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46 pages 1 hour read

Maureen Sherry, Adam Stower

Walls Within Walls

Fiction | Novel | Middle Grade | Published in 2010

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Character Analysis

CJ Smithfork

CJ is the oldest of the three Smithfork children. Sherry characterizes him as the responsible sibling—when their nanny leaves them alone, she places him in charge because she believes he can handle the responsibility of watching his siblings. However, despite his assumed responsible nature, CJ faces internal conflicts based on the responsibility placed upon him. Though he wants to find the treasure at the end of the clues, he first and foremost wants to keep his siblings safe but does not know how to do so without hurting their feelings. He particularly clashes with Patrick, whom he assumes cannot handle the same level of discourse he and Brid engage in because of Patrick’s age.

CJ acts as one of the three primary protagonists in the novel; Sherry encourages readers to root for him and his siblings as they traverse the physical landmarks of New York City and engage with the history behind those landmarks. However, he is a flawed protagonist. His mistakes place him in external conflicts, particularly with his parents. He lies and misleads his parents, his new friend at school, and his nanny to pursue the treasure. His lies catch up to him, and only when he reveals his deceits to his family—the same way they all expose the hidden map of New York City, which serves both symbolic and motific purposes in the novel—can he overcome the external conflicts between himself and his parents as well as the internal conflicts associated with his guilt over his lies and secrets.

His character arc throughout the novel demonstrates that CJ is a dynamic, round character. At the beginning of the book, he resists the move to the new apartment because he does not want his life to change; by the end, not only has CJ accepted the changes in his life, but he also embraces them. He willingly accepts his new life because the treasure hunt reveals more than the location of the Post inheritance. Their bond grows as he, Brid, Patrick, and Eloise find more clues. Though he acts aloof many times toward the novel’s conclusion, he acquires an appreciation for the novel’s themes, which allows him to become a more rounded and complete individual and grow out of the youthful disposition he displays at the beginning of their adventure.

Bridget “Brid” Smithfork

Brid is the Smithfork family’s middle child and serves as the novel’s sidekick character archetype to her older brother’s protagonist archetype. She often antagonizes her younger brother, Patrick, to hide her insecurity that she does not follow CJ’s example. In the novel’s Teamwork and Family Dynamics in Problem-Solving theme, Brid positions herself as a mediator for the Post family. She is the first to consider that Julian Post was not intentionally deceptive or malicious in his purposes, and she makes Eloise reconsider her late father’s actions.

As the sidekick archetype, her primary function within the plot is to support CJ, enhance his positive characteristics, and fill in gaps where he misses attributes. Her support often manifests as deceit, such as when she lies to Maricel about CJ’s location. Her choices create morally complex questions about Brid—some of her actions within her role as a sidekick are standardly ethically wrong; however, she has good intentions. Though her actions are flawed, her reasoning is sound, and through her character arc, Sherry poses a question: When is it acceptable to act against societal norms and values?

Patrick “Pat” Smithfork

Patrick is the youngest Smithfork child and functions as the novel’s explorer archetype. Though dyslexic, Patrick’s disability is a minor piece of his overall role within the narrative arc, and it is an even small part of his character arc. Instead, Sherry focuses on Patrick’s attention to detail and resourcefulness. He is the only character to notice that the woman in the portrait behind the wall “has these funny words in her tears” (15). Without his attention to detail, in this instance and others, the treasure hunt would have failed because the Smithforks would not have gained the necessary problem-solving skills through teamwork and family dynamics—one of the novel’s primary themes. Patrick’s necessity in the Post family treasure hunt makes him a primary vehicle for the family and problem-solving theme. It gives him a position of authority when he often gets silenced because of his challenges.

Because of his attention to detail and his desire to please his siblings, Patrick positions himself as the explorer character archetype in the novel. Though he does not always seek out new places and adventures like other popular explorer archetypes, he wants his siblings to include him so that he can experience the world the way they get to. He gets put out when CJ and Brid wish to leave him behind because he feels sorrow that he cannot participate in the experiences. In a narrative about layering, Patrick acts as a relief from the layers by challenging their necessity. Rather than adding new layers of complexity the way each other character does, Patrick endeavors to remove layers; he wants to see the world through a simple lens, which he can do more quickly because of his young age, his mother’s affirmation that he sees the world differently than others, and his natural ability to look past extraneous information to know the importance of what is in front of him.

Eloise Post/Mrs. Munn

Eloise is the Smithfork family’s downstairs neighbor and functions as the novel’s sage character archetype. When the children first meet her, she uses a pseudonym to conceal her identity—a practice she does with everyone to avoid conversations about her family’s past. However, she also strives to hide from her past; she believes her father was a cruel man because of how he handled their inheritance, and she wants to distance herself from him as much as possible.

As she interacts with the Smithforks, she grows as a character. Her bitterness fades as she recognizes her father’s goals and ambitions for the inheritance quest. Her father’s poems instruct her about how Mr. Post hoped she would live her life, and she encourages the children to follow in the footsteps her dad wanted her to take. The guidance she provides positions her as the sage character archetype. Her wisdom goes beyond teaching the Smithforks to appreciate the hidden history around them, how to read poems for deeper meaning, and how to live as better people. While teaching them those valuable life skills, she also teaches them to dissect the world’s layers and see more profoundly than what appears on the surface—a lesson she must learn when confronting her long-lost brother.

Julian Post/Mr. Torrio

Julian is the novel’s primary antagonist, hiding behind the name “Mr. Torrio” and posing as a member of the Torrio family. His guiding purpose is to protect the Smithfork children, reunite with his sister, and work with Eloise to find their father’s inheritance. However, he holds a grudge against the Post family for surrendering him to the Torrios, which manifests as his incapability of facing his problems directly and exposing his identity to Eloise. 

Like all elements of this novel, Julian’s function is layered and complex. He shrouds himself in deception and contributes a new, ominous tone to the book. Before his appearance, the treasure hunt holds a whimsical and hopeful feel—the novel’s tone shifts after Julian appears and disappears from the Smithforks’ apartment. The quest still has hope that Eloise can reconcile with her father’s memory and the man she believes him to be, but now there is an element of danger. Eloise admits that she “still wonder[s] if Torrio had a role in his disappearance when [her] father was still alive, if there had been some sort of kidnapping after all” (176). Her suspicion solidifies a years-long situation of misplaced blame and guilt. As Eloise wants to reconcile who her father was, Julian wants to do the same and also reconcile who Eloise believes the Torrio family was with who they actually were.

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