61 pages • 2 hours read
T.C. BoyleA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section contains a reference to rape.
Throughout the novel, the coyote often appears as a symbol of the undocumented Mexican immigrant, and the battle against the coyote population mirrors anti-immigrant rhetoric. At the start of the novel, one of Kyra’s dogs is killed by a coyote who jumps the six-foot tall fence around the Mossbachers’ backyard. Later, the fence is replaced with eight feet of chain-link, which does nothing to stop another coyote from running off with the second dog. Delaney, who supposedly supports living in harmony with nature and people from around the world, writes a column about coyotes using language that echoes what other characters use when discussing immigration. He writes that he “has begun to feel that some sort of control must be applied” (219) on the coyote population, using a sensationalized story of a baby taken from a patio as an example of the apparent danger. He argues that coyotes are “cunning, versatile, hungry and unstoppable” (221), similar to the threatening language that other residents in Arroyo Blanco use to warn of the danger of undocumented immigrants.
América also employs the symbolism of the coyote by equating herself to the wild dog, although not for the same reasons as the likes of Delaney and Kyra. Deep in her depression after being raped, América sees a coyote and stares at it until she imagines “herself inside those eyes looking out, […] know[ing] that men were her enemies” (184). Like the coyote, América means the world no harm but feels hunted and threatened by men. Among the men she has been harmed by is the coyote who helped her and Cándido cross the border from Mexico. Coyote is Mexican slang for people who guide undocumented immigrants across the border into the US, some of whom rob, abandon, or otherwise exploit their charges. The bilingual pun underscores the coyote’s liminal status in The Tortilla Curtain: a figure that crosses boundaries and sometimes causes harm, yet whose activities are the result of the pressures put on them by the unfair and prejudiced policies of rich white Americans.
In The Tortilla Curtain, gates, walls, and fences become symbols of white fear and paranoia. The barriers are constructed under the guise of safety, supposedly to keep out dangerous coyotes, thieves, and other criminals. In reality, these borders are exclusionary, designed to keep people of other races and social classes out of the upper-middle-class Arroyo Blanco. Before he descends into his paranoid obsession, Delaney recognizes that the wall is “poisonous,” pointing out that it “keeps in” fear and bigotry, allowing it to stew and fester. However, as the novel progresses, the wall also represents Delaney’s change of values as he moves from hating the wall to obsessing over discovering who has defiled it. His prediction about the wall’s poison turns out to be correct for himself. The fear that inspired the wall and the bigotry present in Arroyo Blanco has also infected Delaney, and he comes to share the opinions of his neighbors.
Food is an important motif in the novel that illustrates the cultural and economic differences between the Rincóns and Mossbachers and the decadence of American consumerism. Cándido and América are always wondering where their next meal will come from. They are sometimes forced to steal vegetables from nearby gardens, and at their lowest, they eat from a Kentucky Fried Chicken dumpster. The Mossbachers’ meals, meanwhile, are comically elaborate. Delaney prepares meals like “tofu kebabs with […] honey-ginger marinade” for dinner (188), packs sprout-and-cream-cheese sandwiches on his hikes, and the Thanksgiving spread at Dominick Flood’s house includes “a whole roast suckling pig with a mango in its mouth and fresh-steamed lobsters surrounded by multicolored platters of sashimi and sushi” (270). In the supermarket, Delaney feels that the many products on the store shelves are “packaged and displayed for [his and Kyra’s] benefit, for them and them alone” (255). This overabundance is granted to them because of their social status, and the blatant excess of their meals represents the injustice in the vast economic gulf between the Rincóns and Mossbachers.
By T.C. Boyle