19 pages • 38 minutes read
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Iliad by Homer (8th century BC)
The Iliad is one of the oldest surviving texts in the Western canon, and serves as the model for many military epics. Like The Song of Roland, Homer’s Iliad narrates a historical war that came to define the two nations involved. Homer’s depiction of the Trojan War (13-12th century BC) set the groundwork for ancient Greek identity. Like Roland, Homer’s Iliad was intended for oral delivery; both poems use repetition and formulaic structures as memory aids.
Sir Gawain and the Green Knight by The Gawain Poet (14th century)
Sir Gawain and the Green Knight is one of the most studied works of chivalric literature. Originally written in Middle English by an unknown author called the “Gawain Poet,” Gawain draws inspiration from earlier French tales. Gawain places less emphasis on narratives of nationhood than The Song of Roland. Instead, the story is indicative of later romances’ attention to virtue and chivalric duty.
“Morte d'Arthur” by Alfred, Lord Tennyson (1842)
Stories of medieval chivalry grew popular in England during the Victorian era. Alfred, Lord Tennyson, one of the most distinguished poets of the time, often wrote poetry on medieval themes or subject matter. His Morte d’Arthur focuses on the death of King Arthur, legendary king of Britain. Tennyson’s primary source, 15th-century poet Thomas Malory, took these stories from Chrétien de Troyes, a 12th-century French writer of chivalric romances influenced by The Song of Roland. Tennyson’s attention to the hero’s death mirrors Roland.
“Song of Roland” by Mark Jarman (2011)
This short poem by American poet Mark Jarman demonstrates the lasting influence of Roland’s story. Jarman incorporates elements of the original Song of Roland into a poem about his “mother’s cousin” (Line 2) of the same name. By comparing the hero Roland’s death with his relative’s “congenital heart failure” (Line 27), Jarman reinvigorates the emotional content of the original Roland.
“Who Were the Saracens?" by Kallie Szczepanski (2018)
During the Middle Ages, authors and poets used the blanket term “Saracen” to refer to those outside of Christian Europe (See: Symbols & Motifs)—typically, the peoples of Africa or the Arabian Peninsula. In this article, Kallie Szczepanski explores the complex and racialized history of the term.
“Charlemagne” by Joshua J. Mark (2019)
The Song of Roland embellishes facts of French and European history to serve its narrative ends. Though the poem’s characters and events (such as Charlemagne’s long lifespan) are fantastical, they are often rooted in reality. Crowned the king of the Franks in 768, Charlemagne rapidly expanded his kingdom. By his death in 814, Charlemagne gained the title of Roman Emperor and ruled over most of mainland Europe. Joshua J. Mark’s article outlines Charlemagne’s reign and includes references to the 778 CE Battle of Roncevaux Pass that served as the inspiration for the events in The Song of Roland.
“Medieval Chivalric Romance” by Adam Burgess (2019)
The Song of Roland appears before many conventions of chivalric romances were established. However, Roland’s influence on French literary output during the Middle Ages means that many elements that later became tropes in these romances trace back to Roland. Adam Burgess’s article explores the major works and storylines that define the genre of chivalric romance.
The author of The Song of Roland likely intended the work, like other epic poems, to be read aloud. This reading of Glyn Burgess's translation demonstrates the poem’s use of repetition and parataxis.
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9th-12th Grade Historical Fiction
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European History
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French Literature
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Good & Evil
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Loyalty & Betrayal
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Medieval Literature / Middle Ages
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Memorial Day Reads
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Military Reads
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Nation & Nationalism
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Sexual Harassment & Violence
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War
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