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39 pages 1 hour read

Gabrielle Zevin

The Storied Life Of Aj Fikry

Fiction | Novel | Adult | Published in 2014

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Chapters 11-13Chapter Summaries & Analyses

Chapter 11 Summary: “Ironhead”

A.J. reviews Aimee Bender’s Ironhead, a book about two parents who have a baby with features different from theirs. A.J. tells Maya that for “obvious reasons,” this story is on his mind (253). He also warns against falling for the logical fallacy called “appeal to tradition,” which claims that something is better just because it is older.

At Christmas, A.J.’s mother visits. She is as different from A.J. as could be—much more open and socially involved. She gets everyone e-readers—an item A.J. has long despised. He likes the physical feel of art objects and doesn’t like that digitalization is reining supreme. He tries to remain calm but asks his mother if she understands that e-readers have the potential to put him out of business. Both A.J. and his mother become upset over the gift, so Amelia steps in and chastises A.J. for being “rude” (258).

Right then, the smoke alarm goes off and alerts them to the burning Christmas brisket. Amelia is confused since she had set the alarm on her phone to avoid this scenario. A.J. says he put her phone on silent because he thought it might otherwise “ruin” the holiday, which leads Amelia to become even angrier and bring up other complaints she has (259). Maya is secretly very excited about the e-reader and tells her grandmother so.

At dinner, both A.J. and Amelia drink a lot to drown the pain of the evening. In bed that night, A.J. continues to complain until Amelia points out that e-readers allow people with poor vision to enlarge the text—a feature that would certainly help A.J. in the near future. At that point, he has one of his seizures and briefly blacks out. Amelia asks several times for him to go to the doctor, but he continuously refuses.

After the holidays, life goes back to its normal routine for A.J. until, while running in the dead of winter, he has another seizure. A brain specialist diagnoses A.J. with a rare form of brain cancer and recommends immediate surgery. The surgery, depending on its success, will leave A.J. with anywhere from two to eight years to live. Both the cancer and the surgery are likely to affect the language center of his brain.

On his way home, A.J. stops to have a beer with Chief Lambiase and reports the news. He says he does not plan to go through with the operation. Instead, he wants to commit suicide to save Maya from financial ruin. Lambiase tries to talk A.J. out of this decision.

Next, Lambiase tells Ismay that he knows she stole A.J.’s book and that he doesn’t care but he does want her to return it. In turn, Ismay reveals that Marian Wallace came to her, with Maya, and asked for money. She admits she was awful to Marian and that, because she didn’t want to lose her husband, she did not tell Daniel about the visit—or about his daughter. Ismay then explains that, after taking A.J.’s copy of Tamerlane, she brought the book to Marian and told her it was a gift from Daniel—that he wanted her to sell it for the money. Shortly afterward, Marian, Maya, and the book showed up at Ismay’s. Marian explained that the book was useless because everyone in town was on the lookout for the stolen copy; then she described Tamerlane as a “sad” story about love, power, and sacrifice (278). After Ismay turned the woman and her child away, she noticed that Maya had colored on the cover. Ismay hid the book, hoping eventually Daniel would ask her about it, but he never did. When Marian killed herself, Ismay tells Lambiase, she felt as if she committed “a crime” (279). He insists everything turned out for the best and that in some ways she “saved A.J. Fikry’s life” (280).

Lambiase sees A.J. at the next policeman book club and hands him an unremarkable package which he urges him to open. A.J. just sets it down, saying he has experienced “too many disappointments” to hope for anything amazing to happen again (281).  

Chapter 12 Summary: “What We Talk About When We Talk About Love"

A.J. describes Raymond Carver’s 1980 short story “What We Talk About When We Talk About Love” as his favorite short story. He adds that Amelia and Maya are his favorite people.

A.J sells the damaged copy of Tamerlane at an auction for more than $70,000 dollars. He is still hesitant about spending the money on himself, but Maya and Amelia are insistent that the money has no better use than to help extend his life.

Lying in a hospital bed before the operation, A.J. listens as Amelia complains about The Late Bloomer. He asks again if he should go through with the surgery, and Amelia assures him he is making the right decision. She cries and tells him that she likes his “brain” (288). He tells her not to “pity” him, and she says all the pity is for her because she is going to be left all alone (288). He tells her she will meet someone else, just like he did after Nic died. She says that won’t happen because he is “the one” (288). They then banter about post-op sex until it’s time for A.J. to go under. Watching as he’s wheeled away, Amelia says, “I love you” (289).

A.J. gets out of surgery and spends a month getting sick in isolated radiation. He tries to read on his e-reader, but he can’t pay attention to anything longer than a short story. He wants to make notes for Maya about his impressions about how to be the best writer, but he doesn’t have the tools or strength to record his thoughts. At the end of the month, the doctor reveals that the tumor did not budge. A.J. has about a year to live, during which many of his central functions will become non-operational. 

Chapter 13 Summary: “The Bookseller”

A.J. reviews Roald Dahl’s “The Bookseller,” a short story composed of “Dahl’s usual collection of opportunistic grotesques” (293). A.J. admits that, though the story lacks craft, he connects to the characters on a personal level—a quality he believes makes even a weak story worth reading.

A.J. is lying in his hospital bed trying to form the words to tell Maya what he is thinking. The words won’t come and they both start crying. He wants to tell her to read all of the books he read. He tries to say “love,” but it comes out “gloves” (298). He gives up trying to talk but is happy for the physical comfort Maya provides. 

A.J. dies, causing an uproar in town as everyone speculates about the fate of “Island Books.” Amelia makes the difficult decision to sell it and move. She doesn’t have the expertise to run the store, and she needs her publisher’s income to raise Maya. At first, no one is interested in purchasing the store, but then Lambiase suggests to Ismay that they buy the store and run it together. Ismay does not immediately fall in love with the idea, but she becomes excited and gives in. Amelia quits her job working for the publisher and becomes a book buyer. In her notes on the “Island Books” account, she tells the person taking over her job how special the store and account is.

In the final scene, Amelia’s replacement, Jacob Gardner, approaches the shop full of vigor and excitement about a chance to work in the literary world. 

Chapter 11-13 Analysis

Throughout the book, characters frequently mention or contemplate suicide. By the end of the book, suicide has become almost a plague, in a place meant to be every-town America. At first, Marian’s suicide appears to be an aberration of the quiet life that usually characterizes Alice Island. However, as the book progresses, suicide becomes a more systematic issue—especially as it relates to women. When Ismay contemplates killing herself, she takes inspiration from both Marian and the female character in The Awakening who commits suicide. Maya also fixates on suicide in her winning essay.

Characters in the book also question whether it is better to be sentimental or ironic in life. Modern sentiment usually favors irony over sentimentality and for the bulk of this novel, that standard holds true. Several glaring ironies are ever-present—such as Maya’s being Daniel’s daughter and Daniel’s dying in a tragic car accident after writing about one in his fiction. Later in the book, however, sentimentality takes the win. A.J., for example, doesn’t want to disclose his health issues to his family because he worries they will be sentimental. In the end, he risks sentimentality, and the reward is precious time he couldn’t have otherwise had with his family. As he is dying, he focuses solely on sentiment rather than book learning because that is what he ultimately feels matters to him. 

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