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42 pages 1 hour read

Varsha Bajaj

Thirst

Fiction | Novel | Middle Grade | Published in 2022

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Symbols & Motifs

Thirst

In an interview with the Texas Library Association, Bajaj reflected on the title of the book and its figurative significance to the story: “Halfway through the first draft of this story, I realized that Minni is thirsty. She feels the need not just for water, but the need to have access to education, to opportunity, and to respect” (“Thirst Author Varsha Bajaj.” YouTube, uploaded by Texas Bluebonnet Award, 20 Mar. 2023). The experience of thirst, therefore, is a symbol of all the other ambitions Minni and her community have. Minni’s thirst for education and a better future for herself and her family pose massive challenges for a community that has been systemically deprived of resources. As the Compounding Effects of Resource Deprivation hinder Minni’s family’s ability to achieve some of these goals, her thirst for a better life is what drives her forward. In the end, this deep-seated motivation is what empowers her and her brother to prevail. Toward the end of the book, she offers this hopeful observation: “Sanjay is right. We are both thirsty. And it’s our time to do the things we want” (170). By defeating the water mafia, Minni finds a way to slake her thirst, literally and symbolically.

Marigold Garlands

Marigold garlands are a motif that appears throughout the book in Minni’s times of crisis. These garlands are used throughout India as decorations for Hindu temples and special occasions such as weddings and religious festivals. Marigolds carry significance in Hinduism as symbols of auspiciousness and happiness. When Minni happens upon them in her most difficult moments, they are signs that events will soon turn more positive. For example, Minni walks by a statue of Ganesh (the Hindu god of good luck) adorned with marigolds the day after Sanjay’s encounter with the mafia boss: “[T]he elephant’s head is draped in marigold garlands. Bells hang above it, and I clang them twice for good measure” (31). By interacting with the shrine, Minni wishes for good luck for herself and her family, despite the dire circumstances. This religious action helps her feel better. Conversely, when she is overworked and tired later in the book, she sees that the marigolds at the shrine are “withered,” reflecting her dwindling hopes for the future.

Roti

Throughout Thirst, Minni and her mother make roti, an Indian flatbread similar to a tortilla. Roti is a comfort food for Minni as a motif associated with tradition and her mother’s love, and it is also a manifestation of the manual labor demanded of her at Pinky’s house. As such, Minni invests roti with mixed emotions over the course of the book. The immense pressure placed on Minni’s roti-making abilities at Pinky’s house is evident in her nervous tone: “I feel my heart thumping. I cannot make a liar of my ma. I have to do better, or I’ll lose this job on the first day” (73). Even in these dark moments, however, the roti maintains an intimate association with Rohini, reminding readers that bread is a product of familial love and care. Ultimately, this association prevails over the negative ones when Rohini stops working for Pinky’s family and decides to start her own business making roti for the community.

Computers

For Minni and her family, computers symbolize an opportunity for a more stable, prosperous life. This significance is why it is so exciting for them that Minni has the opportunity to take a class in computer skills. In Chapter 2, when the class is mentioned for the first time, Minni observes, “It’s as if the word computer, spoken aloud, has magically created windows in the walls where none existed” (8). Language like this imbues computers with pseudo-supernatural powers, positioning them as miraculous objects in a world filled with harsh realities. Minni’s computer science teacher, Priya, an Indian American, has a more pragmatic understanding of computers but seems to understand their significance to her students. During the first class, she tells them, “That is called a screen saver. I chose an eagle. I imagine that this class will teach you girls to fly” (90). By associating computers with imagery related to flight, Bajaj ties them to Sanjay’s fantasies of flight in Chapter 8, which Minni dismisses as impossible. Although literal flight may indeed be impossible for Minni, Priya’s introduction to the world of computers offers her a chance to soar metaphorically.

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By Varsha Bajaj