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88 pages 2 hours read

Stephen King

The Shining

Fiction | Novel | Adult | Published in 1977

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Themes

The Responsibilities of Parenthood

Jack and Wendy each have troubled relationships with their parents. Jack’s father was abusive and addicted to alcohol. During one dinner when Jack was a child, he beat their mother with a cane at the table without warning. Jack eventually came to see this as an appalling act. However, by the time he is prepared to kill his own family for the Overlook, he views his father as a reasonable man whose ungrateful wife and children oppressed him. Jack views part of fatherhood as a duty to punish unruly, ungrateful children.

Jack adopts the advice of Delbert Grady, who referred to the murder of his family as a mere correction. When his girls tried to burn down the Overlook, he “corrected them most harshly” (352), along with his wife. He tells Jack, “Husbands and fathers do have certain responsibilities” (352), and that Danny “needs to be corrected, if you don’t mind me saying so. He needs a good talking-to, and perhaps a bit more” (352). Jack still has moments of fatherly lucidity, even while descending into the grips of the Overlook’s evil. For instance, when the pressure on the boiler grows too high, he considers sacrificing himself and letting it explode so that they can escape the hotel and live on his insurance money. Through the character of Jack, King explores how men, who may have been meant well at some point in their lives, are driven by their insecurities, addictions, and traumas to inflict violence against their families.

Wendy’s mother was not physically abusive like Jack’s father, but she is still been a domineering force in her daughter’s life. Wendy gives inordinate weight to her mother’s disapproval. Her mother did not approve of Jack, and her unwillingness to accept him forced Wendy to make a choice. She chose to marry a man she loved instead of continuing to endure the absolute yoke of her mother’s expectations. Even Danny is aware—via the shining—of how fraught Wendy’s relationship with her mother has been.

Ultimately, the responsibility of the parents in the novel is to protect their children. Jack’s final act as a father, before succumbing completely to the hotel, is to ask Danny to run, and to tell him that he loves him. This is what Danny will remember later in Maine: not that his father tried to kill him, but that his father loved him enough to try to save him. Danny is also always aware that his parents want what is best for him. When Jack loses his job at Stovington, they can no longer afford to send Danny to the private nursery school he enjoyed: “He knew his father and mother worried about that, worried that it was adding to his loneliness” (24).

Ultimately, protecting Danny becomes Wendy’s responsibility, since Jack is no longer with them. Hallorann steps into the male authority role and promises to keep his promises and responsibilities to Danny. 

Mental Health and the Line Between Reality and Fiction

One of the major differences between the film and book version of The Shining is the treatment of mental illness with regards to the events at the Overlook Hotel. Director Stanley Kubrick structures the film in such a way that viewers can never be certain that the events are not simply the results of one—or more—character’s distorted perspective.

The novel The Shining has definite supernatural elements. King intends for the reader to treat the entities at the Overlook as real, even though the family tension and drama are also a rich part of the tension and danger. Once the ghosts start appearing to Wendy, however, it cannot be argued that much of what happens could exist only in their minds. Consider Jack’s early encounter with the hedge animals. They only move when he is not looking at them. He only hears them when he looks away. Then, before he can show anyone the anomaly, they reset themselves to their original positions. If he were to tell anyone, they would be right in assuming that something was wrong with his perceptions. For instance, the skeptic Dr. Edmonds would not take Jack’s story about the topiary as proof that supernatural events really happen. He would wonder what was occurring in Jack’s mind that made it possible for him to experience the terrible events with the hedge animals.

When Danny encounters the dead woman in 217, Jack wants there to be an easier explanation; it would be more convenient for him if Danny had a mental illness and had wounded himself. He proposes the possibility of stigmata.

Again, Danny’s meeting with Dr. Edmonds provides a useful counterpoint to the instant acceptance of the supernatural. Edmonds asks him several questions about Tony, and all of Danny’s answers could apply to someone with distorted perceptions. At one point, Edmonds introduces the possibility of schizophrenia. However, no explanation other than precognition accounts for the things Danny knows about other people.

By the time the hotel is in full swing during the book’s final act, there is no doubt that the ghosts are real. The hedge animals are animated, the drinks are real enough to intoxicate Jack, Wendy sees the party favors and hears the music, and Danny is able to summon Hallorann in Florida. Addiction, insecurity, and self-loathing produce their own forms of distorted thinking, but the experiences at the Overlook are not the result of anyone’s mental illness. Nevertheless, they still operate metaphorically to paint a picture of trauma, addiction, and toxic masculinity that resonates in the real world.

The Consequences of Addiction

Early in the novel, Danny knows the torment that alcohol causes Jack:

His daddy hurt almost all the time, mostly about the Bad Thing. Danny could almost always pick that up too: Daddy’s constant craving to go into a dark place and watch a color TV and eat peanuts out of a bowl and do the Bad Thing until his brain would be quiet and leave him alone (26).

He understands that Jack’s need to drink arises from a desperation to escape his own mind and self-loathing.

Jack’s self-hatred arises in large part from the fact that his own father was abusive and addicted to alcohol. Jack’s mental health further declines when he breaks Danny’s arm and loses his job over the George Hatfield incident. After learning that the Board wanted his resignation, “[t]he wanting, the needing to get drunk had never been so bad. His hands shook. He knocked things over. And he kept wanting to take it out on Wendy and Danny. His temper was like a vicious animal on a frayed leash” (35). His low self-image is exacerbated by Al Shockley’s sobriety, which has resulted in a better life for Shockley. However, Jack’s sobriety makes everything more difficult. He does not have Shockley’s money, he loses a prestigious job even though he stops drinking, and the pressure of his temper only grows with each day of abstinence.

The Overlook understands Jack’s weakness and insecurity. It is not an accident that, as soon as the hotel gains enough power, it presents Jack with Lloyd the bartender and a fully stocked bar in the Colorado Lounge. As soon as Jack begins to drink, he sets events in motion that continue until his death in the explosion.

No one is better acquainted with Jack’s addiction than Wendy, which is why she is so concerned about Jack’s pre-drinking tics, such as chewing Excedrin and rubbing his lips. She knows that his need to drink leads to his increased temper, and his temper leads to situations like the George Hatfield incident. However, Jack is not the only character who deals with addictive impulses. Dr. Edmonds compares Danny’s attempts to lessen his contact with Tony to “a junkie kicking the habit” (151). Also, Room 217 exerts a powerful pull on Danny that is a combination of compulsive and addictive behavior. Danny does not want to enter the room any more than Jack wants to reap the consequences of drinking, but he goes to the room anyway, once the mental pressure it exerts becomes too much to resist.

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