by the end of The Shadow of the Gods, Varg is no longer the broken man who stumbled into the Bloodsworn. Now, he is a warrior and a brother-in-arms who has begun to embrace his true identity.

Elvar

Elvar is the third point-of-view character in The Shadow of the Gods, but unlike Orka and Varg, she is not one of the Tainted. Instead, she is the estranged daughter of Jarl Störr. As a jarl’s daughter, Elvar was expected to serve as a symbol of unity and secure her father’s power. Instead, she chose a life of independence, avoiding an arranged marriage to Queen Helka’s son, Hakon, and going off to earn her own reputation on her terms.

Elvar became a warrior with the mercenary band, the Battle-Grim, who thrive on danger and the spoils of war. She is the “Youngest, and fiercest” (43) member of the warband, depicted as ambitious and fiercely independent. She is disdainful of ranged weapons, saying, “I hate bows […] a coward’s weapon. How can a warrior earn their battle-game killing at a distance” (43). Her statement reflects her adherence to a warrior’s code that values personal glory.

She also took on a familial relationship with her fellow mercenaries to replace the broken bonds with her biological father and brothers. Her mentor, Grend, is a surrogate paternal figure for her. He was her protector before she left Snakavik, and joined the Battle-Grim with her. Elvar also forms a tentative romance with Biórr, which they consummate on the road to Oskutreð. However, their bond is ultimately shattered when he kills Agnar and reveals he is working with Ilska and the dragon-born.

For Elvar’s character, Gwynne took inspiration from the archetype of a Norse shield-maiden, with examples including Lagertha and the mythological Brynhildr, who were warrior women who often fought alongside men and displayed unmatched courage. Elvar is also primarily driven by a thirst for glory and fame through battle, embodying the Norse ethos of drengrskapr, or honor through deeds. However, the cost is higher than she expects. Her decision to prioritize her own goals over Uspa’s warnings about the danger of The Impacts of Cultural Memory indirectly leads to Elvar’s involvement in the freeing of Lik-Rifa and the loss of her leader, Agnar.

The ending reveals a deep irony in Elvar’s character. She is the most skeptical character in the novel and takes multiple opportunities to refute the existence of the dragon-born Tainted and the dragon god herself. She outright tells the other Battle-Grim, “Lik-Rifa is a faery tale, made up to entertain, and to scare children into behaving” (130). While the other gods have evidence of their existence through their physical remains and descendants, Elvar has seen no tangible evidence of either for Lik-Rifa, and so refuses to believe the god exists until she sees her with her own eyes.

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