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48 pages 1 hour read

Amy Waldman

The Submission

Fiction | Novel | Adult | Published in 2011

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Chapters 17-18Chapter Summaries & Analyses

Chapter 17 Summary

Claire dreams of Mohammed Khan talking to her about the natural recycling of gardens; she awakes from the imagined touch of his beard.

Claire meets her college boyfriend, Jack Worth, at a Greek restaurant. Before he arrives, Claire reminisces about the trip she and Cal took to Greece. Dinner surprises Claire. She had imagined rekindling an old love, but Jack is very intent on pushing her to stand firm in her support of Khan. Jack and Cal, both wealthy liberals, both influenced Claire’s thinking and perspective. For the first time she wonders whether her values are really her own or an extension of theirs. Jack follows her home from dinner, and he preaches some more before kissing and touching her. Claire cuts the lovemaking short, and Jack leaves without noticeable disappointment or anger.

Chapter 18 Summary

General hateful mayhem against Muslims continues in the United States—beyond scarf-pullings, people are now placing animal feces on the doors of mosques and protesting with pig roasts. Rumors abound—for example, that the United Arab Emirates has bought the rights to the memorial. But the Muslim community continues its vigilance, and young Muslim boys patrol their own neighborhoods, protecting scarfed women. Jihadist threats rise at home and abroad. All this forms the backdrop for Mo’s public hearing, which both the FBI and NYPD recommend calling off. Mo and Paul, however, wish to proceed.

Mo is disappointed that his new lawyer Scott Reis isn’t visible in the crowd. Reis’s firm was responsible for the leaks that Mo is now retaining a high-powered $500-per-hour lawyer, making the public all the more suspicious as to where the money is coming from. The truth is it is coming from Mo’s father’s retirement account. The law firm believes that any publicity is good publicity, but Mo insists on no advertising.

Mo visits Thomas, his wife Alice, and their kids. Alice, still very angry about Mo’s betrayal, places new conditions on his forgiveness, one being to help Petey build a space needle out of Legos. On the TV, Malik and Sarge argue over whether Mo should withdraw his design, which brings the question up with the Kroll family. Mo asks Alice directly whether she thinks he should withdraw. Alice says if he were any other Muslim she’d say yes, but he isn’t—he’s their Muslim.

In preparation for the hearing Mo cuts his hair and shaves his beard. He has mixed feelings about the act. When he approaches the hall, he is humiliated by a thorough search. Paul “rescues” him by referring to him as the guest of honor.

Mo feels very proud of the model of his garden that has been on display for a week bearing an American flag. It doesn’t help anything, though, when he gives a speech analyzing the features of the garden and laying out the history of gardens in the Middle East, saying that, if anything, his garden’s influence predates the Muslim period—that these sorts of gardens actually inspired the Quran. Visible in the audience, Claire Burwell avoids his eyes. Ariana, however, gives him an encouraging smile. Because he can’t remember all he wants to say, Mo ends his speech abruptly. Throughout the speech the rowdy crowd heckles Mo, with Paul only half-heartedly trying to settle them down.

A group called US PEAK has been commissioned to handle the hearing’s public portion. They suggested bringing an element of democracy to the decision-making process. The speeches from the crowd are mostly negative, arguing against Islam and anything to do with it. Surprisingly, the only attack on Mo personally comes when the last speaker yells “murderer!” The participants seem to know little if nothing about Mo himself. Debbie Dawson is present with her publicity stunts maligning Islam. Some more educated people in attendance discuss the garden in terms of the architecture of a memorial, touching on the history of Middle Eastern gardens and the fact that the Twin Towers had aspects that were clearly influenced by Islamic art. The scene ends when a dark-skinned woman raises her arm high in the air, demanding to speak.

Chapters 17-18 Analysis

In this section we see Claire’s values continue to break down. Having been married to a liberal philanthropist whom she knows would take Mo’s side, she is now visited by the other love of her life, Jack Worth, who appears seemingly out of nowhere. But Jack’s visit is not unmotivated. Though he does try to make love to her, his real object is to push her to keep the faith, to stand by the Garden design. Claire thinks back to her younger years with Cal and Jack and wonders whether she has just adopted their values as her own. The theme of identity reappears here, as she wonders who the real Claire Burwell is. This is the point when Claire begins to lose herself, perhaps because she hadn’t formed her values on her own but imbibed them from these two lovers.

Mo is no public speaker. Rather than making a case for the “Americanness” or universality of his garden design, he gives a lecture worthy of an art professor. Instead of making his case, his speech actually works against it, especially when he says that the Middle Eastern gardens his design is reminiscent of probably inspired the Quran. The point he is trying to make, that elements of the design predate Islam, is missed entirely by the crowd, which notices not the nuance of his argument but his focus on the Middle East over America. At this point the reader may wonder whether Mo is actually trying to sabotage himself. He also appears unprepared because he keeps forgetting what he wants to say or where his argument is going, and his abrupt ending seems like more than a small defeat.

When the hearing opens the floor to public opinion, a range of arguments pour forth, some adamantly opposed to Mo’s design and Mo himself—though the crowd clearly knows nothing about Mo as a person. Others are less antagonistic, noting the history of Middle Eastern gardens and the Islamic influences in the Twin Towers. This goes to show that there is no single American opinion. Rather, the opinions are diverse, ranging from one end of the spectrum to another, much like the American people themselves.

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